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Written by the renowned British historian who has been described as both utterly thorough and humanely delicate, Jeremy Black offers a guided tour through the mind of Agatha Christie and life during the Great World Wars. His incomparable treatment of literary craft developing alongside global military engagement nearly overshadows the natural draw of the crime drama that is the subject of his book. Indeed, the "prurience and sensationalism" of crime is not as exciting as Black's aptitude for drawing the reality from the fiction (and periphery sources), giving Christie a much louder voice than she might ever have dreamed. If Christie is also moralist and mirror to her times, Black here plays his part as the detective and reveals layers of previously unmined truths in her stories. Hercule Poirot as a character is masterfully imagined, but Black shows us how he is inseparable from Christie's turbulent and changing world. He also illuminates significant social commentary in Christie's fiction, and in so doing Black often uses his authority to vindicate Christie's work from hastily, at times stupidly, applied labels and interpretations. He is especially magnificent in his chapters, "Xenophobia" and "The Sixties." Black nevertheless gives due recognition to Christie's critics when they have something relevant and reasonable to say, and hence the reader finds yet another service in Black's comprehensive review of the reviewers over the expanse of Christie's writing career. For all this, Black proves himself to be a worthy history-teller because he can aptly 'detect' the meaning of stories that seeks to answer the past and guide the present. His erudition runs much deeper than his ability to navigate the stores of resources available on the subject, and the reader gets a glimpse of this early on when in the introduction he proffers his own defense for writing about the importance of a Hercule Poirot. Black writes, "the notion of crime had a moral component from the outset, and notably so in terms of the struggle between Good and Evil, and in the detection of the latter. Indeed, it is this detection that is the basis of the most powerful strand of detection story, because Evil disguises its purposes. It has to do so in a world and humanity made fundamentally benign and moral by God." The Golden Age of detective novels represents much more than a triumph of a literary genre. It is in its own right a story of how the challenge to address the problem of evil was accepted. Its convergence with the plot-rich narrative of the twentieth century in the modern age renders Black's account a thrilling masterpiece, seducing historians to read fiction and crime junkies to read more history.
In the summer of 2013 David Suchet will film his final scenes as Hercule Poirot. After 24 years in the role, he will have played the character in every story that Agatha Christie wrote about him (bar one, deemed unfilmable) and he will bid adieu to a role and a character that have changed his life. In Poirot and Me, David Suchet tells the story of how he secured the part, with the blessing of Agatha Christie's daughter, and set himself the task of presenting the most authentic Poirot that had ever been filmed. David Suchet is uniquely placed to write the ultimate companion to one of the world's longest running television series. Peppered with anecdotes about filming, including many tales of the guest stars who have appeared over the years, the book is essential reading for Poirot fans all over the world.
Daily Mail Showbiz Memoir of the Year 'A beautiful book' Chris Evans 'Terrifically entertaining' Mail on Sunday 'An arresting photographic voyage through the life and loves of this enigmatic English star' S magazine 'Though not a conventional autobiography, we learn what makes the national treasure tick' Daily Express In the early days of my career, I didn't think I stood a hope in hell. Look at me: I'm short, stocky, slightly overweight, deep of voice, passionate, dark haired, olive skinned, hardly your typical Englishman. What chance did I have, going into the world of British theatre? David Suchet has been a stalwart of British stage and screen for fifty years. From Shakespeare to Oscar Wilde, Freud to Poirot, Edward Teller to Doctor Who, Harold Pinter to Terence Rattigan, Questions of Faith to Decline and Fall, right up to 2019's The Price, David has done it all. Throughout this spectacular career, David has never been without a camera, enabling him to vividly document his life in photographs. Seamlessly combining photo and memoir, Behind the Lens is the story of David's remarkable life, showcasing his wonderfully evocative photographs and accompanied by his insightful and engaging commentary. In Behind the Lens, David discusses his London upbringing and love of the city, his Jewish roots and how they have influenced his career, the importance of his faith, how he really feels about fame, his love of photography and music, and his processes as an actor. He looks back on his fifty-year career, including reflections on how the industry has changed, his personal highs and lows, and how he wants to be remembered. And, of course, life after Poirot and why he's still grieving for the eccentric Belgian detective. An autobiography with a difference, this is David Suchet as you've never seen him before - from behind the lens. 'The book offers more insight into the mind and philosophy of this remarkable man than a more conventional biographical approach could have achieved' Country Life
Life, Society, Family, Economy, and Politics in early and mid-Victorian England mediated through the life and writings of arguably the nation's greatest novelist.
A beautiful heiress has been found dead on a train. A playboy has been stabbed through the heart during a costume ball. An elderly woman suspects that she is being slowly poisoned to death. A prince fears for his reputation when his fiancÉe is embroiled in another man's murder. A forgotten recluse makes headlines after he is shot in the head. Who but Agatha Christie could concoct such canny crimes? Who but Belgian detective Hercule Poirot could possibly solve them? It's a challenge to be met—in a triumph of detection.
An elderly spinster has been poisoned in her country home... Everyone blamed Emily's accident on a rubber ball left on the stairs by her frisky terrier. But the more she thought about her fall, the more convinced she became that one of her relatives was trying to kill her. On April 17th she wrote her suspicions in a letter to Hercule Poirot. Mysteriously he didn't receive the letter until June 28th... by which time Emily was already dead...
What fun! The village party features a Murder Hunt, hosted by mystery writer Ariadne Oliver. One need only follow the game's make-believe clues to be the first to find the body. Only this time, it isn't a game, and the clues lead to a genuine corpse. Ariadne needs the help of her old friend, Hercule Poirot. The brilliant Belgian cracks the case and finds the murderer.
Rita Takemitsu is a newly single mother raising her daughter in 1980s Toronto. When her mother, Lily, goes missing, Rita sets out to find her. In the course of her quest, Rita uncovers a host of secrets surrounding her mother’s internment at a camp in the California desert during the Second World War and the truth about her mysterious father.
The disappearance of a wealthy woman ́s cook at one end, a cold-blooded murder at the other. This time, Hercule Poirot will get a little reminder to never dismiss a case as trivial. Finally, the Belgian detective uncovers an elaborate plot to hide an ever darker crime.