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"Examines the Igbo social system and view of the world. Covers their contact with European culture and the warfare that raged within the Igbo borders."--Textbooks.com viewed Dec. 8, 2020.
Scholarly studies on the Igbo have been scant and fragmented. Politics and Identity Formation in Southeastern Nigeria: The Igbo in Perspective fills an obvious gap, exploring the social, cultural,economic, political, and aesthetic traditions that distinguish the Igbo of southeasternNigeria from their neighbors. In scope, content, and analysis this book is both multi- and cross-disciplinary, focusing on the experiences and forces that have shaped the Igbo society, identity formation, and sociocultural, political, and aesthetic representations. Themes such as the importance ofIgbo names in understanding the people’s social, linguistic, religious, gender, and cultural identities, as well as the intersection of language, politics, socialization, education, and aesthetic expression in the Igbo experience in Nigeria, are interrogated in a refreshing fashion with an appreciable level of originality.
Extrait de amazon.com : "Among Africanists and feminists, the Igbo-speaking women of southeastern Nigeria are well known for their history of anti-colonial activism which was most demonstrated in the 1929 War against British Colonialism. Perplexed by the magnitude of the Women's War, the colonial government commissioned anthropologists/ethnographers to study the Igbo political system and the place of women in Igbo society. The primary motive was to have a better understanding of the Igbo in order to avoid a repeat of the Women's War. This study will analyze the complexity and flexibility of gender relations in Igbo society with emphasis on such major cultural zones as the Anioma, the Ngwa, the Onitsha, the Nsukka, and the Aro."
This book provides a unique insight into understanding the Igbo social, economic, and political world through comprehensive analyses of indigenous and foreign religious practices, issues surrounding women, literature, language, sexism in musical lyrics, films, and community development and government. It also explores thought-provoking cultural practices relating to marriage and divorce, reincarnation, naming, and masquerade dance. The themes covered in the book help readers appreciate the often-neglected multifaceted local and external forces that continue to shape the Igbo experience in southeastern Nigeria.
This book celebrates and explores the sculpture and masks of the many diverse ethnic groups living in Southeastern Nigeria. The peoples of this region--the populous Igbo and a dozen nearby but smaller groups--are famous for their artistic creativity. This illuminating book focuses on the area's sculptural arts--mostly figures and masks--examining these mostly unpublished works through the dual lenses of invention and tradition, and with many early and recent contextual photographs. More than 150 examples, dating from the past two centuries, reveal both surprising similarities and differences in artwork by Igbo, Isoko, Urhobo, Ijo, Ogoni, Ibibio, Oron, Eket, Ejagham/Efut, Bokyi, Tiv, Idoma, and Igala peoples. Qualities such as the nature of realism, idealism, and abstraction, the nuances of surface and detail, and the inventiveness of facial and other features, as well as complex uses and meanings, are all addressed in this exciting fresh overview that adds considerably to our understanding of African art. AUTHOR: Herbert M Cole, Professor Emeritus at the University of California, Santa Barbara, is the recipient of a lifetime achievement Leadership Award from the Arts Council of the African Studies Association. He is a consultant to collectors and major museums such as the Metropolitan in New York City, the deYoung in San Francisco, and the UCLA Fowler. ILLUSTRATIONS: 130 color illustrations
The author presented his book Igbo Culture in a most convincing way by quoting expert opinions on most of the issues he discussed in the book. Through his carefully researched work and detailed analysis of facts, he showed in the book that Igbo youths working hard like their ancestors can reform Igboland into a new and better civilization by sifting the good aspects of Igbo culture into today's way of life. He started his book by making a brief reference to the possible migration route of Igbo ancestors from their earliest settlements in the forest region of Central Africa to their present-day settlement in Southeastern Nigeria of West Africa. He also made a brief reference to the development of the Igbo civilization through the period covering the Stone Age and Iron Age civilizations (pages 114). He painted a clear picture of the cultural background of the community where he was born and brought up and lived in for more than sixty years before he traveled to the United States of America. He traced the more than twenty-six generations-deep lineages, beliefs, concepts, customs, and history of Ihe Shikeaguma in Ntuegbe clan of Enugu State in Southeastern Nigeria as a sample core Igbo culture community. He also delved into the historical links and social formation of this community, with emphasis on genealogy, religion, settlement, language, government, law enforcement, defense, seasons, festivals, and residential structures (pages 1583). He took his readers to Igbo thought on God, self, family, human life, birth, death, spirit, human mind, and reincarnation (pages 85113). He clearly documented the cultural products of Igbo thought, which can be seen in the formulation of Igbo institutions with special reference to marriage, the extended family system, the social status structure and title system, festivals, informal education, traditional law, community service, religion, divination, and health-care services (pages 114202). He explained that the symbolism of various articles and some spoken words in Igbo culture are products of Igbo thought. He referred to ofo stick, kola nut, alligator pepper, spears, tribal face marks, body paint, white chalk, and the young palm frond as symbols or instruments of Igbo philosophical expressions and concepts (pages 203214). He showed how Igbo culture and philosophy have been affected by the cultures of Igbo neighbors in Nigeria and by other foreign cultures with special references to the following: (a) Ugwuele civilization (a Stone Age culture)1,000,000 BC500,000 BC (b) Nri civilization (a ritualized kingship system)AD 800AD 1700 (c) Aro civilization (slave trade and colonial era)AD 1700AD 1850 (d) Border civilization (slave trade and colonial era)AD 800AD1900 (e) External civilization (slave trade and colonial era)AD 1700AD 2000 (pages 215238) The author concluded his work by making an evaluation of Igbo culture. He carefully examined the oriented values of the Igbo and highlighted those areas of Igbo culture that should be refurbished and reinfused into Igbo life by the Igbo themselves in order to transform Igboland into a big theater of modern civilization (pages 239246).