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It's something most of us have sensed for years-the rise of a world defined only by “mine” and “now.” A world where business shamelessly seeks the fastest reward, regardless of the long-term social consequences; where political leaders reflexively choose short-term fixes over broad, sustainable social progress; where individuals feel increasingly exploited by a marketplace obsessed with our private cravings yet oblivious to our spiritual well-being or the larger needs of our families and communities. At the heart of The Impulse Society is an urgent, powerful story: how the pursuit of short-term self-gratification, once scorned as a sign of personal weakness, became the default principle not only for individuals, but for all sectors of our society. Drawing on the latest research in economics, psychology, political philosophy, and business management, Paul Roberts shows how a potent combination of rapidly advancing technologies, corrupted ideologies, and bottom-line business ethics has pushed us across a threshold to an unprecedented state: a virtual merging of the market and the self. The result is a socioeconomic system ruled by impulse, by the reflexive, id-like drive for the largest, quickest, most “efficient” reward, without regard for long-term costs to ourselves or to broader society. More than thirty years ago, Christopher Lasch hinted at this bleak world in his landmark book, The Culture of Narcissism. In The Impulse Society, Roberts shows how that self-destructive pattern has grown so pervasive that anxiety and emptiness are becoming embedded in our national character. Yet it is in this unease that Roberts finds clear signs of change-and broad revolt as millions of Americans try step off the self-defeating treadmill of gratification and restore a sense of balance. Fresh, vital, and free of ideological, right-wing/left-wing formulations, The Impulse Society shows the way back to a world of real and lasting good.
Impulse explores what people do despite knowing better, along with snap decisions that occasionally enrich their lives. This eye-opening account looks at two kinds of thinking--one slow and reflective, the other fast but prone to error--and shows how our mental tracks switch from the first to the second, leading to impulsive behavior.
Packed with riveting examples and controversial research, "The Impulse Factor" provides a clear understanding of why people make the choices they do--and the tools necessary to turn those decisions into something great.
Music is surrounded by movement, from the arching back of the guitarist to the violinist swaying with each bow stroke. To John Paul Ito, these actions are not just a visual display; rather, they reveal what it really means for musicians to move with the beat, organizing the flow of notes from beat to beat and shaping the sound produced. By developing "focal impulse theory," Ito shows how a performer's choices of how to move with the meter can transform the music's expressive contours. Change the dance of the performer's body, and you change the dance of the notes. As Focal Impulse Theory deftly illustrates, bodily movements carry musical meaning and, in a very real sense, are meaning.
In this riveting and startling companion to "Impulse," northern Nevada teenagers Cara, Kendra, Sean, and Andre, tell in their own voices of their very different paths toward perfection and how their goals change when tragedy strikes.
Establishing the inseparability of grammar and gesture, this book explains what determines when, how, and why we gesture.
"From a pioneer in mobile technology and marketing, a guide to navigating and harnessing the mobile economy to drive and increase impulse shopping habits among buyers everywhere"--
What drives people to take to the streets in protest? What is their connection to other activists and how does that change over time? How do seemingly spontaneous activist movements emerge, endure, and evolve, especially when they lack a leader and concrete agenda? How does one analyze a changing political movement immersed in contingency? Impulse to Act addresses these questions incisively, examining a wide range of activist movements from the December 2008 protests in Greece to the recent chto delat in Russia. Contributors in the first section of this volume highlight the affective dimensions of political movements, charting the various ways in which participants coalesce around and belong to collectives of resistance. The potent agency of movements is highlighted in the second section, where scholars show how the emerging actions and critiques of protesters help disrupt authoritative political structures. Responding to the demands of the field today, the novel approaches to protest movements in Impulse to Act offer new ways to reengage with the traditional cornerstones of political anthropology.
The period from the mid-1930s to the end of the 1950s in India saw the cultural expression of a wide range of political sentiments and positions around imperialism, fascism, nationalism, and social transformation. It was a period that covered a crucial transitional phase: from colonialism to a postcolonial context. This transitional period in India coincided with a vibrant radical ethos in many other parts of the world where, among numerous political issues, the aesthetics-politics relationship came to be articulated and debated in unprecedented ways. No history of this period can be written without giving an account of the departures, inventions, and reinventions made by the Indian People's Theatre Association (IPTA) in the fields of drama, music, and dance. Yet music, a very important part of the IPTA's creations as well as the connecting link between the various artistic forms, has not been studied as part of the history of the IPTA movement. This book attempts to fill this gap in knowledge about the vast musical repertoire of the IPTA. It is about the IPTA tradition's music in a national as well as specifically regional contexts (Bengali, Malayalam, Telugu, Assamese, and Hindu/Urdu in particular), situated within the overall cultural and political context of the transitional period in India, and in the context of a radical impulse emergent in many parts of the world from the beginning of the twentieth century. The book is the culmination of an archiving-cum-documentation project of music in the IPTA tradition undertaken by the author. It can also be read as a songbook, including lyrics and musical scores, revivifying the songs and music of a radical impulse in South Asia.
Cent, the daughter of a man brutally pursued by the government and other dangerous adversaries for his ability to teleport, triggers an avalanche while illegally snowboarding and discovers her own teleporting abilities.