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In Yiddish, khurbn is the word for 'total destruction, ' the word for what the English-speaking world calls the Jewish 'Holocaust' of World War II. This is the author's precisely personal, horrifying, tender, and structurally astute masterpiece, it is the great middle-length poem of our times.
Over 3,200 entries An essential guide to authors and their works that focuses on the general canon of British literature from the fifteenth century to the present. There is also some coverage of non-fiction such as biographies, memoirs, and science, as well as inclusion of major American and Commonwealth writers. This online-exclusive new edition adds 60,000 new words, including over 50 new entries dealing with authors who have risen to prominence in the last five years, as well as fully updating the entries that currently exist. Each entry provides details of a writer's nationality and birth/death dates, followed by a listing of their titles arranged chronologically by date of publication.
Poetry is the most complex and intricate of human language used across all languages and cultures. Its relation to the worlds of human experience has perplexed writers and readers for centuries, as has the question of evaluation and judgment: what makes a poem "work" and endure. The Poem as Icon focuses on the art of poetry to explore its nature and function: not interpretation but experience; not what poetry means but what it does. Using both historic and contemporary approaches of embodied cognition from various disciplines, Margaret Freeman argues that a poem's success lies in its ability to become an icon of the felt "being" of reality. Freeman explains how the features of semblance, metaphor, schema, and affect work to make a poem an icon, with detailed examples from various poets. By analyzing the ways poetry provides insights into the workings of human cognition, Freeman claims that taste, beauty, and pleasure in the arts are simply products of the aesthetic faculty, and not the aesthetic faculty itself. The aesthetic faculty, she argues, should be understood as the science of human perception, and therefore constitutive of the cognitive processes of attention, imagination, memory, discrimination, expertise, and judgment.
More than fifty specialists have contributed to this new edition of volume 4 of The Cambridge Bibliography of English Literature. The design of the original work has established itself so firmly as a workable solution to the immense problems of analysis, articulation and coordination that it has been retained in all its essentials for the new edition. The task of the new contributors has been to revise and integrate the lists of 1940 and 1957, to add materials of the following decade, to correct and refine the bibliographical details already available, and to re-shape the whole according to a new series of conventions devised to give greater clarity and consistency to the entries.
Lawrence Durrell excelled in a great variety of genres: poetry, drama, travel books, humorous writings, translations, critical essays, philosophical essays, character sketches, and, above all, genre- and culture-transforming experimental novels. In keeping with Durrell's multifaceted career and the centrality of his experiments, the essays in this collection use a variety of literary approaches to the diversity of Durrell's contributions to literature, illuminating four major dimensions of Durrell's writing.
Reading Poetry offers a comprehensive and accessible guide to the art of reading poetry. Discussing more than 200 poems by more than 100 writers, ranging from ancient Greece and China to the twenty-first century, the book introduces readers to the skills and the critical and theoretical awareness that enable them to read poetry with enjoyment and insight. This third edition has been significantly updated in response to current developments in poetry and poetic criticism, and includes many new examples and exercises, new chapters on ‘world poetry’ and ‘eco-poetry’, and a greater emphasis throughout on American poetry, including the impact traditional Chinese poetry has had on modern American poetry. The seventeen carefully staged chapters constitute a complete apprenticeship in reading poetry, leading readers from specific features of form and figurative language to larger concerns with genre, intertextuality, Caribbean poetry, world poetry, and the role poetry can play in response to the ecological crisis. The workshop exercises at the end of each chapter, together with an extensive glossary of poetic and critical terms, and the number and range of poems analysed and discussed – 122 of which are quoted in full – make Reading Poetry suitable for individual study or as a comprehensive, self-contained textbook for university and college classes.
By 1972, when James K. Baxter died aged just 46, his colourful life and distinctive poetry had captured the imagination of New Zealanders as no literary figure before him. Selected Poems of James K. Baxter is a new generous and authoritative selection of Baxter's verse for general readers and students by New Zealand's leading Baxter scholar, Paul Millar. With a range of poems from the 1940s, 1950s, 1960s and the Jerusalem period, full texts of major sequences 'Pig Island Letters' and the 'Jerusalem Sonnets', and key new poems directly from manuscript, Millar's selection reveals the breadth of Baxter's achievement, not merely its peaks - from the comic and bawdy to the political and devotional. Selected Poems of James K. Baxter also includes an insightful introduction by Millar and short prefaces to the four parts, plus four Baxter photos, useful notes, a glossary of Maori words and index.