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Enter the private world of four New England bachelors, men who transformed their homes - now all public museums - into personal artistic statements. Exploring the lives of four bachelor designers, The Importance of Being Furnished: Four Bachelors at Home invites readers into the private worlds they created. Spanning the Gilded to the Jazz Age, these fascinating interiors not only reflect the intimate lives of their owners – men whose personal stories have, until now, remained in the shadows – but they serve as monuments to the Queer shaping of the American home as we know it today. Meet Charles Leonard Pendleton, (1846-1904), the reclusive gambler who built one of the greatest furniture collections of his age, all for a house ultimately built on sand. Explore the aristocratic interiors of renowned interior decorator Ogden Codman, Jr. (1863-1951), whose ancestral home served as a laboratory for his enormously successful 1897 manifesto, The Decoration of Houses, even as it transmitted his forebears’ vices. Join the literary salon of writer Charles H. Gibson, Jr. (1874-1954), who made his Boston home a monument to personal ambition and his own, once heralded beauty – all while transforming himself into a campy caricature of his own “Boston Brahmin” class. And last, fall under the spell of Henry Davis Sleeper (1878-1934), the nationally recognized decorator who created his fifty-room seaside masterpiece, Beauport, for the love of the man next door. Fully illustrated with color plates and period photographs, this book pays tribute to Oscar Wilde’s “gospel of beauty,” a cause these men promoted in a dazzling range of styles. By turns poignant, outrageous, and inspiring, the stories of these “surprisingly domestic bachelors” (as the press dubbed them) reveal the complicated depths beneath their homes’ brilliant surfaces.
“Christakis . . . expertly weaves academic research, personal experience and anecdotal evidence into her book . . . a bracing and convincing case that early education has reached a point of crisis . . . her book is a rare thing: a serious work of research that also happens to be well-written and personal . . . engaging and important.” --Washington Post "What kids need from grown-ups (but aren't getting)...an impassioned plea for educators and parents to put down the worksheets and flash cards, ditch the tired craft projects (yes, you, Thanksgiving Handprint Turkey) and exotic vocabulary lessons, and double-down on one, simple word: play." --NPR The New York Times bestseller that provides a bold challenge to the conventional wisdom about early childhood, with a pragmatic program to encourage parents and teachers to rethink how and where young children learn best by taking the child’s eye view of the learning environment To a four-year-old watching bulldozers at a construction site or chasing butterflies in flight, the world is awash with promise. Little children come into the world hardwired to learn in virtually any setting and about any matter. Yet in today’s preschool and kindergarten classrooms, learning has been reduced to scripted lessons and suspect metrics that too often undervalue a child’s intelligence while overtaxing the child’s growing brain. These mismatched expectations wreak havoc on the family: parents fear that if they choose the “wrong” program, their child won’t get into the “right” college. But Yale early childhood expert Erika Christakis says our fears are wildly misplaced. Our anxiety about preparing and safeguarding our children’s future seems to have reached a fever pitch at a time when, ironically, science gives us more certainty than ever before that young children are exceptionally strong thinkers. In her pathbreaking book, Christakis explains what it’s like to be a young child in America today, in a world designed by and for adults, where we have confused schooling with learning. She offers real-life solutions to real-life issues, with nuance and direction that takes us far beyond the usual prescriptions for fewer tests, more play. She looks at children’s use of language, their artistic expressions, the way their imaginations grow, and how they build deep emotional bonds to stretch the boundaries of their small worlds. Rather than clutter their worlds with more and more stuff, sometimes the wisest course for us is to learn how to get out of their way. Christakis’s message is energizing and reassuring: young children are inherently powerful, and they (and their parents) will flourish when we learn new ways of restoring the vital early learning environment to one that is best suited to the littlest learners. This bold and pragmatic challenge to the conventional wisdom peels back the mystery of childhood, revealing a place that’s rich with possibility.
George and Joan Bachelor are the proud (albeit slightly disappointed) parents of three grown-up boys whose lives aren't quite what they had hoped for... Adam is addicted to TWKGs (The Wrong Kind of Girls); Luke bears the scars of a savage divorce; and 'baby' Russell's love life contains nothing but heartache. When, months shy of his fortieth wedding anniversary, George Bachelor announces he's leaving the family home to try his hand at the single life, everything is thrown into turmoil. Now as well as sorting out their own love lives, the boys have got to sort out their parents' too...or face losing the one thing they could always count on.
"Bachelor Pad Economics" is THE financial advice bible for men...and any women who are bold enough to read it! Whether you're 14 and just trying to figure out life, or 70 and starting to think about estate planning, "Bachelor Pad Economics" addresses every major (and minor) economic and financial issue the average man will face in his ENTIRE life. From dating, to what to major in, to purchasing a home, to starting a business, to children and "wife training," "Bachelor Pad Economics" is the wisdom you wish the father-you-never-had gave you. Written FOR GUYS it is candid, blunt, honest and everything else Oprah isn't, and will give you the road map you need to provide direction and purpose in your life. Guaranteed to prove more useful than a college degree, "Bachelor Pad Economics" is WELL worth the money to buy and the time to read.
*A New York Times Bestseller* The first definitive, unauthorized, behind-the-scenes cultural history of the Bachelor franchise, America’s favorite guilty pleasure. For sixteen years and thirty-six seasons, the Bachelor franchise has been a mainstay in American TV viewers’ lives. Since it premiered in 2002, the show’s popularity and relevance have only grown—more than eight million viewers tuned in to see the conclusion of the most recent season of The Bachelor. Los Angeles Times journalist Amy Kaufman is a proud member of Bachelor Nation and has a long history with the franchise—ABC even banned her from attending show events after her coverage of the program got a little too real for its liking. She has interviewed dozens of producers, contestants, and celebrity fans to give readers never-before-told details of the show’s inner workings: what it’s like to be trapped in the mansion “bubble”; dark, juicy tales of producer manipulation; and revelations about the alcohol-fueled debauchery that occurs long before the Fantasy Suite. Kaufman also explores what our fascination means, culturally: what the show says about the way we view so-called ideal suitors; our subconscious yearning for fairy-tale romance; and how this enduring television show has shaped society’s feelings about love, marriage, and feminism by appealing to a marriage plot that’s as old as the best of Jane Austen.
This book explores the significance of tenancy in Charles Dickens's fiction. Dickens's conception of domesticity was nuanced, and through his works he describes the chaos and unxpected harmony to be found in rented spaces.
Jack Worthing gets antsy living at his country estate. As an excuse, he spins tales of his rowdy brother Earnest living in London. When Jack rushes to the city to confront his "brother," he's free to become Earnest and live a different lifestyle. In London, his best friend, Algernon, begins to suspect Earnest is leading a double life. Earnest confesses that his real name is Jack and admits the ruse has become tricky as two women have become enchanted with the idea of marrying Earnest. On a whim, Algernon also pretends to be Earnest and encounters the two women as they meet at the estate. With two Earnests who aren't really earnest and two women in love with little more than a name, this play is a classic comedy of errors. This is an unabridged version of Oscar Wilde's English play, first published in 1899.
A groundbreaking book--based on years of the same thorough research that made the "Dress For Success" books national bestsellers--about how women can statistically improve their chances of getting married.
Katherine Snyder's study explores the significance of the bachelor narrator, a prevalent but little-recognised figure in premodernist and modernist fiction by male authors, including Hawthorne, James, Conrad, Ford and Fitzgerald. Snyder demonstrates that bachelors functioned in cultural and literary discourse as threshold figures who, by crossing the shifting, permeable boundaries of bourgeois domesticity, highlighted the limits of conventional masculinity. The very marginality of the figure, Snyder argues, effects a critique of gendered norms of manhood, while the symbolic function of marriage as a means of plot resolution is also made more complex by the presence of the single man. Bachelor figures made, moreover, an ideal narrative device for male authors who themselves occupied vexed cultural positions. By attending to the gendered identities and relations at issue in these narratives, Snyder's study discloses the aesthetic and political underpinnings of the traditional canon of English and American male modernism.