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A beautifully illustrated guide to the diverse traditions of stained glass art throughout history. The Illuminated Window is a unique journey through stained-glass installations across history. From the twelfth to the twenty-first centuries, we find in windows stories of conflict, commemoration, devotion, and celebration. Virginia Chieffo Raguin is our guide through the cathedrals of Chartres, Canterbury, and Cologne as well as Paris’s Sainte-Chapelle, Swiss guildhalls, Iran’s Pink Mosque, Harvard Memorial Hall, Tiffany’s chapel for the World Exposition, Frank Lloyd Wright’s houses, and more. In her telling, stained glass relies on more than a single maker but on the relationship between the physical site, the patron’s aims, the work’s legibility for the spectator, and the prevailing style of the era. This is a fascinating and beautifully illustrated volume for anyone interested in stained-glass works.
The Basilica of the Sacred Heart at the University of Notre Dame contains one of the largest collections of late nineteenth-century French stained glass outside of France. The French Gothic-inspired church has forty-four large stained glass windows containing two hundred and twenty scenes. Today, more than 100,000 visitors tour the basilica each year to admire its architecture or participate in the beautiful liturgies. Honoring both the Sacred Heart and the Virgin Mary, the vibrant windows have, for more than a century, drawn visitors and worshippers alike into a conversation with the art and faith found in the windows. This informative and conveniently sized guidebook tells the unique story of the windows: the improbable creation of a glassworks by cloistered Carmelite nuns in LeMans, France, and their stained glass that so perfectly illuminated the late nineteenth-century French Catholic spirituality of the Congregation of Holy Cross, who established the University of Notre Dame. The words of Father Edward Sorin, CSC, founder of the university, are featured throughout the text. He saw the basilica and its windows as an avenue for teaching this spirituality. The book describes the windows according to their location in the building, from the narthex at the entrance to the Lady Chapel behind the altar. Full-color photographs provide a detailed view of the scenes found in each window. These photos are accompanied by informed commentary on the historical and theological importance of the windows, the iconography of featured saints, and how they illuminate the work of the Holy Cross to educate both mind and spirit. Stories in Light is an easy-to-read book written for all who visit the basilica, including faculty, students, alumni, and friends and family of Notre Dame, and for readers everywhere who want to know more about the rich history and heritage of the Basilica of the Sacred Heart's stained glass.
Homecoming, haunting, nostalgia, desire: these are some of the themes evoked by the beguiling motif of the lighted window in literature and art. In this innovative combination of place-writing, memoir and cultural study, Peter Davidson takes us on atmospheric walks through nocturnal cities in Britain, Europe and North America, and revisits the field paths of rural England.Surveying a wide range of material, the book extends, chronologically, from early romantic painting to contemporary fiction, and geographically, from the Low Countries to Japan. It features familiar lighted windows in English literature (in the works of poets such as Thomas Hardy and Matthew Arnold and in the novels of Virginia Woolf, Arthur Conan Doyle and Kenneth Grahame) and examines the painted nocturnes of James Whistler, John Atkinson Grimshaw and the ruralist Samuel Palmer. It also considers Japanese prints of the nineteenth and twentieth centuries; German romanticism in painting, poetry and music; Proust and the painters of the French belle époque; René Magritte's 'L'Empire des Lumières'; and North American painters such as Edward Hopper and Linden Frederick. By interpreting the interactions of art, literature and geography around this evocative motif, Peter Davidson shows how it has inspired an extraordinary variety of moods and ideas, from the romantic period to the present day.
Sixteen full-page designs adapted from windows in Wright buildings: Robie House, Dana House, Coonley Playhouse, many more. Geometrics, florals, etc. Color and hang near light source for glowing stained glass effects.
Originally published in 1977, these examples of research and scholarly argument were collected in honor of Professor Sidney W. Bijou. In the language of academics, they constitute a Festschrift: a festival of scholarly writing, performed to celebrate the career of a person who produced, and stimulated others to produce, exactly such contributions throughout a long, valuable, and productive professional history. Since 1955, Dr Bijou had worked almost exclusively within the approach variously labelled as the functional analysis of behavior, the experimental analysis of behavior, operant conditioning, or Skinnerian psychology. From his point of view, it seems clear, the first of these labels was the correct one. It was the principle of objective, direct, observable analysis that attracted him.