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An unconventional collection from a National Poetry Series award-winning poet, author of Spiritual Exercises Mark Yakich 's acclaimed debut collection, Unrelated Individuals Forming a Group Waiting to Cross, examined the blessing and curse of romantic love in its multiplicities. The poems in his new collection approach questions of suffering and atrocity (e.g., war, genocide, fallen soufflés) with discerning humor and unconventional comedy. These poems show how humor can be taken as seriously as straight-ahead solemnity and how we can re-envision solemnity in terms other than lamentation, protest, and memorial.
This book includes the poetry by and interviews with : Jennifer K. Dick, Laura Mullen, Jon Woodward, Rae Armantrout, Sabrina Orah Mark, Claudia Rankine, Christina Hawkey,Tomaž Šalamun, Christine Hume, Rosemarie Waldrop, Srinkath Reddy, Mark Levine, Karen Volkman, Allen Grossman, Paul Fattaruso, Dara Wier, Mark Yakich, Mary Leader, Michelle Robinson, Paul Auster, Sawako Nakayasu, Carla Harryman, Ben Lerner, and Aaron Kunin.
A second collection from a poet of “sheer joy and dizzy command” (The New York Times) Upon its publication in 2012, Alien vs. Predator, the debut collection by Michael Robbins, became one of the hottest and most celebrated works of poetry in the country, winning acclaim for its startling freshness and originality, and leading critics to say that it was the most likely book in years to open up poetry to a new readership. Robbins’s poems are strange, wonderful, wild, and irrationally exuberant, mashing up high and low culture with “a sky-blue originality of utterance” (The New York Times). The thirty-six new poems in The Second Sex carry over the music, attitude, hilarity, and vulgarity of Alien vs. Predator, while also working deeper autobiographical and political veins.
A new collection from a poet of "wily verve" whose work is "filled with more satire and jeopardy than anything going today" (Terrance Hayes) Mark Yakich's fifth collection of poetry is a dynamic and discerning journey of devotion and temptation in pursuit of the divine. Not trifling in ambiguity but diving headlong into it, Spiritual Exercises wrestles with popular gods as much as with personal ghosts. From autism to eroticism, from benediction to excommunication, and from grief to gratitude, this collection lays bare a full spectrum of emotional life, showing us how grace can be as playful as it is sincere.
A new collection from a Whiting award and National Poetry Series winner. Thomas Lux has called Roger Fanning "an American original...[whose] poems are so pure, so piercing, so simple, so distilled that reading him is like taking a drunk-with-language dive into a moonlit lake on a night you believe you will live forever!" Fanning writes surprising and evocative poems that are filled with humor and ingenuity; Mary Karr says he "tunes us in to those minuscule instants of revelation that can keep life from being a long zombie convention." This new collection of poems, Fanning's first in more than ten years, in part chronicles a period of time when he suffered a break with reality, and continues his investigations into the drudgeries, the disappointments, and the joy of our daily lives.
“O is so full of music and passion for life . . . Zeina Hashem Beck’s poems unfold the abundance of our world.” —Ilya Kaminsky, author of Deaf Republic From a "brilliant, absolutely essential voice" whose "poems feel like whole worlds" (Naomi Shihab Nye), a poetry collection considering the body physical, the body politic, and the body sacred Zeina Hashem Beck writes at the intersection of the divine and the profane, where she crafts elegant, candid poems that simultaneously exude a boundless curiosity and a deep knowingness. Formally electrifying—from lyrics and triptychs to ghazals and Zeina's own duets, in which English and Arabic echo and contradict each other—O explores the limits of language, notions of home and exile, and stirring visions of motherhood, memory, and faith.
A powerful, timely, dazzling new collection of poems from Terrance Hayes, the National Book Award–winning author of Lighthead—to be published simultaneously with his latest work of literary criticism, Watch Your Language The three sections of Terrance Hayes’ seventh collection explore how we see ourselves and our world, mapping the strange and lyrical grammar of thinking and feeling. In “Watch Your Mouth,” a tree frog sings to overcome its fear of birds; in “Watch Your Step: The Kafka Virus,” a talking cat tells jokes in the Jim Crow South; in “Watch Your Head,“ green beans bling in the mouth of Lil Wayne, and Bob Ross paints your portrait. On the one hand, these fabulous fables, American sonnets, quarantine quatrains, and ekphrastic do-it-yourself sestinas animate what Toni Morrison called “the writerly imagination of a black author who is at some level always conscious of representing one’s own race.” On the other hand, these urgent, personal poems contemplate fatherhood, history, and longing with remarkable openness and humanity. So To Speak is the mature, restless work of one of contemporary poetry’s leading voices.
An artful, compelling new collection from “a special poet in every sense” (Poetry) The poems in Debora Greger’s new book journey from Florida to England to Venice, finding in the byways and accidents of travel the ghostly presences that mark the poet’s passage from youth half-forgotten to the edge of old age: the younger self that, like some heroine in Henry James, she catches glimpses of and barely recognizes; the long-dead poets unable to sleep, with things still on their mind. The elegies threaded through this mature, startling book recognize life moving toward the shadows—these are poems of old responsibilities and new virtues, looking back as a way of looking forward.
A new collection that captures the austere serenity of the Southwest American desert. Award-winning, Paris-based poet Alice Notley's adventurous new book is inspired by the life of Marie, a woman who resided in the dump outside Notley's hometown in the Southwestern desert of America. In this poetical fantasy, Marie becomes the ultimate artist/poet, composing a codex-calligraphy, writings, paintings, collage-from materials left at the dump. She is a "culture of one." The story is told in long-lined, clear-edged poems deliberately stacked so the reader can keep plunging headlong into the events of the book. Culture of One offers further proof of how Notley "has freed herself from any single notion of what poetry should be so that she can go ahead and write what poetry can be" (The Boston Review).
A masterful new collection of poetry from the winner of the Pulitzer Prize and the Ruth Lilly Prize The poems in Carl Dennis’s thirteenth collection, Night School, are informed by an engagement with a world not fully accessible to the light of day, a world that can only be known with help from the imagination, whether we focus on ourselves, on people close at hand, or on the larger society. Only if we imagine alternatives to our present selves, Dennis suggests, can we begin to grasp who we are. Only if we imagine what is hidden from us about the lives of others can those lives begin to seem whole. Only if we can conceive of a social world different from the one we seem to inhabit can we begin to make sense of the country we call our own. To read these poems is to find ourselves invited into a dialogue between what is present and what is absent that proves surprising and enlarging.