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Integrating in detail the experiences of both Britain and Ireland, 1820 provides a compelling narrative and analysis of the United Kingdom in a year of European revolution. It charts the events and forces that tested the government almost to its limits, and the processes and mechanisms through which order was maintained. This book will be required reading for everyone interested in late-Georgian and early nineteenth-century Britain or Ireland. 1820 is about much more than a single year. Locating the Queen Caroline divorce crisis within a broader analysis of the challenges confronting the government, it places that much-investigated episode in a new light. It illuminates both the pivotal Tory Ministry under Lord Liverpool and the Whigs (by turns febrile and feeble) who opposed it. It is also a major contribution to our understanding of popular radicalism and its political containment.
A dual-perspective study of how English engagement with Italy, and the work of Italian exiles in London, radicalised Romantic poetry.
By accessing penal history through the mediator of individual memory authors can be seen to depict the cumulative dialogue between the English common law and its cultural representations across historical time. Offering legal readings of works by authors including Thomas Hardy, Charles Brockden Brown, Charles Dickens, Samuel Richardson, George MacDonald, Charles Kingsley, Alfred Tennyson, Charlotte Bronte, Robert Browning, Henry Fielding and Sir Walter Scott; this book explores this literary phenomenon and its legal significance during the eighteenth and nineteenth centuries. In doing so it argues that the importance of precedent in Anglo-American common law creates a unique discourse of historical legitimacy that shapes both the cultural and official conceptions of criminality itself during this period. Within a Foucauldian framework, the book illustrates how the cultural memory of crime and punishment contribute to the development of formal and informal penal institutions. Key Features:*Generates a new framework for analysing the relationship between individual and cultural narratives, literary texts, and the cumulative "e;truth"e; created by the common law*Provides three case studies of adultery, child criminality, and rape testimony that demonstrate the impact of cultural narrative on legal development in the eighteenth and nineteenth centuries.*Legal readings of works by authors including Thomas Hardy, Charles Brockden Brown, Charles Dickens, Samuel Richardson, George MacDonald, Charles Kingsley, Alfred Tennyson, Charlotte Bront Robert Browning, Henry Fielding, Sir Walter Scott *Transformative readings of widely read works including Charles Brockden Brown's Wieland and Ormond, Thomas Hardy's Tess of the d'Urbervilles, Charles Kingsley's The Water-Babies, Alfred Tennyson's Idylls of the King, Charlotte Bronts Jayne Eyre, Henry Fielding's The Modern Husband and Sir Walter Scott 's Heart of Midlothian