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"In this first full-length treatment of the Iliad as a work of political thought, Hammer demonstrates how Homer's epic is also an ancient Greek discussion on political ethics. Hammer redefines political thought as the activity of addressing issues of collective identity and organization. Using this understanding of politics, he discusses how the characters in the Iliad, through their larger-than-life actions and interactions, embody community issues of authority, conflict, judgment, and the interrelationship between personal and collective identity. The characters' many quarrels, laments, reconciliations, and vows of loyalty and friendship all critically model the principles and controversies of underlying Greek political ethics of communal responsibility and relationship."--BOOK JACKET.
The Iliad is a work of great literary complexity that contains profound insights and a wide-ranging account of the human condition. Some of the most important recent scholarly work on the poem has also emphasized the political dimension of Homer's account. In this dissertation, I aim to contribute to our understanding of the Iliad as a work of political thought. Focusing on books 1 through 9 of the Iliad, I will try to show how we can discover in it a consistent chronological or historical account, even though at many points that history is not presented in a linear way, in the poem itself. Through various references we are able to discern an historical account of the entire cosmic order. Homer focuses on the newly established Olympian gods and, therewith, their need to enforce the crucial separation between themselves and human beings: that is, between their own status as immortals, and our condition as mortals. Homer's history of the Trojan War, in turn, conveys crucial lessons about politics and the human condition. The dissertation traces the history of the war as it emerged from a private struggle and developed into a public war. That historical narrative arc allows Homer's readers to compare regimes that exhibit varying degrees of political phenomena. The dissertation shows that, as the Iliad's history of the Trojan War unfolds it clarifies how politics stands in relation to the other spheres of human existence - that Homer's poem provides us with a fundamental account of politics, of justice, of the promise and limits of human virtue, and of how the political and other aspects of existence serve to define one another. Further, the sphere of politics is shown to illuminate other, sometimes more pressing or more important, spheres of human existence - not least, those of family and friendship. Through considering these elements of Homer's poem, the dissertation brings to sight a number of vital discoveries about politics and the human situation.
Facing censorship and being confined to the fringes of the political debate of his time, Thomas Hobbes turned his attention to translating Homer’s Iliad and the Odyssey from Greek into English. Many have not considered enough the usefulness of these translations. In this book, Andrea Catanzaro analyses the political value of Hobbes’ translations of Homer’s works and exposes the existence of a link between the translations and the previous works of the Malmesbury philosopher. In doing so, he asks: • What new information concerning Hobbes' political and philosophical thought can be rendered from mere translation? • What new offerings can a man in his eighties at the time offer, having widely explained his political ideas in numerous famous essays and treatises? • What new elements can be deduced in a text that was well-known in England and where there were better versions than the ones produced by Hobbes? Andrea Catanzaro’s commentary and theoretical interpretation offers an incentive to study Hobbes lesser known works in the wider development of Western political philosophy and the history of political thought.
Offering a new, Plato-inspired reading of the Iliad and the Odyssey, this book traces the divergent consequences of love of honor and love of one's own private life for human excellence, justice, and politics. Analyzing Homer's intricate character portraits, Michelle M. Kundmueller concludes that the poet shows that the excellence or virtue to which humans incline depends on what they love most. Ajax's character demonstrates that human beings who seek honor strive, perhaps above all, to display their courage in battle, while Agamemnon's shows that the love of honor ultimately undermines the potential for moderation, destabilizing political order. In contrast to these portraits, the excellence that Homer links to the love of one's own, such as by Odysseus and his wife, Penelope, fosters moderation and employs speech to resolve conflict. It is Odysseus, rather than Achilles, who is the pinnacle of heroic excellence. Homer's portrait of humanity reveals the value of love of one's own as the better, albeit still incomplete, precursor to a just political order. Kundmueller brings her reading of Homer to bear on contemporary tensions between private life and the pursuit of public honor, arguing that individual desires continue to shape human excellence and our prospects for justice.
An investigation of the political imagery found in ancient Greek history, literature and culture.
Viewing the Iliad and myth through the lens of modern psychology, Richard Holway exposes sacrificial childrearing practices at the root of competitive, glory-seeking ancient Greek cultures. The Iliad dramatizes and cathartically purges not only strife within and between generations but knowledge of sacrificial parenting. Holway's analysis yields a new reading of the Iliad, from its first word to its last, and a revised account of the family dynamics underlying ancient Greek cultures.
Ancient Greece was a place of tremendous political experiment and innovation, and it was here too that the first serious political thinkers emerged. Using carefully selected case-studies, in this book Professor Cartledge investigates the dynamic interaction between ancient Greek political thought and practice from early historic times to the early Roman Empire. Of concern throughout are three major issues: first, the relationship of political thought and practice; second, the relevance of class and status to explaining political behaviour and thinking; third, democracy - its invention, development and expansion, and extinction, prior to its recent resuscitation and even apotheosis. In addition, monarchy in various forms and at different periods and the peculiar political structures of Sparta are treated in detail over a chronological range extending from Homer to Plutarch. The book provides an introduction to the topic for all students and non-specialists who appreciate the continued relevance of ancient Greece to political theory and practice today.
This path-breaking and eloquent analysis of The Odyssey, and the way it has been interpreted by political philosophers throughout the centuries, has dramatic implications for the current state of political thought. This important book offers readers original insights into The Odyssey and it provides a new understanding of the classic works of Plato, Rousseau, Vico, Horkheimer, and Adorno. Through his analysis Patrick J. Deneen requires readers to rethink the issues that are truly at the heart of our contemporary 'Culture Wars,' and he encourages us to reassess our assumptions about the Western canon's virtues or viciousness. Deneen's penetrating exploration of Odysseus's and our own enduring battles between the dual temptations of homecoming and exploration, patriotism and cosmopolitanism, and relativism and universality provides an original perspective on contentious debates at the center of modern political theory and philosophy.
Drawing parallels between war and politics, the author explains why military principles can be applied to an understanding of the events, concepts, concerns, issues, and practices of political life.