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Our contact with the world is through perception, and therefore the study of the process is of obvious importance and signi?cance. For much of its long history, the study of perception has been con?ned to natural- tic observation. Nonetheless, the phenomena considered worthy of note have not been those that nurture our survival—the veridical features of perception—but the oddities or departures from the common and c- monplace accuracies of perception. With the move from the natural world to the laboratory the oddities of perception multiplied, and they received ever more detailed scrutiny. My general intention is to examine the interpretations of the perc- tual process and its errors throughout history. The emphasis on errors of perception might appear to be a narrow approach, but in fact it enc- passes virtually all perceptual research from the ancients until the present. The constancies of perception have been taken for granted whereas - partures from constancies (errors or illusions) have fostered fascination.
The distinguished political philosopher Raymond Geuss examines critically the central topics in Western political thought. In a series of analytic chapters he discusses the state, authority, violence and coercion, the concept of legitmacy, liberalism, toleration, freedom, democracy, and human rights. He argues that the liberal democratic state committed to the defense of human rights is in fact a confused conjunction of disparate elements. This is a profound and concise essay on the basic structure of contemporary politics, written throughout in voice that is skeptical, engaged, and clear.
Marilyn Monroe made history by standing over a subway grating in a white pleated halter dress designed by William Travilla. Hubert de Givenchy immortalized the Little Black Dress with a single opening scene in Breakfast at Tiffany's. A red nylon jacket signaled to audiences that James Dean was a Rebel Without a Cause. For more than a century, costume designers have left indelible impressions on moviegoers' minds. Yet until now, so little has been known about the designers themselves and their work to complement and enrich stories through fashion. Creating the Illusion presents the history of fashion on film, showcasing not only classic moments from film favorites, but a host of untold stories about the creative talent working behind the scenes to dress the stars from the silent era to the present day. Among the book's sixty-five designer profiles are Clare West, Howard Greer, Adrian, Walter Plunkett, Travis Banton, Irene, Edith Head, Cecil Beaton, Bob Mackie, and Colleen Atwood. The designers' stories are set against the backdrop of Hollywood: how they collaborated with great movie stars and filmmakers; how they maneuvered within the studio system; and how they came to design clothing that remains iconic decades after its first appearance. The array of films discussed and showcased through photos spans more than one hundred years, from draping Rudolph Valentino in exotic "sheik" dress to the legendary costuming of Gone with the Wind, Alfred Hitchcock thrillers, Bonnie and Clyde, Reservoir Dogs, and beyond. This gloriously illustrated volume includes candid photos of the designers at work, portraits and wardrobe tests of stars in costume, and designer sketches. Drawing from archival material and dozens of new interviews with award-winning designers, authors Jay Jorgensen and Donald L. Scoggins offer a highly informative, lavish, and entertaining history of Hollywood costume design. About TCM: Turner Classic Movies is the definitive resource for the greatest movies of all time. It engages, entertains, and enlightens to show how the entire spectrum of classic movies, movie history, and movie-making touches us all and influences how we think and live today.
Most Beowulf scholars have held either that the poems' minor episodes are more or less based on incidents in Scandinavian history or at least that they entail nothing of the fabulous or monstrous. Beowulf and the Illusion of History contends that, like the poem's Grendelkin episodes, certain minor episodes involve monsters and contain motifs of the "Bear's Son" folktale. In the Finn Episode the monsters are to be taken as physically present in the story as we have it, while in the mention of the hero's fight with Daeghrefn and perhaps in the accounts of the fight with Ongenbeow, the principal foes, though originally monsters, appear now more like ordinary humans. The inference permits the elucidation of passages hitherto obscure and indicates that the capability of the Beowulf poet as a "maker" is greater than has been thought. John F. Vickrey, is Professor of English, Emeritus, at Lehigh University.
Andrew Russ argues in this book that a closer look at their philosophical underpinnings finds that Rousseau, Marx, and Foucault are much less "historical" in their methodology than is widely believed. Instead, they share a more "timeless" view, one indebted to principles ordinarily seen as timeless or transcendent
In The Europe Illusion, Stuart Sweeney considers Britain’s relationships with France and Prussia-Germany since the map of Europe was redrawn at Westphalia in 1648. A timely and far-sighted study, it argues that integration in Europe has evolved through diplomatic, economic, and cultural links cemented among these three states. Indeed, as wars became more destructive and economic expectations were elevated these states struggled to survive alone. Yet it has been rare for all three to be friends at the same time. Instead, apparent setbacks like Brexit can be seen as reflective of a more pragmatic Europe, where integration proceeds within variable geometry.
This is the second story in a non-partisan series detailing how the elite have impoverished America's Middle Class. In this timely and revealing book the author explains what has happened in simple, easy to understand terms, that are brief and to-the-point. The crippling and devastating consequences to liberty have not gone unnoticed. The author bears witness to history and the treacherous crimes which have overthrown the Republic. Referred to as the history of the Deep State. The Illusion of Democracy is a more accurate historical accounting of the United States since the coup of 1963, when President Kennedy was executed in Dealey Plaza by the Operation 40 assassination squad. This sequel focuses on the big picture. It explains Hegelian Dialectic Principles of how our puppet masters create conflict to increase their wealth and power. The book connects the dots of all major false flag events to prove this massive deception was intentionally engineered, and that we the people have been subjugated through indentured servitude into a feudal system controlled by wealthy oligarchs. This book was written at a high school level with those students in mind. It is perfect for high school classes, college courses, or the average reader at home who is curious about what went wrong over the past generation which killed the American Dream.
As students of the Civil War have long known, emancipation was not merely a product of Lincoln's proclamation or of Confederate defeat in April 1865. It was a process that required more than legal or military action. With enslaved people fully engaged as actors, emancipation necessitated a fundamental reordering of a way of life whose implications stretched well beyond the former slave states. Slavery did not die quietly or quickly, nor did freedom fulfill every dream of the enslaved or their allies. The process unfolded unevenly. In this sweeping reappraisal of slavery's end during the Civil War era, Joseph P. Reidy employs the lenses of time, space, and individuals' sense of personal and social belonging to understand how participants and witnesses coped with drastic change, its erratic pace, and its unforeseeable consequences. Emancipation disrupted everyday habits, causing sensations of disorientation that sometimes intensified the experience of reality and sometimes muddled it. While these illusions of emancipation often mixed disappointment with hope, through periods of even intense frustration they sustained the promise that the struggle for freedom would result in victory.
This book tells the neglected story of non-Western peoples at the time of the Paris Peace Conference of 1919, showing how Woodrow Wilson's rhetoric of self-determination helped ignite the upheavals that erupted in the spring of 1919 in four disparate non-Western societies--Egypt, India, China and Korea.