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The instant New York Times bestseller and companion book to the PBS series. “Absolutely brilliant . . . A necessary and moving work.” —Eddie S. Glaude, Jr., author of Begin Again “Engaging. . . . In Gates’s telling, the Black church shines bright even as the nation itself moves uncertainly through the gloaming, seeking justice on earth—as it is in heaven.” —Jon Meacham, New York Times Book Review From the New York Times bestselling author of Stony the Road and The Black Box, and one of our most important voices on the African American experience, comes a powerful new history of the Black church as a foundation of Black life and a driving force in the larger freedom struggle in America. For the young Henry Louis Gates, Jr., growing up in a small, residentially segregated West Virginia town, the church was a center of gravity—an intimate place where voices rose up in song and neighbors gathered to celebrate life's blessings and offer comfort amid its trials and tribulations. In this tender and expansive reckoning with the meaning of the Black Church in America, Gates takes us on a journey spanning more than five centuries, from the intersection of Christianity and the transatlantic slave trade to today’s political landscape. At road’s end, and after Gates’s distinctive meditation on the churches of his childhood, we emerge with a new understanding of the importance of African American religion to the larger national narrative—as a center of resistance to slavery and white supremacy, as a magnet for political mobilization, as an incubator of musical and oratorical talent that would transform the culture, and as a crucible for working through the Black community’s most critical personal and social issues. In a country that has historically afforded its citizens from the African diaspora tragically few safe spaces, the Black Church has always been more than a sanctuary. This fact was never lost on white supremacists: from the earliest days of slavery, when enslaved people were allowed to worship at all, their meetinghouses were subject to surveillance and destruction. Long after slavery’s formal eradication, church burnings and bombings by anti-Black racists continued, a hallmark of the violent effort to suppress the African American struggle for equality. The past often isn’t even past—Dylann Roof committed his slaughter in the Mother Emanuel AME Church 193 years after it was first burned down by white citizens of Charleston, South Carolina, following a thwarted slave rebellion. But as Gates brilliantly shows, the Black church has never been only one thing. Its story lies at the heart of the Black political struggle, and it has produced many of the Black community’s most notable leaders. At the same time, some churches and denominations have eschewed political engagement and exemplified practices of exclusion and intolerance that have caused polarization and pain. Those tensions remain today, as a rising generation demands freedom and dignity for all within and beyond their communities, regardless of race, sex, or gender. Still, as a source of faith and refuge, spiritual sustenance and struggle against society’s darkest forces, the Black Church has been central, as this enthralling history makes vividly clear.
Already a national hero in his early 20s, George Washington revealed himself not only as a strong leader but also as a pragmatic, skilled, and modest politician. His life story is told with quotes from his correspondence and accounts from his peers. Includes an index, bibliography, and source notes.
Find out who lived and who died in the incredible story of the founding father who made America modern--and became the toast of Broadway. This richly illustrated biography portrays Hamilton's fascinating life alongside his key contributions to American history, including his role as an early abolitionist. He played a crucial part in the political, legal, and economic development of the new nation, but noted Hamilton scholar Richard Sylla reveals the flesh-and-blood man with captivating details of his private life as well as his infamous duel with Vice President Burr. Sylla expertly tells Hamilton's incredible story like no other.
Finalist for the Gilder Lehrman Lincoln Prize A landmark and collectible volume—beautifully produced in duotone—that canonizes Frederick Douglass through historic photography. Commemorating the bicentennial of Frederick Douglass’s birthday and featuring images discovered since its original publication in 2015, this “tour de force” (Library Journal, starred review) reintroduced Frederick Douglass to a twenty-first-century audience. From these pages—which include over 160 photographs of Douglass, as well as his previously unpublished writings and speeches on visual aesthetics—we learn that neither Custer nor Twain, nor even Abraham Lincoln, was the most photographed American of the nineteenth century. Indeed, it was Frederick Douglass, the ex-slave-turned-abolitionist, eloquent orator, and seminal writer, who is canonized here as a leading pioneer in photography and a prescient theorist who believed in the explosive social power of what was then just an emerging art form. Featuring: Contributions from Henry Louis Gates, Jr., and Kenneth B. Morris, Jr. (a direct Douglass descendent) 160 separate photographs of Douglass—many of which have never been publicly seen and were long lost to history A collection of contemporaneous artwork that shows how powerful Douglass’s photographic legacy remains today, over a century after his death All Douglass’s previously unpublished writings and speeches on visual aesthetics
Combining biography - based on excerpts from letters, interviews, and critical art reviews - with a selection of Sandzen's art, this book by Emory Lindquist brings to life Birger Sandzen, who used bold brush strokes and brilliant colors to express the landscapes he admired and generosity, humor, and diligence to express himself. More than just an artist, Sandzen was a gifted teacher, linguist and translator, musician, and devoted husband and father. He kept in touch with art trends and fellow artists; traveled throughout the United States, Mexico, and Europe; wrote short stories and articles on art; and read widely on social, economic, and international developments. Despite gaining a prosperous international reputation as an artist - his works have appeared in more than 600 exhibitions in the United States and Europe - the European-trained artist chose to live in Lindsborg, Kansas, rather than New York, the heart of the American art world. Although Sandzen and what was then called the modern school were somewhat of an anomaly on the prairie, he did not regret living in the Midwest. Sandzen found his artistic freedom along Kansas rivers, in Colorado mountains, and in southwestern deserts. Where others saw lifeless aridity or uninspiring treeless expanses, he would find "huge boulders or fantastic fortresses and castles". Along a Kansas creek he would envision "perpendicular sandstone walls, high and gay colored palaces, minarets and temple ruins loomed up against the sparkling greenish blue sky". In 1894, 23-year-old Birger Sandzen set sail from his native Sweden for a two- or three-year teaching appointment at Bethany College in Lindsborg. Two years stretched into sixty and resulted ina legacy that left a lasting impression not only on Sandzen's students but on everyone who views his illuminating images.
"Gail Nelson is an unobtrusive narrator who lets Harriet Tubman's deeds and personality speak for themselves. And speak they do!" - AudioFile