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Jack Worthing gets antsy living at his country estate. As an excuse, he spins tales of his rowdy brother Earnest living in London. When Jack rushes to the city to confront his "brother," he's free to become Earnest and live a different lifestyle. In London, his best friend, Algernon, begins to suspect Earnest is leading a double life. Earnest confesses that his real name is Jack and admits the ruse has become tricky as two women have become enchanted with the idea of marrying Earnest. On a whim, Algernon also pretends to be Earnest and encounters the two women as they meet at the estate. With two Earnests who aren't really earnest and two women in love with little more than a name, this play is a classic comedy of errors. This is an unabridged version of Oscar Wilde's English play, first published in 1899.
Enriched Classics offer readers accessible editions of great works of literature enhanced by helpful notes and commentary. Each book includes educational tools alongside the text, enabling students and readers alike to gain a deeper and more developed understanding of the writer and their work. Wilde’s classic comedy of manners, The Importance of Being Earnest, a satire of Victorian social hypocrisy and considered Wilde’s greatest dramatic achievement, and his other popular plays—Lady Windermere’s Fan, An Ideal Husband, and Salome—challenged contemporary notions of sex and sensibility, class and cultural identity. Enriched Classics enhance your engagement by introducing and explaining the historical and cultural significance of the work, the author’s personal history, and what impact this book had on subsequent scholarship. Each book includes discussion questions that help clarify and reinforce major themes and reading recommendations for further research. Read with confidence.
Familiar and resonant, Cline's collection takes readers into a private landscape of science fiction, pop culture, and pornography. Ernest Cline is a geek, novelist, poet, and screenwriter based in Austin, Texas. In addition to winning poetry slams, Cline is known for screenwriting "Fanboys," released in 2009. He also recently sold the film rights to his latest book, "Armada."
Readers of Adam Silvera (They Both Die at the End) and Elizabeth Acevedo (The Poet X) will pull out the tissues for this tender, quirky story of one seventeen-year-old boy's journey through first love and first heartbreak, guided by his personal hero, Oscar Wilde. Words have always been more than enough for Ken Z, but when he meets Ran at the mall food court, everything changes. Beautiful, mysterious Ran opens the door to a number of firsts for Ken: first kiss, first love. But as quickly as he enters Ken's life, Ran disappears, and Ken Z is left wondering: Why love at all, if this is where it leads? Letting it end there would be tragic. So, with the help of his best friends, the comfort of his haikus and lists, and even strange, surreal appearances by his hero, Oscar Wilde, Ken will find that love is worth more than the price of heartbreak. "An unabashed love letter to Oscar Wilde, Cole Porter, and the arts' ability to give voice to human emotion." --Kirkus "Linmark's novel is definitely offbeat and wild(e)ly imaginative...and a rich reading experience that would make the ineffable Oscar proud." --Booklist "A big-hearted book that...always keeps love in its heart." --Abdi Nazemian author of Like a Love Story and The Authentics "As surreal as it is real, as beautiful as it is painful, as playful as it is wise. --Randy Ribay, author of Patron Saints of Nothing
Portia and her cousin Julian discover adventure in a hidden colony of forgotten summer houses on the shores of a swampy lake.
Controversial, a global icon, a diva among divas---Barbra Streisand, the last genuinely unique show business personality of the twentieth century is the most honored entertainer in the world today. But along with the Tony, two Oscars, six Emmys, eight Grammys, ten Golden Globes, fifty gold albums, and wild acclaim have come wildly diverse reactions to a personality as outsized as her talent. In the words of Streisand herself, "I'm a liberal, opinionated Jewish feminist---I push a lot of buttons." In Tom Santopietro's witty yet analytical look at this one-of-a-kind career, the myths and personal foibles are stripped away, and the focus lands squarely on the work. From the early recordings to the groundbreaking television specials, from the Hollywood blockbusters to the history-making comeback concerts, Streisand's career is placed within an oftentimes uniquely American social context but always allowed to speak for itself. In a brisk, funny, and always compelling style, The Importance of Being Barbra reveals all the milestones in a new and sometimes startling light, ranging from the brilliance of Funny Girl and The Broadway Album to the misbegotten yet curiously popular A Star Is Born. Treating Barbra Streisand like the serious artist she is---and has always claimed to be---The Importance of Being Barbra delves into the key reasons for her all-encompassing success: the overwhelming ambition, the notorious perfectionism, the fervent gay following, the dramatic pull of a voice and style that mysteriously connect with the lovelorn all around the world. A full-scale examination of the acting, singing, and directing that have ranged from the dazzling to the occasionally inexplicable---it's all here for anyone who has ever wondered at the phenomenon that is Barbra Streisand.
Beginning with a composite definition of civility, this book turns to critics of the concept of civility to explore the alternatives on offer. John A. Hall constructs a defence of the role of civility as a fundamental institution of human society.
The Importance of Being Earnest is the final play of Oscar Wilde, and it is considered his masterpiece. The play is a farcical comedy with the theme of switched identities: the play's two protagonists engage in "bunburying" (the maintenance of alternative personas in the town and country) which allows them to escape Victorian social mores. Working within the social conventions of late Victorian London, the play's major motives are the triviality with which it treats institutions as serious as marriage, and the resulting satire of Victorian ways.
44 SCOTLAND STREET - Book 6 The residents and neighbors of 44 Scotland Street and the city of Edinburgh come to vivid life in these gently satirical, wonderfully perceptive serial novels, featuring six-year-old Bertie, a remarkably precocious boy—just ask his mother. The great city of Edinburgh is renowned for its impeccable restraint, so how, then, did the extended family of 44 Scotland Street come to be trembling on the brink of reckless self-indulgence? After seven years and five books, Bertie is—finally!—about to turn seven. But one afternoon he mislays his meddling mother Irene, and learns a valuable lesson: wish-fulfillment can be a dangerous business. Angus and Domenica contemplate whether to give in to romance on holiday in Italy, and even usually down-to-earth Big Lou is overheard discussing cosmetic surgery. Funny, warm, and heartfelt as ever, The Importance of Being Seven offers fresh and wise insights into philosophy and fraternity among Edinburgh's most lovable residents.
I SPENT MY ENTIRE LIFE PLAYING NERDS. . .—Barry Livingston A true Hollywood survivor, Barry Livingston is one of the few child stars who turned early success into a lifelong career. As "Ernie" on the 1960s sit-com My Three Sons—which also featured his real-life brother Stanley as "Chip"—Barry become instantly recognizable for his horn-rimmed glasses and goofy charm. Five decades later, after working on TV shows like Mad Men and Desperate Housewives, and in feature films like Zodiac and The Social Network, Barry Livingston is one actor who knows The Importance of Being Ernie. . . In this fascinating and funny memoir, Barry reveals his most unforgettable anecdotes: Working on set with Fred McMurray, Ozzie and Harriet, Lucille Ball and Dick Van Dyke. Riding a limousine with Elvis Presley. Trying to upstage Ron "Opie" Howard. Even shooting a Superbowl beer commercial with Brad Pitt. At first, Barry's lazy eye and horn-rimmed glasses nearly derailed his career, getting him kicked off his first major film starring Paul Newman. Eventually, his "nerdy" look became his biggest asset, landing Barry a recurring role on Ozzie & Harriet and a regular part on My Three Sons. Fifty years later, Barry is still going strong—from the stage and small screen to to featured film roles opposite Adam Sandler and Robert Downey, Jr.. Like most Hollywood actors, Barry experienced some incredible highs and lows along the way, but he never gave up. "I've been around half a century," he affirms. "And I'm not going away." This is how one child star beat the odds and survived the dark side of the Hollywood dream factory—with charm, wit, determination. . .and big horn-rimmed glasses. This is The Importance of Being Ernie. Barry Livingston has been a professional actor on stage and screen for more than fifty years. Best known for his role as "Ernie" on the long-running TV program, My Three Sons, Livingston continues to appear regularly in feature films and television shows. He is married with two children, and lives in Los Angeles. Praise For The Importance Of Being Ernie "This wryly told saga of a child star who miraculously avoided the crash-and-burn fate of so many of the once-famous. . . an engaging tale of the unusual life of a humorous, modest, and observant man. Barry Livingston delivers a frank and funny tale of TV, movies, and family life." —Brent Maddock, co-author of Tremors and Short Circuit "For a child star, he's almost normal. This poor kid had to sit on William Frawley's lap; we're lucky he's not on a roof with a rifle. . .. Barry is one of those rare child stars who grew up to become an accomplished adult actor. Having logged fifty years in show business, working with everyone from Lucille Ball and Jack Benny to Brad Pitt and Robert Downey, Jr., he's got a great story to tell." —Paul Jackson, Producer Charmed and Sliders. "I have known Barry Livingston since he was nine years old. He always made me laugh. Now he's kept me awake reading his wonderful autobiography. There's a lot of talent in those size eight shoes." —Gene Reynolds, director of TV's M.A.S.H.and Promised Land