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Zuleika Dobson, or, an Oxford love story, is the only novel by English essayist Max Beerbohm, a satire of undergraduate life at Oxford published in 1911. It includes the famous line "Death cancels all engagements" and presents a corrosive view of Edwardian Oxford. The all-male campus of Oxford—Beerbohm’s alma mater—is a place where aesthetics holds sway above all else, and where witty intellectuals reign. Things haven’t changed for its privileged student body for years . . . until the beguiling music-hall prestidigitator Zuleika Dobson shows up. The book’s marvelous prose dances along the line between reality and the absurd as students and dons alike fall at Zuleika’s feet, and she cuts a wide swath across the campus—until she encounters one young aristocrat for whom she is astonished to find she has feelings. As Zuleika, and her creator, zero in on their targets, the book takes some surprising and dark twists on its way to a truly startling ending—an ending so striking that readers will understand why Virginia Woolf said that “Mr. Beerbohm in his way is perfect.” In 1998, the Modern Library ranked Zuleika Dobson 59th on its list of the 100 best English-language novels of the 20th century.
Max Beerbohm's whimsical tale of a beautiful girl who takes Oxford by storm is illustrated with his own charming sketches.
Nobody lives forever. Not even a Vampyre. Just ask Joe Pitt. After exposing the secret source of blood for half of Manhattan’s Vampyres, he’s definitely a dead man walking. He’s been a punching bag and a bullet magnet for every Vampyre Clan in Manhattan, Brooklyn, and the Bronx, not to mention a private eye, an enforcer, an exile, and a vigilante, but now he’s just a target with legs. For a year he’s sloshed around the subway tunnels and sewers, tapping the veins of the lost, while above ground a Vampyre civil war threatens to drag the Clans into the sunlight once and for all. What’s it gonna take to dig him up? Just the search for a missing girl who’s carrying a baby that just might be the destiny of Vampyre-kind. Not that Joe cares all that much about destiny and such. What he cares about is that his ex-girl Evie wants him to take the gig. What’s the risk? Another turn playing pigeon in a shooting gallery. What’s the reward? Maybe one shot of his own. What’s he aiming for? Nothing much. Just all the evil at the heart of his world.
Sylvia Townsend Warner was one of the most remarkable writers of the last century and yet, despite the success of her first novel Lolly Willowes (1926), she was largely ignored during her lifetime. With seven novels, four volumes of poetry, 150 short stories for the New Yorker and a biography of T.H. White to her name this neglect is odd but according to her biographer Claire Harman 'Being a woman and a lesbian and a Communist certainly didn't endear Warner to the establishment or to the literary canon-mongers …'
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"First published in the United Kingdom by Ebury Press in 2015."--Title page verso.