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A photoessay exploring Kingston Penitentiary, the former maximum security prison, often referred to as Canada's Alcatraz.
As the only maximum-security prison in the state, the Oregon State Penitentiary (OSP) has housed some of the most violent criminals on the West Coast, including brutal serial killers Charley Panzram in 1915 and Jerry Brudos in 1969. Sixty men have been executed inside OSP. The prison was originally built in Portland in 1851 but moved to Salem 15 years later, after Oregon became a state. From that time forward, the Oregon State Penitentiary grew from 23 prisoners in 1866 to 1,912 by 1992. The penitentiary suffered several serious fires and riots. On March 9, 1968, the most expensive riot ever experienced in the United States flared inside the walls, causing over $2.5 million in damages. Numerous escapes plagued the prison until 1970, when security measures were tightened. The most famous escape involved Harry Tracy and David Merrill in 1902.
As Tennessee grew into a modern state, it found itself increasingly beset by crime. In 1831, the legislature approved the construction of the first penitentiary. The pen world was violent and dark, with several major riots, fires, and escape attempts throughout the years. However, the prison also gave birth to a culture of creativity born from despair, with entertainment shows often featuring the biggest names in country music sharing the stage with inmate bands. The best-known pen, the Castle, has become a familiar icon to filmgoers, being used in productions like The Last Castle and The Green Mile. Today, the building sits abandoned, facing an uncertain future.
In 1868, with Iowa fast outgrowing its only prison in Fort Madison, state lawmakers began thinking about building a new penitentiary. Several cities around the state vied for the prestige and economic benefits the new prison would provide. Anamosa, a rapidly growing town of 2,000 in east-central Iowa, was ultimately awarded the prize, in no small measure because of its proximity to some of the largest and finest dolomite limestone deposits in the world, coveted as the perfect building material for the massive institution. From 1873 until major construction ended in 1943, inmate workers literally built walls around themselves, slowly erecting a structure from the Iowa prairie whose imposing and magnificent architecture would continue to command respect and awe even to the present day. From Wild West bad man Polk Wells and boy-murderer Wesley Elkins to heinous mass murderer John Wayne Gacy, many have passed through Anamosa's iron gates and, with the quietly dedicated men and women who managed them, have contributed to the rich tapestry of Anamosa prison history.
Folsom Prison is California's second-oldest prison, dating back to 1880. In the decades following the Gold Rush, it housed some of the state's most notorious prisoners in stone, dungeon-like cells behind solid-metal doors; was the first prison with electric power; and for many years provided labor for various state projects, including construction, fabrication, and printing of license plates. Thrust into the public consciousness in the 1960s by high-profile performances from country music's Johnny Cash, the prison remains a notorious and legendary institution. The variety of offenders housed at Folsom are incarcerated for a large gamut of criminal behavior, and the California Department of Corrections has been dedicated to rehabilitation efforts throughout the facility's long history.
Caon City sits in a geological bowl surrounded by the Rocky Mountains and the Sangre de Cristo mountain range. Historically, it has been known as the prison capital of the world, with eight soon to be ninestate prisons in the area and four federal facilities located 11 miles away in Florence. The first prison in Caon City was built in 1868, before Colorado became a state, and was opened in 1871. Originally known as the Colorado Territorial Penitentiary, it is currently called the Colorado Territorial Correctional Facility and holds approximately 800 male inmates. Caon City has grown up around the prisons, and the areas colorful history is defined by daring prison breaks, infamous inmates, such as the Colorado cannibal Alferd Packard, and by the stories of the inmates and employees who have been part of the prison system.
""The Big House" is America's idea of the prison - a huge, tough, ostentatiously oppressive pile of rock, bristling with rules and punishments, overwhelming in size and the intent to intimidate. Stephen Cox tells the story of the American prison - its politics, its sex, its violence, its inability to control itself - and its idealization in American popular culture. This book investigates both the popular images of prison and the realities behind them : problems of control and discipline, mainenance and reform, power and sexuality. It conveys an awareness of the limits of human and institutional power, and of the symbolic and iconic qualities the "Big House" has attained in America's understanding of itself"--Jacket.
Between 1872 and 1973, the Idaho State Penitentiary housed over 13,000 inmates. Some of Idaho's most corrupt and cunning criminals resided behind these Boise sandstone walls. Constructed in large part by inmate labor, the "Old Idaho Penitentiary" stands as a reminder of Idaho's Wild West past. Horse thieves, moonshiners, bank robbers, and assassins alike all called this penitentiary home. Owned and operated by the Idaho State Historical Society, the Old Idaho Penitentiary is one of only four territorial prisons open to the public in the United States.
With the opening of the Ohio State Reformatory in 1896, the state legislature had put in place "the most complete prison system, in theory, which exists in the United States." The reformatory joined the Ohio Penitentiary and the Boys Industrial School, also central-Ohio institutions, to form the first instance of "graded prisons; with the reform farm on one side of the new prison, for juvenile offenders, and the penitentiary on the other, for all the more hardened and incorrigible class." However, even as the concept was being replicated throughout the country, the staffs of the institutions were faced with the day-to-day struggle of actually making the system work.
Behind These Prison Walls "Life Inside Rikers Island" gives a photographic journey into the nation's most violent adolescent jail on Rikers Island. Former New York City Corrections officer and visual artist gives viewers a first-hand account into the horrors and dangers officers and detainees were subjected to daily. Former New York City Corrections officer and visual artist Lorenzo Steele Jr. uses art as a medium to change habits and behaviors that can lead to criminal activity. Lorenzo served 12 years as an officer on Rikers Island (1987-1999) and his mission through the arts is to deter youth from making choices and decisions that can have a devastating effect on their lives. It's an educational book that's grade appropriate and can be used in public-schools, churches, colleges and art galleries.