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This book explores the phenomenon of animal imagination and its profound power over the human imagination. It examines the structural and ethical role that the human imagination must play to provide an interface between humans’ subjectivity and the real cognitive capacities of animals. The book offers a systematic study of the increasing importance of the metaphors, the virtual, and figures in contemporary animal studies. It explores human-animal and real-imaginary dichotomies, revealing them to be the source of oppressive cultural structures. Through an analysis of creative, playful and theatric enactments and mimicry of animal behaviors and communication, the book establishes that human imagination is based on animal imagination. This helps redefine our traditional knowledge about animals and presents new practices and ethical concerns in regard to the animals. The book strongly contends that allowing imagination to play a role in our relation to animals will lead to the development of a more empathetic approach towards them. Drawing on works in phenomenology, contemporary animal philosophy, as well as ethological evidence and biosemiotics, this book is the first to rethink the traditional philosophical concepts of imagination, images, the imaginary, and reality in the light of a zoocentric perspective. It will appeal to philosophers, scholars and students in the field of animal studies, as well as anyone interested in human and non-human imaginations.
An extraordinary menagerie of fantastical and unreal beasts featuring hundreds of illustrations, from griffins to dog-men, mermaids, dragons, unicorns, and yetis. Fire-breathing dragons, beautiful mermaids, majestic unicorns, terrifying three-headed dogs—these fantastic creatures have long excited our imagination. Medieval authors placed them in the borders of manuscripts as markers of the boundaries of our understanding. Tales from around the world place these beasts in deserts, deep woods, remote islands, ocean depths, and alternate universes—just out of our reach. And in the sections on the apocalypse in the Bible, they proliferate as the end of time approaches, with horses with heads like lions, dragons, and serpents signaling the destruction of the world. Legends tell us that imaginary animals belong to a primordial time, before everything in the world had names, categories, and conceptual frameworks. In this book, Boria Sax digs into the stories of these fabulous beasts. He shows how, despite their liminal role, imaginary animals like griffins, dog-men, yetis, and more are socially constructed creatures, created through the same complex play of sensuality and imagination as real ones. Tracing the history of imaginary animals from Paleolithic art to their roles in stories such as Harry Potter and even the advent of robotic pets, he reveals that these extraordinary figures help us psychologically—as monsters, they give form to our amorphous fears, while as creatures of wonder, they embody our hopes. Their greatest service, Sax concludes, is to continually challenge our imaginations, directing us beyond the limitations of conventional beliefs and expectations. Featuring over 230 illustrations of a veritable menagerie of fantastical and unreal beasts, Imaginary Animals is a feast for the eyes and the imagination.
What if nature had created animals that are different from those that exist? An elephant tortoise, a butterfly monkey, a squid giraffe ... How fun would the animal kingdom be with different species that we know!In "THE GREAT BOOK OF THE IMAGINARY ANIMAL KINGDOM" you will find the most impressive imaginary animals created by visual artist Beto Val. 60 spectacular collages, carefully crafted from beautiful antique, royalty-free animal illustrations.For whom is this? This is not a book to read... but to dream! An ideal book to awaken the imagination and creativity of readers of all ages. It is the perfect gift for curious and creative kids, teens, or anyone who wants to spend some quality time discovering the most amazing animals ever created.Characteristics: Its practical format also allows you to detach each page of your favorite animal and frame it to decorate any corner of your home. 60 imaginary animals ready to frame!About the author: Beto Val, is a publicist, writer, and visual artist with more than 20 years of experience in Ecuador, creating, editing, and publishing books for boys and girls, with Zonacuario publishing house. Now, with his publishing label "LIBROS INQUIETOS", he publishes works of great aesthetic and literary quality. Taking special care in multiculturalism, equity, tolerance, and respect for the environment, he publishes books to awaken the imagination and the awe of those who read the
"Designing a captivating creature simply for it to exist against a white background and going no further is a purely academic exercise. Designing a creature that can survive in a world, interact with its own and other species, and go on to make an impact, is designing with intent. This is the end goal of creature design and what you will witness in this latest book from industry expert Terryl Whitlatch. With decades of experience in the entertainment industry, developing creatures for Star Wars: Episode 1 -- The Phantom Menace and Beowulf, among other films, Whitlatch offers an abundance of valuable advice throughout the Principles of Creature Design. For Whitlatch, there's not limit to what can be imagined with an open mind, though the journey may not always be an easy one. It's what she calls "Chasing the unicorn." We will surely enjoy joining her on her journey, filled with creatures so vivid, whimsical, and elaborate that we will wish -- or wonder -- if they are real."--Back cover.
In these imaginative poems you'll find animals that nobody has ever hear of-but that certainly ought to exist. Each poem in this collection is paired with a striking painting by renowned artist, Leonard Baskin, and will inspire young readers to invent their own animals that ought to be.
" ... [E]xploring an alternate history of science fiction, this ingenious anthology showcases eighteen brilliant authors leading the way to a new literature of the future ... Two strangely-detached astronauts orbit Earth while a third world war rages on. A primatologist's lover suspects her of obsession with one of her simian charges. The horrors of trench warfare dovetail with the theoretical workings of black holes. A dissolving marriage and bitter custody dispute are overshadowed by the arrival of time travelers. An astonishing invention that records the sense of touch is far too dangerous for Thomas Edison to reveal."--Page 4 of cover.
An easy reader about animals—real and imaginary—with illustrations by Dr. Seuss! Featuring a mix of real animals and Seussian creatures, this super-simple rhymed riff about animals is both a concept book AND a funny introduction to the world of Dr. Seuss. Illustrated with art from beloved Dr. Seuss books—including One Fish Two Fish Red Fish Blue Fish,Mr. Brown Can Moo! Can You?, and Dr. Seuss's ABC—it teaches beginning readers to identify animals in the world around them and ones only found in classic books by Dr. Seuss! Nurture a love of reading—and of Seussian creatures—with this great new concept book for beginning readers! Bright and Early Books are perfect for beginning beginner readers! Launched by Dr. Seuss in 1968 with The Foot Book, Bright and Early Books use fewer and easier words than Beginner Books. Readers just starting to recognize words and sound out letters will love these short books with colorful illustrations.
Learn how to create compelling and accomplished stylized animal characters, with the step-by-step guidance of professional animators and artists.
"There is no end to the diverse and unique creatures that Terryl Whitlatch creates for us with her solid knowledge of anatomy and boundless imagination. Especially intriguing are the hundreds of anatomical notes that are dispersed among her sketches, educating and enlightening us to the foundation of living bodies and their mechanics."--The publisher.
This interdisciplinary and cross-cultural collection reflects the growth of animal studies as an independent field and the rise of 'animality' as a critical lens through which to analyze society and culture, on par with race and gender.