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In the 1950s biologists became alarmed by the plight of Africa’s wildlife. Since then they have sought to arrest its decline, but increasing competition between wild fauna and expanding human populations shows that protection alone has been inadequate. The conservationists’ position and strategies have been progressively eroded: large-scale game cropping schemes have failed to produce expected revenues, the consequences of the tourist industry have been unexpectedly detrimental, and educational programs have rarely convinced rural Africans to conserve resources. Dr. Marks argues that the management and conservation of wild animals in Third World countries must include cultural as well as biological dimensions and that changes in human social systems will be necessary to sustain wildlife and the environmental processes. He describes indigenous attempts to manage wildlife and suggests new research initiatives that would lead to wildlife policies more in keeping with human development needs and with the realities of the rural countryside.
The unthinkable has happened Terra has fallen to the traitor forces of Warmaster Horus! Nothing else could explain the sudden disappearance of the Astronomican's guiding light at the heart of the Imperium, or so Robute Guilliman would believe. Ever the pragmatist, he has drawn all his forces to Ultramar and begun construction of the new empire known as Imperium Secundus. Even with many of his primarch brothers at his side, he still faces war from without and intrigue from within with the best of intentions, were the full truth to be known it would likely damn them all as traitors for all eternity.
Garry Wills's Venice: Lion City is a tour de force -- a rich, colorful, and provocative history of the world's most fascinating city in the fifteenth and sixteenth centuries, when it was at the peak of its glory. This was not the city of decadence, carnival, and nostalgia familiar to us from later centuries. It was a ruthless imperial city, with a shrewd commercial base, like ancient Athens, which it resembled in its combination of art and sea empire. Venice: Lion City presents a new way of relating the history of the city through its art and, in turn, illuminates the art through the city's history. It is illustrated with more than 130 works of art, 30 in full color. Garry Wills gives us a unique view of Venice's rulers, merchants, clerics, laborers, its Jews, and its women as they created a city that is the greatest art museum in the world, a city whose allure remains undiminished after centuries. Like Simon Schama's The Embarrassment of Riches, on the Dutch culture in the Golden Age, Venice: Lion City will take its place as a classic work of history and criticism.
Book 13 in The Horus Heresy Primarch Series Each primarch is an exemplary being, derived from the Emperor’s own genetic stock to embody a facet of His personality. Their powers are unfathomable, but only one of them is the First. Lion El’Jonson is the paragon of what it is to be a primarch. His Legion, pre-eminent for most of their long history, typify the virtues of temperance, pride, and martial excellency that the Lion embodies. They are the Emperor’s last line and final sanction. They are His Dark Angels. Now, while the Emperor gathers His mightiest sons for an assault on Ullanor Prime, the Lord of the First instead draws his Legion to the farthest reaches of the known galaxy, seeking to subdue a single rebellious world. Is this but another example of the Lion’s infamous pride, or is there more afoot amidst that graveyard of empires that is the Ghoul Stars, more than the Lion will share even with his own sons?
“Christopher de Bellaigue has a magic talent for writing history. It is as if we are there as the era of Suleyman the Magnificent unfolds.” —Orhan Pamuk, winner of the Nobel Prize in Literature Narrated through the eyes of the intimates of Suleyman the Magnificent, the sixteenth-century sultan of the Ottoman Empire, The Lion House animates with stunning immediacy the fears and stratagems of those brought into orbit around him: the Greek slave who becomes his Grand Vizier, the Venetian jewel dealer who acts as his go-between, the Russian consort who becomes his most beloved wife. Within a decade and a half, Suleyman held dominion over twenty-five million souls, from Baghdad to the walls of Vienna, and with the help of his brilliant pirate commander, Barbarossa, placed more Christians than ever before or since under Muslim rule. And yet the real drama takes place in close-up: in small rooms and whispered conversations, behind the curtain of power, where the sultan sleeps head-to-toe with his best friend and eats from wooden spoons with his baby boy. In The Lion House, Christopher de Bellaigue tells the story not just of rival superpowers in an existential duel, nor of one of the most consequential lives in human history, but of what it means to live in a time when a few men get to decide the fate of the world.
From yaks and vultures to whales and platypuses, animals have played central roles in the history of British imperial control. The contributors to Animalia analyze twenty-six animals—domestic, feral, predatory, and mythical—whose relationship to imperial authorities and settler colonists reveals how the presumed racial supremacy of Europeans underwrote the history of Western imperialism. Victorian imperial authorities, adventurers, and colonists used animals as companions, military transportation, agricultural laborers, food sources, and status symbols. They also overhunted and destroyed ecosystems, laying the groundwork for what has come to be known as climate change. At the same time, animals such as lions, tigers, and mosquitoes interfered in the empire's racial, gendered, and political aspirations by challenging the imperial project’s sense of inevitability. Unconventional and innovative in form and approach, Animalia invites new ways to consider the consequences of imperial power by demonstrating how the politics of empire—in its racial, gendered, and sexualized forms—played out in multispecies relations across jurisdictions under British imperial control. Contributors. Neel Ahuja, Tony Ballantyne, Antoinette Burton, Utathya Chattopadhyaya, Jonathan Goldberg-Hiller, Peter Hansen, Isabel Hofmeyr, Anna Jacobs, Daniel Heath Justice, Dane Kennedy, Jagjeet Lally, Krista Maglen, Amy E. Martin, Renisa Mawani, Heidi J. Nast, Michael A. Osborne, Harriet Ritvo, George Robb, Jonathan Saha, Sandra Swart, Angela Thompsell
After the death of virtually all of her family in the battle of Camlan, Goewin--Princess of Britain, daughter of the High King Artos--makes a desperate journey to African Aksum, to meet with Constantine, the British ambassador and her fiance. But Aksum is undergoing political turmoil, and Goewin's relationship with its ambassador to Britain makes her position more than precarious. Caught between two countries, with the power to transform or end lives, Goewin fights to find and claim her place in a world that has suddenly, irrevocably changed. . . .
During the middle of the 19th-Century, Britain and China would twice go to war over trade, and in particular the trade in opium. The Chinese people had progressively become addicted to the narcotic, a habit that British merchants were more than happy to feed from their opium-poppy fields in India. When the Qing dynasty rulers of China attempted to suppress this trade--due to the serious social and economic problems it caused--the British Government responded with gunboat diplomacy, and conflict soon ensued. The first conflict, known as the First Anglo-Chinese War or Opium War (1839-42), ended in British victory and the Treaty of Nanking. However, this treaty was heavily biased in favour of the British, and it would not be long before there was a renewal of hostilities, taking the form of what became known as the Second Anglo-Chinese War or Arrow War (1857-60). Again, the second conflict would end with an 'unequal treaty' that was heavily biased towards the victor. The Lion and the Dragon: Britain's Opium Wars with China, 1839-1860 examines the causes and ensuing military history of these tragic conflicts, as well as their bitter legacies.
British imperialism helped shaped the modern world order. This same imperialism created modern Singapore, controlling its colonial development and influencing its post-colonial orientation. Winston Churchill was British imperialism's most significant twentieth century statesman. He never visited Singapore, but his story and that of the city-state are deeply intertwined. Singapore became a symbol of British imperial power in Asia to Churchill, while Singaporeans came to see him as symbolizing that power. The fall of Singapore to Japanese conquest in 1942 was a low point in Churchill's war leadership, one he forever labeled by calling it 'the worst disaster in British military history.' It was also a tragedy for Singapore, ushering in three years of harsh military occupation. But the interplay between these three historical forces, Churchill, Empire, and Singapore, extended well beyond this dramatic conjuncture. The Last Lion and the Lion City provides a critical examination of that longer interplay through an analysis of Churchill's understanding of empire, his perceptions of Singapore and its imperial role, his direction of affairs regarding Singapore and the Empire, his influence on the subsequent relationship between Britain and Singapore.
Universally acclaimed for their compelling narrative, their fresh insights, and their objective renderings of Winston Churchill's life, The Last Lion trilogy presents a revelatory and unparalleled portrait of this brilliant, flawed, and dynamic adventurer, aristocrat, soldier, and statesman. Born at the end of the 19th century when Imperial Britain still stood at the splendid pinnacle of her power, Churchill would witness the shift a few years later as the Empire hovered on the brink of a catastrophic new era. One of the greatest wartime leaders of our time, he would go on to stand alone, politically isolated in Parliament, as he took the lead in warning of the growing Nazi threat, and would lead Britain to victory against Nazi Germany and the Axis powers in World War II. Now, celebrated historian William Manchester's landmark biographies are collected together for the first time, along with the eagerly anticipated final installment Churchill's last years in power. More than thirty years in the making, The Last Lion is the definitive work on this remarkable man whose courageous vision guided the destiny of a nation during darkly troubled times-and who looms as one of the greatest figures of our century.