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In December 1917, nine months after the disintegration of the Russian monarchy, the army officer corps, one of the dynasty’s prime pillars, finally fell—a collapse that, in light of World War I and the Bolshevik Revolution, historians often treat as inevitable. The Imperial Russian Army in Peace, War, and Revolution, 1856–1917 contests this assumption. By expanding our view of the Imperial Russian Army to include the experience of the enlisted ranks, Roger R. Reese reveals that the soldier’s revolt in 1917 was more social revolution than anti-war movement—and a revolution based on social distinctions within the officer corps as well as between the ranks. Reese’s account begins in the aftermath of the Crimean War, when the emancipation of the serfs and consequent introduction of universal military service altered the composition of the officer corps as well as the relationship between officers and soldiers. More catalyst than cause, World War I exacerbated a pervasive discontent among soldiers at their ill treatment by officers, a condition that reached all the way back to the founding of the Russian army by Peter I. It was the officers’ refusal to change their behavior toward the soldiers and each other over a fifty-year period, Reese argues, capped by their attack on the Provisional Government in 1917, that fatally weakened the officer corps in advance of the Bolshevik seizure of power. As he details the evolution of Russian Imperial Army over that period, Reese explains its concrete workings—from the conscription and discipline of soldiers to the recruitment and education of officers to the operation of unit economies, honor courts, and wartime reserves. Marshaling newly available materials, his book corrects distortions in both Soviet and Western views of the events of 1917 and adds welcome nuance and depth to our understanding of a critical turning point in Russian history.
This Thing of Darkness, Joan Neuberger's engrossing production history of Sergei Eisenstein's Ivan the Terrible, is a major contribution to the study of Eisenstein and thus informs the history and theory of cinema and the study of Soviet culture and politics. Neuberger's ability to mine, interpret, and connect Eisenstein's voluminous, intriguingly digressive writings makes this book exceptional.— Karla Oeler, Stanford University Sergei Eisenstein's unfinished masterpiece, Ivan the Terrible, was no ordinary movie. Commissioned by Joseph Stalin in 1941 to justify state terror in the sixteenth century and in the twentieth, the film's politics, style, and epic scope aroused controversy even before it was released. In This Thing of Darkness, Joan Neuberger offers a sweeping account of the conception, making, and reception of Ivan the Terrible that weaves together Eisenstein's expansive thinking and experimental practice with a groundbreaking new view of artistic production under Stalin. Drawing on Eisenstein's unpublished production notebooks, diaries, and manuscripts, Neuberger's riveting narrative chronicles Eisenstein's personal, creative, and political challenges and reveals the ways cinematic invention, artistic theory, political critique, and historical and psychological analysis went hand in hand in this famously complex film. Neuberger's bold arguments and daring insights into every aspect of Eisenstein's work during this period, together with her ability to lucidly connect his wide-ranging late theory with his work on Ivan, show the director exploiting the institutions of Soviet artistic production not only to expose the cruelties of Stalin and his circle but to challenge the fundamental principles of Soviet ideology itself. Ivan the Terrible, she argues, shows us one of the world's greatest filmmakers and one of the 20th century's greatest artists observing the world around him and experimenting with every element of film art to explore the psychology of political ambition, uncover the history of recurring cycles of violence and lay bare the tragedy of absolute power.
Fyodor Sergeyevich Olferieff (1885&–1971) led a remarkable life in the shadows of history. This book presents his memoirs for the first time, translated and annotated by his granddaughter Tanya A. Cameron. Born into a noble family, Olferieff was a Russian career military officer who observed firsthand key events of the early twentieth century, including the 1905&–7 revolution, the Great War, the collapse of the imperial state, and the civil wars in Ukraine and Crimea. Olferieff wrestles with moral and political questions, wondering whether his own advantages could be justified—and whether, if born a peasant, he might have thrown himself into the revolution. As Gary Hamburg writes in an illuminating companion essay, Olferieff wrote "to understand himself and to record his broken life for posterity" as a privileged observer of a bloody, historically pivotal era.
No nation is a stranger to war, but for Russians war is a central part of who they are. Their “motherland” has been the battlefield where some of the largest armies have clashed, the most savage battles have been fought, the highest death tolls paid. Having prevailed over Mongol hordes and vanquished Napoleon and Hitler, many Russians believe no other nation has sacrificed so much for the world. In Russia: The Story of War Gregory Carleton explores how this belief has produced a myth of exceptionalism that pervades Russian culture and politics and has helped forge a national identity rooted in war. While outsiders view Russia as an aggressor, Russians themselves see a country surrounded by enemies, poised in a permanent defensive crouch as it fights one invader after another. Time and again, history has called upon Russia to play the savior—of Europe, of Christianity, of civilization itself—and its victories, especially over the Nazis in World War II, have come at immense cost. In this telling, even defeats lose their sting. Isolation becomes a virtuous destiny and the whole of its bloody history a point of pride. War is the unifying thread of Russia’s national epic, one that transcends its wrenching ideological transformations from the archconservative empire to the radical-totalitarian Soviet Union to the resurgent nationalism of the country today. As Putin’s Russia asserts itself in ever bolder ways, knowing how the story of its war-torn past shapes the present is essential to understanding its self-image and worldview.
This in-depth exploration of five industries in the Kola Peninsula examines Soviet power and its interaction with the natural world.
With the invasion of Ukraine, Vladimir Putin’s Russia seems to have stepped out of time, reverting to an imperial era of conquest and expansion. But as Roger Reese points out in this comprehensive new history, Russia’s way of war has changed little from one century to the next, one regime to another, from the army of the tsar to the army of today. Russia’s Army reveals how the Imperial Russian Army and its successors, the Soviet Army and the army of the Russian Federation, confronted the state’s foreign policy challenges—projecting power and defending the empire—and the domestic challenge of containing internal unrest generated by nationalism, competing ethnic and religious identities, and political discontent. These twin challenges, in turn, drove defense policy and the planning and conduct of war. From the beginning of the nineteenth century, the development of the army was driven by shifts in the European balance of power and changes in global diplomacy, politics, economics, and society. Reese identifies themes that weave their way through this military history: the adoption of a strategy to maintain a defensive posture in the West, an offensive strategy in the Balkans, and an expansionist policy in the East; maintenance of a large standing army; and a consistent unease about the army’s and non-Russian minorities’ loyalty to the state. These themes, he shows, have emerged in times of peace and war, as heads of state have made operational and strategic military decisions while managing civil-military relations—from the times of tsarist Russia through the collapse of the Soviet empire, when Putin sought to restore authoritarian rule and hegemony over the former Soviet states of the USSR. A comprehensive account of the history of the Russian army from 1801 to 2022, Reese’s is the first book to link Russian military history across three distinct eras and to situate this history within the context of military strategy and doctrine, as reflected in specific campaigns, issues of manning and maintaining an army, and relations between army and society, at home and in the “near abroad.”
This book traces the history of revolutionary movements in nineteenth- century Russia, ending with the great famine of 1891-92, by which time Marxism was already in the ascendant. Originally published in 1986. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Likened to a second Tsar in Russia and attaining prophet-like status around the globe, Tolstoy made an impact on literature and the arts, religion, philosophy, and politics. His novels and stories both responded to and helped to reshape the European and Russian literary traditions. His non-fiction incensed readers and drew a massive following, making Tolstoy an important religious force as well as a stubborn polemicist in many fields. Through his involvement with Gandhi and the Indian independence movement, his aid in relocating the Doukhobors to Canada, his correspondence with American abolitionists and his polemics with scientists in the periodical press, Tolstoy engaged a vast array of national and international contexts of his time in his life and thought. This volume introduces those contexts and situates Tolstoy—the man and the writer—in the rich and tumultuous period in which his intellectual and creative output came to fruition.
The Second World War in Eastern Europe is far from a neglected topic, especially since social, cultural, and diplomatic historians have entered a field previously dominated by operational histories, and produced a cornucopia of new scholarship offering a more nuanced picture from both sides of the front. However, until now, the story has still been disjointed and specialized, whereby military, social, economic, and diplomatic histories continue to give their own separate accounts. This collection of essays attempts to bring these themes into a more cohesive whole that tells a complex, multifaceted story of war on the Eastern Front as it truly was. This is one of the few critical examinations that includes both perspectives and looks at the war as a multi‐front effort. It also reveals how myths are created around military conflicts and have direct relevance to current developments in Europe, linking them to a broader discussion of the Second World War, its impact and utility today. It gives a historical dimension to pressing issues and will be of interest and relevance to history students, policymakers, political scientists, diplomats, and foreign policy experts. The Eastern Front will be a useful reference source, since some chapters rely on extensive new archival research and materials, ego sources, as well as extensive findings of non‐Western scholars, thereby bringing their work to the attention of a broader audience.