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Smithsonian Civil War is a lavishly illustrated coffee-table book featuring 150 entries in honor of the 150th anniversary of the Civil War. From among tens of thousands of Civil War objects in the Smithsonian's collections, curators handpicked 550 items and wrote a unique narrative that begins before the war through the Reconstruction period. The perfect gift book for fathers and history lovers, Smithsonian Civil War combines one-of-a-kind, famous, and previously unseen relics from the war in a truly unique narrative. Smithsonian Civil War takes the reader inside the great collection of Americana housed at twelve national museums and archives and brings historical gems to light. From the National Portrait Gallery come rare early photographs of Stonewall Jackson and Ulysses S. Grant; from the National Museum of American History, secret messages that remained hidden inside Lincoln's gold watch for nearly 150 years; from the National Air and Space Museum, futuristic Civil War-era aircraft designs. Thousands of items were evaluated before those of greatest value and significance were selected for inclusion here. Artfully arranged in 150 entries, they offer a unique, panoramic view of the Civil War.
Throughout his life, Atlanta resident George W. Wray Jr. (1936–2004) built a collection of more than six hundred of the rarest Confederate artifacts including not just firearms and edged weapons but also flags, uniforms, and accoutrements. Today, Wray’s collection forms an integral part of the Atlanta History Center’s holdings of some eleven thousand Civil War artifacts. Confederate Odyssey tells the story of the Civil War through the Wray Collection. Analyzing the collection as material evidence, Gordon L. Jones demonstrates how a slave-based economy on the cusp of industrialization attempted to fight an industrial war. The broad range of the collection includes many rare or one-of-a-kind objects, such as a patent model and early inventions by gun maker George W. Morse, the bloodstained coat of a seventeen-year-old South Carolina soldier, battle flags made of cloth imported from England, and arms made in Georgia, the heart of the Confederacy’s burgeoning military-industrial complex. As Civil War history, Confederate Odyssey benefits from the study of material remains as it bridges the domains of professional scholars and amateur collectors such as Wray. The book tells of the stories, significance, and context of these artifacts to general readers and Civil War buffs alike. The Wray Collection is more than a gathering of relics; it is a tale of historical truths revealed in small details.
This wide-ranging display of artifacts from the Civil War will be an essential reference for collectors of military paraphernalia, wargamers, and anyone interested in military history. Weapons and uniforms of both the North and South have been photographed in vivid color for this book. Experts at West Point Military Academy and other military history establishments approved the carefully researched and specially commissioned artwork of uniformed figures that appear in this directory. Find superb photos of rifles, muskets, and handguns, ammunition, swords, bayonets, artillery pieces and shells, as well as badges of rank, medals, belt buckles and uniforms.
"Here is a new kind of dictionary - one that is packed with full-color photographs, plus thousands of terms and historical facts from the Civil War." "The Visual Dictionary of the Civil War gives you access to the specialized vocabulary of historians and Civil War buffs in a way that is clear, informative, and easy to understand." "If you know what a particular uniform or rifle or cannon looks like but don't know its name, simply look at the labels around the illustrations. And if you know a term but don't know exactly what it refers to, the index directs you to the illustrations that show you just what you are looking for."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
A piece of Plymouth Rock. A lock of George Washington’s hair. Wood from the cabin where Abraham Lincoln was born. Various bits and pieces of the past—often called “association items”—may appear to be eccentric odds and ends, but they are valued because of their connections to prominent people and events in American history. Kept in museum collections large and small across the United States, such objects are the touchstones of our popular engagement with history. In Sacred Relics, Teresa Barnett explores the history of private collections of items like these, illuminating how Americans view the past. She traces the relic-collecting tradition back to eighteenth-century England, then on to articles belonging to the founding fathers and through the mass collecting of artifacts that followed the Civil War. Ultimately, Barnett shows how we can trace our own historical collecting from the nineteenth century’s assemblages of the material possessions of great men and women.
Buried within the collection of the Smithsonian Institution's National Museum of American History exists an astonishing group of historical relics from the pre-Revolutionary War era to the present day, many of which have never been on display. Donated to the museum by generations of souvenir collectors, these ordinary objects of extraordinary circumstance all have amazing tales to tell about their roles in American history. Souvenir Nation presents fifty of the museum's most eccentric items. Objects include a chunk broken off Plymouth Rock; a lock of Andrew Jackson's hair; a dish towel used as the flag of truce to end the Civil War; the microphones used by FDR for his Fireside Chats; and the chairs that seated Nixon and Kennedy in their 1960 television debate.
- Vibrant color paintings illustrate soldiers and battles of the war - Color photos of seldom-seen period artifacts such as uniforms, weapons, and other equipment In this collection, renowned artist Don Troiani teams up with leading artifact historian James L. Kochan to present the American Revolution as it has existed only in our imaginations: in living color.From Bunker Hill to Yorktown, from Washington to Cornwallis, from the Minute Men to the Black Watch, these pages are packed with scenes of grand action and great characters, recreated in the vivid blues and reds that defined the Revolutionary era. Troiani's depictions of these legendary fife-and-drum soldiers are based on firsthand accounts and, wherever possible, surviving artifacts. Scores of color photographs of these objects--many of them from private collections and seen here for the very first time--accompany the paintings. Items range from muskets and beautifully ornate swords to more unique pieces such as badges with unit insignia or patriotic slogans and Baron von Steuben's liquor chest.More than just a glimpse into a world long past, this is the closest the modern reader can get to experiencing the Revolutionary War firsthand.
How a single haunting image tells a story about violence, mourning, and memory In 1865, Clara Barton traveled to the site of the notorious Confederate prison camp in Andersonville, Georgia, where she endeavored to name the missing and the dead. The future founder of the American Red Cross also collected their relics—whittled spoons, woven reed plates, a piece from the prison’s “dead line,” a tattered Bible—and brought them back to her Missing Soldiers Office in Washington, DC, presenting them to politicians, journalists, and veterans’ families before having them photographed together in an altar-like arrangement. Relics of War reveals how this powerful image, produced by Mathew Brady, opens a window into the volatile relationship between suffering, martyrdom, and justice in the wake of the Civil War. Jennifer Raab shows how this photograph was a crucial part of Barton’s efforts to address the staggering losses of a war in which nearly half of the dead were unnamed and from which bodies were rarely returned home for burial. The Andersonville relics gave form to these absent bodies, offered a sacred site for grief and devotion, mounted an appeal on behalf of the women and children left behind, and testified to the crimes of war. The story of the photograph illuminates how military sacrifice was racialized as political reconciliation began, and how the stories of Black soldiers and communities were silenced. Richly illustrated, Relics of War vividly demonstrates how one photograph can capture a precarious moment in history, serving as witness, advocate, evidence, and memory.