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Travis Hugh Culley came to Chicago to work and live as an artist. He knew he'd have to struggle, but he found that his struggle meant more than hard work and a taste for poverty. In becoming a bike messenger, he found a sense of community and fulfillment and a brotherhood of like-minded individualists. He rode like a postmodern cowboy across the city's landscape; he passed like a shadow through its soaring office towers; he soared like a falcon through the roaring chaos of the multilayered streets of Chicago. He became an invisible man in society, yet at the same time its most intimate observer. In one of the most dangerous jobs on dry land, he found freedom. In The Immortal Class, Culley takes us in-side the heart and soul of an urban icon the bicycle messenger. In describing his own history and those of his peers, he evokes a classic American maverick, deeply woven into the fabric of society from the pits of squalor to the highest reaches of power and privilege yet always resolutely, exuberantly outside. And he celebrates a culture that eschews the motorized vehicle: the cult of human power. The Immortal Class, Culley's vivid evocation of a bicycle messenger's experience and philosophy, sheds a compelling light on the way human beings relate to one another and to the cities we inhabit. Travis Hugh Culley's voice is at once earthy and soaringly poetic a Gen-X Tom Joad at hyperspeed. The Immortal Class is a unique personal and political narrative of a cyclist's life on the street.
Today’s Goat, the celebrated West Point cadet finishing at the bottom of his class, carries on a long and storied tradition. George Custer’s contemporaries at the Academy believed that the same spirit of adventure that led him to “blow post” at night to carouse at local taverns also motivated his dramatic cavalry attacks in the Civil War and afterwards. And the same willingness to stoically accept punishment for his hijinks at the Academy also sent George Pickett marching into the teeth of the Union guns at Gettysburg. The story James S. Robbins tells goes from the beginnings of West Point through the carnage of the Civil War to the grassy bluffs over the Little Big Horn. The Goats he profiles tell us much about the soul of the American solider, his daring, imagination and desire to prove himself against high odds.
A used phone bought when you were down and out, with a powerful app store inside. Tianting WeChat, merit financial management, beauty camera, future news, a variety of powerful software functions against the sky. The protagonist by virtue of the fairy app store, east into the island, west to destroy junrong, north to strike Dixie, south plain savage, American Sam President shiver, "where is my black box?" "Mr. President, a nuclear bomb will not solve the problem. Life is like rape.
A Comedy & A Tragedy is the story of one young man's effort to teach himself to read. Complex and many-leveled, this book is also a manifesto about the acquisition of intellectual independence. It is a plea for better understanding of the impact of dysfunctional family dynamics in education, and a passionate indictment of a broken school system that lets so-called problem kids slip through the cracks.
Alone in the wrong timestream, Edie must navigate a new school and try to put her first love Kian on a different path, battling those who will stop at nothing to keep her from derailing their deadly schemes.
#1 NEW YORK TIMES BESTSELLER • “The story of modern medicine and bioethics—and, indeed, race relations—is refracted beautifully, and movingly.”—Entertainment Weekly NOW A MAJOR MOTION PICTURE FROM HBO® STARRING OPRAH WINFREY AND ROSE BYRNE • ONE OF THE “MOST INFLUENTIAL” (CNN), “DEFINING” (LITHUB), AND “BEST” (THE PHILADELPHIA INQUIRER) BOOKS OF THE DECADE • ONE OF ESSENCE’S 50 MOST IMPACTFUL BLACK BOOKS OF THE PAST 50 YEARS • WINNER OF THE CHICAGO TRIBUNE HEARTLAND PRIZE FOR NONFICTION NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The New York Times Book Review • Entertainment Weekly • O: The Oprah Magazine • NPR • Financial Times • New York • Independent (U.K.) • Times (U.K.) • Publishers Weekly • Library Journal • Kirkus Reviews • Booklist • Globe and Mail Her name was Henrietta Lacks, but scientists know her as HeLa. She was a poor Southern tobacco farmer who worked the same land as her slave ancestors, yet her cells—taken without her knowledge—became one of the most important tools in medicine: The first “immortal” human cells grown in culture, which are still alive today, though she has been dead for more than sixty years. HeLa cells were vital for developing the polio vaccine; uncovered secrets of cancer, viruses, and the atom bomb’s effects; helped lead to important advances like in vitro fertilization, cloning, and gene mapping; and have been bought and sold by the billions. Yet Henrietta Lacks remains virtually unknown, buried in an unmarked grave. Henrietta’s family did not learn of her “immortality” until more than twenty years after her death, when scientists investigating HeLa began using her husband and children in research without informed consent. And though the cells had launched a multimillion-dollar industry that sells human biological materials, her family never saw any of the profits. As Rebecca Skloot so brilliantly shows, the story of the Lacks family—past and present—is inextricably connected to the dark history of experimentation on African Americans, the birth of bioethics, and the legal battles over whether we control the stuff we are made of. Over the decade it took to uncover this story, Rebecca became enmeshed in the lives of the Lacks family—especially Henrietta’s daughter Deborah. Deborah was consumed with questions: Had scientists cloned her mother? Had they killed her to harvest her cells? And if her mother was so important to medicine, why couldn’t her children afford health insurance? Intimate in feeling, astonishing in scope, and impossible to put down, The Immortal Life of Henrietta Lacks captures the beauty and drama of scientific discovery, as well as its human consequences.