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This newly revised edition of the "American Cinematographer Film Manual" continues to be the standard, providing fully updated, comprehensive coverage of cinematography from production to post. (Performing Arts)
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The Filmmaker’s Guide to Visual Effects offers a practical, detailed guide to visual effects for non-VFX specialists working in film and television. In contemporary filmmaking and television production, visual effects are used extensively in a wide variety of genres and formats to contribute to visual storytelling, help deal with production limitations, and reduce budget costs. Yet for many directors, producers, editors, and cinematographers, visual effects remain an often misunderstood aspect of media production. In this book, award-winning VFX supervisor and instructor Eran Dinur introduces readers to visual effects from the filmmaker’s perspective, providing a comprehensive guide to conceiving, designing, budgeting, planning, shooting, and reviewing VFX, from pre-production through post-production. The book will help readers: Learn what it takes for editors, cinematographers, directors, producers, gaffers, and other filmmakers to work more effectively with the visual effects team during pre-production, on the set and in post, use visual effects as a narrative aid, reduce production costs, and solve problems on location; Achieve a deeper understanding of 3D, 2D, and 2.5D workflows; the various VFX crafts from matchmove to compositing; essential concepts like photorealism, parallax, roto, and extraction; become familiar with the most common types of VFX, their role in filmmaking, and learn how to plan effectively for the cost and complexity of VFX shots; See visual effects concepts brought to life in practical, highly illustrated examples drawn from the real-world experiences of industry professionals, and discover how to better integrate visual effects into your own projects.
A guide to digitizing photographs from a variety of original physical formats using a camera and the Lightroom software; accompanying eBook contains the book text in two formats: PDF version for computers, and, EPUB version for tablets or phones, along with 9 hours of video instruction, viewable on Mac or Windows platforms.
One of the main concerns for digital photographers today is asset management: how to file, find, protect, and re-use their photos. The best solutions can be found in The DAM Book, our bestselling guide to managing digital images efficiently and effectively. Anyone who shoots, scans, or stores digital photographs is practicing digital asset management (DAM), but few people do it in a way that makes sense. In this second edition, photographer Peter Krogh -- the leading expert on DAM -- provides new tools and techniques to help professionals, amateurs, and students: Understand the image file lifecycle: from shooting to editing, output, and permanent storage Learn new ways to use metadata and key words to track photo files Create a digital archive and name files clearly Determine a strategy for backing up and validating image data Learn a catalog workflow strategy, using Adobe Bridge, Camera Raw, Adobe Lightroom, Microsoft Expression Media, and Photoshop CS4 together Migrate images from one file format to another, from one storage medium to another, and from film to digital Learn how to copyright images To identify and protect your images in the marketplace, having a solid asset management system is essential. The DAM Book offers the best approach.
You can photograph creatively - from scratch. Don't waste valuable time and money in trial-and-error. Find out now how to create unforgettable pictures with this best-selling, ultimate introduction to photography. Langford's Starting Photography, now in its 5th edition and fully updated with cutting-edge digital methods, is packed with new sections, including portrait photography, shooting sports and action, capturing fireworks, and creating stunning still life images. Inspirational color images throughout show what you can achieve, with practical suggestions for experimental projects to improve your technique. Inside you will learn: When to use film or digital; and how different cameras operate * Discover the best tactics for outstanding photos using your camera's controls, such as shutter speed, focus, zoom, and flash * Learn key methods for different subjects, including people, places, animals, landscapes, close-ups * Develop the best scanner and printing techniques immediately * Polish your style with the brand-new Lighting section on flash, studio and available light * And much more! "Starting Photography is a hands-on book for photographers just starting their love affair with photography." Michael Langford, photographer, Course Director, RCA, and writer, 1933 - 2000 Praise for the previous edition: "Diagrams and photographs demystify information, helping the book strike a balance between technical details and shooting advice, and helpfully it doesn't talk down to the reader...The scope of information and the reasonable price ensures this is recommended." - What Digital Camera "There is a lot of technical information that will give you a good grounding in photography, covering both traditional darkroom techniques and digital methods. Projects allow further exploration of themes and are a good way of extending your mastery of the camera." - Amateur Photographer "At last there is an introductory book that I can unreservedly recommend to friends, students and others who are in any way interested in the basics of photography and digital photography." - Sidney Ray, Senior Lecturer in Digital and Photographic Imaging, University of Westminster, photographer and Imaging Consultant.
If you are serious about learning photography this is the book needed to get started. This authoritative classic, written by a leading international photography writer and lecturer has been updated by successful photographer, lecturer and best-selling Photoshop Elements author, Philip Andrews. Benefit from his skill, experience and knowledge quickly as you learn how to use photography creatively, from scratch. All the fundamental basics are covered: how to select and compose a good picture; how different cameras operate, whether film or digital; how to use the camera's controls - shutter speed, focus, zoom, flash etc; advice on how best to tackle different subjects - people, places, animals, landscapes, or close-ups, as well as invaluable scanner and printing techniques.
Don't waste valuable time and budget fixing your footage in post! Shoot the effects you want effectively and creatively the first time. This full-color step-by step guide to visual effects cinematography empowers you to plan out and execute visual effects shots on a budget, without falling into the common pitfall of using high-end computer graphics to "fix it in post, which can be an expensive, drawn out process. Instead, learn how to put your shots together before you start shooting-whether you're working in digital or film. Learn how to effectively photograph and create miniatures, matte paintings, green screen set ups, crowd replication, digital rear projection, and so much more to create elements that will composite together flawlessly. The main purpose of effects is to promote the story, not just to wow an audience with amazing tricks created digitally. This book describes methods for creating seamless effects that don't call attention to themselves but enhance the scene as a whole. The technical foundations of film and digital capture are given in the introductory chapters of the book, and you are presented with real world scenarios that illustrate these basic concepts in a practical sense. Step-by-step illustrations of photographic element creation empower you to learn how to effectively pre-plan and execute your own visual effects challenges.
"Learn how to analyze soil, hair, and fibers; match glass and plastic specimens; develop latent fingerprints and reveal blood traces; conduct drug and toxicology tests; analyze gunshot and explosives residues; detect forgeries and fakes; analyze toolmark impressions and camera images; match pollen and diatom samples; extract, isolate, and visualize DNA samples"--P. [4] of cover.
"Clear, concise, lively, well-organized and opinionated."--Popular Photography and Imaging