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Reprint of the original, first published in 1883.
In Art and Agency, Alfred Gell formulates an anthropological theory of visual art that focuses on the social context of art production, circulation, and reception. As a theory of the nexus of social relations involving works of art, this work suggests that in certain contexts, art-objects substitute for persons and thus mediate social agency. Diversely illustrated and based on European, Polynesian, Melanesian, and Australian sources, Art and Agency was completed just before Gell's death at the age of fifty-one in January 1997. It embodies the intellectual bravura, lively wit, vigor, and erudition for which he was admired, and will stand as an enduring testament to one of the most gifted anthropologists of his generation.
Subhash Kapoor was a New York-based antique dealer whose pieces can be seen in every major museum of the world. In October 2011 when he presented his passport at immigration in Germany, Kapoor was unceremoniously whisked away into Interpol custody. India had weeks earlier issued a red-corner notice for his arrest after connecting him to audacious idol thefts in two Tamil Nadu temples. And when the US authorities subsequently raided Kapoor's warehouses in New York more skeletons came tumbling out of his closet. They recovered no less than $100 million worth of stolen Indian art! This was just Kapoor's inventory - he had been in business for close to four decades and the true scale of his loot is incalculable. The US declared Kapoor one of the most prolific commodities smugglers in the world. This is the unbelievable true story of how Kapoor was caught, told by one of the men who had for years been chasing Kapoor and is still tracking idols that have passed through his hands. From complicit police officers to corrupt museum officials to jilted girlfriends and from two-faced academics to shady temple looters and smugglers - this book has it all. Prepare to be shocked at the 21st-century pillaging of India's temples by a glittering cast of suave criminals
IDOLS RIOT! is a book in the order of John Bunyan's "Pilgrims Progress" or Oswald Chamber's "My Utmost for His Highest!" IDOLS RIOT! unpacks the holy grail of scripture on the subject of God, Idols, and altars. It contains power-packed revelation that will overthrow idols and evil altars in your soul or bloodline that are keeping you from enjoying a life of abundance and intimacy with God! IDOLS RIOT! is the combined work of two prolific apostolic writers, Katie Souza and Francis Myles. Inside of its pages, you will learn: * Why worshipping idols delays and blocks the fulfillment of God's promises! *Why Satan tempts people to break the first of the ten commandments! *Why an unhealed soul window shops for idols! *How Satan infiltrates your life with idols and evil altars in your bloodline inorder to control you. *How to silence idols when they are rioting in your soul! *How to take idols and evil altars into the Courts of Heaven to face prosecution *How to identify and stop money stealing idols and evil altars, and much more!
First Love Devotions is written from the authors rich experience of over fifty years as a pastor and teacher. One of the dangers a pastor faces is becoming mechanical and professional and losing the first love that motivated him to devote his life as a servant of God. The best safeguard against that is maintaining a loving, intimate daily fellowship with Jesus as you seek his guidance in understanding the scripture. If you find your love for Jesus waning, do a thorough job of repentance as you renew and cultivate this relationship. Each first-love devotion treats a passage of scripture and gives insight based on prayerful reflection as it relates to personal experience. In addition to personal spiritual benefits, the Christian worker will find a wealth of topics, sermon prompts, and illustrative materials that may be shared with others.
After 1500, as Catholic Europe fragmented into warring sects, evidence of a pagan past came newly into view, and travelers to distant places encountered deeply unfamiliar visual cultures, it became ever more pressing to distinguish between the sacred image and its opposite, the 'idol'. Historians and philosophers have long attended to Reformation charges of idolatry - the premise for image-breaking - but only very recently have scholars begun to consider the ways that the idol occasioned the making no less than the destruction. The present book focuses on how idols and ideas about them matter for the history of early modern objects produced around the globe, especially those created in the context of an exchange or confrontation between an 'us' and a 'them'. Ranging widely within the early modern period, the volume contributes to the project of globalizing the study of European art, bringing the continent's commercial, colonial, antiquarian, and religious histories into dialogue. Its studies of crosses, statues on columns, wax ex-votos, ivories, prints, maps, manuscripts, fountains, banners, and New World gold all frame Western 'art' simultaneously as an idea and as a collection of real things, arguing that it was through the idol that object-makers and writers came to terms with what it was that art should be, and do.
The subject of Eye and Look, based on the research topics conducted by Fernand D'Amico and Jacques Wisman, is proposed in this book as a themed walk through the passages of Scripture from the Old and New Testament. The biblical text (KJV) is presented deliberately devoid of additional comments to offer an immediate and direct perception of the selected track.The thematic reading of the biblical text opens to the reader as a fascinating experience that allows him to benefit in a short time, a surprising and rich picture of content.In the Scriptures the eye is not only the window through which to admire the creation, but also the mirror of the soul. This ambivalence is always present in the biblical texts, through a careful reading can take significant development based on complex analog-references between the inner and outer world and the subtle link between these two dimensions.