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Professors, students, and anyone who loves to read will want this fascinating and attractive volume. Beginning with great works from Antiquity to the Middle Ages, this literary timeline gallops from Mesopotamian pictograms and Julius Caesar’s Commentaries on the Gallic to Renaissance and Baroque masterworks by Machiavelli and Moli�re, and on to modernism. Along the way, it presents the birth of the novel, Gothic chills, Thomas Paine’s rabble-rousing, as well as landmark French and Russian authors, Emerson’s essays, and the first detective story by Poe. Victoriana, the Aesthetic Movement, Utopian Literature, and Naturalism make their appearance, all the way up to today’s Tom Stoppard and Tony Kushner. There’s a detailed introduction, plus color-coding to show whether a work is poetry, fiction, non-fiction, or drama.
Standing on the riches of humanity’s holy books and traditions, drawing on our wealth of scientific and technological knowledge, and injecting his own creativity and humour, Yoda Oraiah presents his readers with a potential new religion—Cosmism. Cosmism: A New Hope for Humanity is a thorough exploration of human belief and creed through history, accompanied by an exhaustive detailing of a new way, a new understanding, and an inspired approach to life. Cosmism is a Space Age philosophical model and belief system that is built upon the aspects of intelligence and consciousness present in the universe. It sees the entire Cosmos as God and humans as part and parcel of this great orderly system we seem to live in. Cosmists believe that since we are part of this Cosmos, we have the capacity to influence its life and evolution, and our relationship with this greatest system is something important to recognize and cherish in our lives. Hard-hitting, thought-provoking, and entertaining, Cosmism: A New Hope for Humanity will challenge readers to explore their place in the Cosmos and their relationship with its other inhabitants.
Why has the zombie become such a pervasive figure in twenty-first-century popular culture? John Vervaeke, Christopher Mastropietro and Filip Miscevic seek to answer this question by arguing that particular aspects of the zombie, common to a variety of media forms, reflect a crisis in modern Western culture. The authors examine the essential features of the zombie, including mindlessness, ugliness and homelessness, and argue that these reflect the outlook of the contemporary West and its attendant zeitgeists of anxiety, alienation, disconnection and disenfranchisement. They trace the relationship between zombies and the theme of secular apocalypse, demonstrating that the zombie draws its power from being a perversion of the Christian mythos of death and resurrection. Symbolic of a lost Christian worldview, the zombie represents a world that can no longer explain itself, nor provide us with instructions for how to live within it. The concept of 'domicide' or the destruction of home is developed to describe the modern crisis of meaning that the zombie both represents and reflects. This is illustrated using case studies including the relocation of the Anishinaabe of the Grassy Narrows First Nation, and the upheaval of population displacement in the Hellenistic period. Finally, the authors invoke and reformulate symbols of the four horseman of the apocalypse as rhetorical analogues to frame those aspects of contemporary collapse that elucidate the horror of the zombie. Zombies in Western Culture: A Twenty-First Century Crisis is required reading for anyone interested in the phenomenon of zombies in contemporary culture. It will also be of interest to an interdisciplinary audience including students and scholars of culture studies, semiotics, philosophy, religious studies, eschatology, anthropology, Jungian studies, and sociology.
An overview of the history of the world including the ancient world, great civilizations, the medieval world, and the modern world.
A chronology of world history ranges from the dawn of humankind to the present day, examining important events, milestones, ideas, and personalities that occurred simultaneously in different regions of the world.
Presents the history of art from prehistoric times to the present day, describes major artists and movements, and details the influence of art on society through the ages.
"Written by an international team of illustration historians, practitioners, and educators, History of Illustration covers image-making and print history from around the world, spanning from the prehistoric to the contemporary. With hundreds of color image, this book to contextualize the many types of illustrations within social, cultural, and technical parameters, presenting information in a flowing chronology. This essential guide is the first comprehensive history of illustration as its own discipline. Readers will gain an ability to critically analyze images from technical, cultural, and ideological standpoints in order to arrive at an appreciation of art form of both past and present illustration"--
[TofC cont.] The social principles of Christianity / K. Marx -- The twentieth century: Listen America / J. Falwell; The platform of the German Christians -- Western Christianity and contemporary society: The long loneliness / D. Day; Problems of religious pluralism / J. Hick -- Appendices: Alphabetical list of key terms; List of ecumenical councils; Schematic history of Christian churches. This collection of original documents, written by men and women from a myriad of diverse cultures and time periods, illustrates the variety of Christian ideas and practices of the past two millennia. -Back cover. This anthology is ideal for use in historical surveys of western Christianity, whether taught in smaller chronological segments ... or as a one-semester overview of the last 2000 years ... -Pref.
"Foreword by Amy Briggs, executive editor of National Geographic History"--Jacket.
The first half of the twentieth century was a golden age of American storytelling. Mailboxes burgeoned with pulp magazines, conveying an endless variety of fiction. Comic strips, with their ongoing dramatic storylines, were a staple of the papers, eagerly followed by millions of readers. Families gathered around the radio, anxious to hear the exploits of their favorite heroes and villains. Before the emergence of television as a dominant--and stifling--cultural force, storytelling blossomed in America as audiences and artists alike embraced new mediums of expression. This examination of storytelling in America during the first half of the twentieth century covers comics, radio, and pulp magazines. Each was bolstered by new or improved technologies and used unique attributes to tell dramatic stories. Sections of the book cover each medium. One appendix gives a timeline for developments relative to the subject, and another highlights particular episodes and story arcs that typify radio drama. Illustrations and a bibliography are included.