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"Vaughn's well received 1984 translation is here augmented with color reproductions of over 100 of the drawings in the manuscript. Paris's Latin chronicle, covering 1247-50, is valuable for its detail and its scope, noting and commenting on events all over Europe and the Near East as well as in London and Britain. Annotation copyright Book News, Inc. Portland, Or."--Amazon.com viewed Sept. 30, 2020.
A unique record of life & events in the 13th century with over 100 full-color reproductions of the original manuscript decorations. The autograph manuscript of the chronicle of the medieval English monk Matthew Paris is housed at Corpus Christi College, Cambridge, U.K. Matthew Paris was probably born about 1200. He became a monk in the Benedictine monastery of St. Albans in 1217 & died there in 1259. Although he wrote in Latin & at times also in French, English seems to have been his native language. Europe in the 13th century was an expanding, outward-looking Europe, still living in the world of the crusades, which figure largely in these pages.
An examination of the intricate cartography of Matthew Paris, and the meanings of the maps themselves.
New perspectives on and interpretations of the popular medieval genre of the universal chronicle.
Hagiography, or writing about and illustrating the lives of saints, was one of the most creative areas for artistic inspiration in the literature and arts of the Middle Ages. This book explores the sumptuously illustrated saints' lives that were made in medieval Europe. Cynthia Hahn discusses a broad range of manuscripts and other artifacts, many of which are reproduced here, and provides an analysis of their pictorial and narrative structure. Hahn's book is a virtual compendium of images-many rarely published-as well as a learned study that deepens our understanding of the role of various types of saints, the nature of their audience, and the historical moment when individual works were produced. After two informative introductory chapters setting the historical and narrative context of pictorial hagiography, Hahn considers the Lives of Martyrs and Virgins, Bishops, Monks and Abbots, and Kings and Queens, and concludes with an examination of the extraordinary chronicles and illustrations of the lives of saints by the English monk Matthew Paris. She considers such questions as: Why were illustrated saints' lives produced in such great numbers during this period? Why were they illustrated at all given the trouble and expense of such illustration? And to whom did the saints' lives appeal, and how did their readers use them? As she addresses these and other intriguing questions, Hahn traces changes that occurred over time both in the images and the stories, and shows how their creators, mostly the intellectual elite, were finely attuned to audience reception. This important aspect of hagiographic production has received scant attention in the past, and as she considers this issue in light of contemporary narrative theory, Hahn brings us to a fresh appreciation of these intricately illustrated manuscripts and their multiple audiences.
During the twelfth and thirteenth centuries, texts about the recent and more distant past were produced in remarkable numbers in the lands controlled by the kings of England. This may be seen, in part, as a response to changing social and political circumstances in the wake of the Norman conquest of England in 1066. The names of many of the twelfth and thirteenth-century historians are well known, and they include Orderic Vitalis, William of Malmesbury, John of Worcester, Henry of Huntingdon, Gerald of Wales, and Matthew Paris. Yet the manuscripts in which these works survive are also evidence for the involvement of many other people in the production of history, as patrons, scribes, and artists. Illuminated History Books in the Anglo-Norman World focuses on history books of the twelfth and thirteenth centuries to examine what they reveal about the creation, circulation, and reception of history in this period. In particular, this research concentrates on illuminated manuscripts. These volumes represent an additional investment of time, labour, and resources, and combinations of text and imagery shed light on engagements with the past as manuscripts were copied at specific times and places. Imagery could be used to reproduce the features of older sources, but it was also used to call attention to particular elements of a text, and to impose frameworks onto the past. As a result, Illuminated History Books in the Anglo-Norman World has the potential to change the way in which we see the medieval past and its historians.
In Paris, France, there lived a humble postman named Lalouche. He was small, but his hands were nimble, his legs were fast, and his arms were strong. When his job was replaced by an electric car, he turned to boxing to support himself and his pet finch, Genevieve. But--"You? A boxer?" the fighters asked. "I could sneeze and knock you down!" Still, Lalouche refused to give up. And perhaps small Lalouche was just nimble . . . just fast . . . and just strong enough to beat his fierce competitors. This is a marvelous story, full of humor and heart, and illustrated by Sophie Blackall, winner of a New York Times Best Illustrated Award.