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Two Arab men are found murdered near downtown Houston, Texas, and detectives Ross Clayton and Leona Stillwell are sent to investigate. These aren’t ordinary murders, however—the bodies are arranged to mirror a famous Impressionist painting, and the exactitude of the killing gives Clayton cause to be concerned. He suspects this killer isn’t finished. His suspicions turn out to be correct as more men end up dead and similarly arranged. Every victim is of Arab descent, and it’s hard to deny the killer must have both some kind of racial vendetta and a love for Impressionist art. Clayton and his partner have no choice but to seek out an expert—Lund Corbel from the Houston Fine Arts Museum. He sets them on the right path, but their path gets crowded as the serial killer continues the spree. Clayton has solved plenty of strange crimes before, but he’s beginning to feel out of his depth, especially following the death of a fellow cop in pursuit of another investigation involving drugs, prostitution, and murder. Soon, two investigations collide, and the end won’t be as pretty as a painting.
Two Arab men are found murdered near downtown Houston, Texas, and detectives Ross Clayton and Leona Stillwell are sent to investigate. These arent ordinary murders, howeverthe bodies are arranged to mirror a famous Impressionist painting, and the exactitude of the killing gives Clayton cause to be concerned. He suspects this killer isnt finished. His suspicions turn out to be correct as more men end up dead and similarly arranged. Every victim is of Arab descent, and its hard to deny the killer must have both some kind of racial vendetta and a love for Impressionist art. Clayton and his partner have no choice but to seek out an expertLund Corbel from the Houston Fine Arts Museum. He sets them on the right path, but their path gets crowded as the serial killer continues the spree. Clayton has solved plenty of strange crimes before, but hes beginning to feel out of his depth, especially following the death of a fellow cop in pursuit of another investigation involving drugs, prostitution, and murder. Soon, two investigations collide, and the end wont be as pretty as a painting.
The first book in this thrilling, terrifying series by New York Times bestselling author Barry Lyga is perfect for fans of Dexter. It was a beautiful day. It was a beautiful field. Except for the body. Jazz is a likable teenager. A charmer, some might say. But he's also the son of the world's most infamous serial killer, and for Dear Old Dad, "Take Your Son to Work Day" was year-round. Jazz has witnessed crime scenes the way cops wish they could--from the criminals' point of view. And now, even though Dad has been in jail for years, bodies are piling up in the sleepy town of Lobo's Nod. Again. In an effort to prove murder doesn't run in the family, Jazz joins the police in the hunt for this new serial killer. But Jazz has a secret--could he be more like his father than anyone knows? From acclaimed author Barry Lyga comes a riveting thriller about a teenager trying to control his own destiny in the face of overwhelming odds.
"Cézanne, Murder and Modern Life changes the way we think about—and see—Cézanne’s entire oeuvre. Dombrowski’s arguments are convincing and bold, especially on the theme of murder as a vehicle for representation. Modern Olympia has never before been so satisfactorily analyzed." Susan Sidlauskus, Rutgers University, author of Cezanne's Other: The Portraits of Hortense “Exciting and intelligent, Cézanne, Murder, and Modern Life will be important for modernists, and essential for scholars of Cézanne, early Impressionism, and painting in the 1860s. Dombrowski shows us a Cézanne we did not know.” Nancy Locke, author of Manet and the Family Romance
A wildly entertaining and surprisingly educational dive into art history as you've never seen it before, from the host of the beloved ArtCurious podcast We're all familiar with the works of Claude Monet, thanks in no small part to the ubiquitous reproductions of his water lilies on umbrellas, handbags, scarves, and dorm-room posters. But did you also know that Monet and his cohort were trailblazing rebels whose works were originally deemed unbelievably ugly and vulgar? And while you probably know the tale of Vincent van Gogh's suicide, you may not be aware that there's pretty compelling evidence that the artist didn't die by his own hand but was accidentally killed--or even murdered. Or how about the fact that one of Andy Warhol's most enduring legacies involves Caroline Kennedy's moldy birthday cake and a collection of toenail clippings? ArtCurious is a colorful look at the world of art history, revealing some of the strangest, funniest, and most fascinating stories behind the world's great artists and masterpieces. Through these and other incredible, weird, and wonderful tales, ArtCurious presents an engaging look at why art history is, and continues to be, a riveting and relevant world to explore.
An Epic Story Of A Boy S Search For Identity In A World Which Seems To Have No Place For Him. At The Turn Of The Century In A Remote Corner Of India, An English Civil Servant And A Reluctant Hindu Bride Cross Paths During A Cataclysmic Rainstorm. Nine Months Later A Boy Is Born& Pran Nath S Startling Whiteness Is Regarded As A Sign Of Nobility Till His True Parentage Is Revealed. Ejected From His Father S House, He Begins A Haphazard Journey Through The Bizarre Dark Side Of The British Empire. As He Travels Across The World, From Bombay To London, From A Mouldering Norfolk Public School To Oxford And Paris, Everyone Sees Him With A Different Eye. The Impressionist Is A Comic Saga About History, Identity And Home. It Is The Epochal Debut Of An Exceptional Writer.
In Allison Montclair's A Rogue's Company, business becomes personal for the Right Sort Marriage Bureau when a new client, a brutal murder, two kidnappings, and the recently returned from Africa Lord Bainbridge threatens everything that one of the principals holds dear. In London, 1946, the Right Sort Marriage Bureau is getting on its feet and expanding. Miss Iris Sparks and Mrs. Gwendolyn Bainbridge are making a go of it. That is until Lord Bainbridge—the widowed Gwen's father-in-law and legal guardian—returns from a business trip to Africa and threatens to undo everything important to her, even sending her six-year-old son away to a boarding school. But there's more going on than that. A new client shows up at the agency, one whom Sparks and Bainbridge begin to suspect really has a secret agenda, somehow involving the Bainbridge family. A murder and a subsequent kidnapping sends Sparks to seek help from a dangerous quarter—and now their very survival is at stake.
The 'S.S. VAN DINE Premium Collection' represents a pivotal assembly of thriller classics, murder mysteries, and detective tales that weave together a rich tapestry of intrigue and intellectual challenge. The anthology is celebrated not just for its selection of compelling narratives but also for its diverse literary styles that range from the taut and suspenseful to the methodically deductive, encapsulating a broad spectrum of the crime genres evolution over the early 20th century. The volume stands out for its comprehensive showcase of Van Dine's (a pseudonym for Willard Huntington Wright) seminal work within the detective fiction landscape, offering readers an annotated and illustrated journey through the high points of his literary contributions. These standout pieces bridge the gap between entertainment and intellectual rigor, challenging readers to decipher clues alongside the protagonists. The contributing minds behind this anthology, primarily Wright under his famed alias, S.S. Van Dine, have indelibly shaped the contours of detective fiction. Their works, synonymous with the Golden Age of detective stories, reflect a period of literary experimentation and the transformation of the detective story into a vehicle for both puzzlement and social commentary. Wrights penchant for weaving intricate plots with a firm underpinning in logic and art history elucidates the intellectual currents of his time, making this collection an indispensable resource for understanding the genre's development. This anthology is thus recommended for readers eager to immerse themselves in the cerebral depths of classic detective fiction. It offers a unique window into the strategies employed by one of the genres masters, enhancing appreciation for the detective tale's art form. Beyond mere entertainment, the 'S.S. VAN DINE Premium Collection' invites readers to explore the multifaceted dimensions of mystery and deduction, championing the enduring appeal of the genre and fostering a deeper conversation between the intricate plots of yesteryears and the analytical minds of todays readers.
The body snatcher who inspired Psycho, the noblewoman known as Countess Dracula, Jack the Ripper, and other killers for whom murder was just the beginning. From Gilles de Rais’ castle in fifteenth-century France to “the Bloody Benders’” eighteenth-century Kansas farm to Jeffrey Dahmer’s quiet apartment in twentieth-century Milwaukee, history is littered with serial murderers whose first impulse was to take a life. For some, it was never enough. The real thrill came after their victims were dead. In this shocking anthology, true crime journalist Nigel Blundell brings together more than two dozen chilling profiles of the world’s most unforgettable fiends, including: Ed Gein, the Plainfield necrophile and inspiration for The Silence of the Lambs; Andrei Chikatilo, the “Rostov Ripper”, whose uncontrollable hunger was satiated by more that fifty victims; Dennis Nilsen, whose London house of horrors so overflowed with body parts that they blocked the drains; Germany’s Fritz Haarmann who killed and consumed more than two dozen men, then peddled the left-over meat on the black market; Hungarian countess Elizabeth Báthory whose lust for the blood of virgins—a body count estimated to be in the hundreds—has branded her the most prolific female serial killer in world history; and many more human monsters whose appetites are still the stuff of nightmares.
The 21st century's first major academic reassessment of Impressionism, providing a new generation of scholars with a comprehensive view of critical conversations Presenting an expansive view of the study of Impressionism, this extraordinary volume breaks new thematic ground while also reconsidering established questions surrounding the definition, chronology, and membership of the Impressionist movement. In 34 original essays from established and emerging scholars, this collection considers a diverse range of developing topics and offers new critical approaches to the interpretation of Impressionist art. Focusing on the 1860s to 1890s, this Companion explores artists who are well-represented in Impressionist studies, including Monet, Renoir, Degas, and Cassatt, as well as Morisot, Caillebotte, Bazille, and other significant yet lesser-known artists. The essays cover a wide variety of methodologies in addressing such topics as Impressionism's global predominance at the turn of the 20th century, the relationship between Impressionism and the emergence of new media, the materials and techniques of the Impressionists, and the movement's exhibition and reception history. Part of the acclaimed Wiley Blackwell Companions to Art History series, this important new addition to scholarship in this field: Reevaluates the origins, chronology, and critical reception of French Impressionism Discusses Impressionism's account of modern identity in the contexts of race, nationality, gender, and sexuality Explores the global reach and influence of Impressionism in Europe, the Middle East, East Asia, North Africa, and the Americas Considers Impressionism's relationship to the emergence of film and photography in the 19th century Considers Impressionism's representation of the private sphere as compared to its depictions of public issues such as empire, finance, and environmental change Addresses the Impressionist market and clientele, period criticism, and exhibition displays from the late 19th century to the middle of the 20th century Features original essays by academics, curators, and conservators from around the world, including those from France, Germany, the United States, the United Kingdom, Japan, Turkey, and Argentina The Wiley Blackwell Companion to Impressionism is an invaluable text for students and academics studying Impressionism and late 19th century European art, Post-Impressionism, modern art, and modern French cultural history.