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ACTUALLY, I COULD ORDAIN YOU RIGHT NOW IF YOU LIKE. THOSE WORDS PRESENTED NEWLY BLONDE, NON-RELIGIOUS ME WITH AN OPPORTUNITY THAT WOULD ULTIMATELY SHAPE THE IDIOCY OF THE YEARS TO FOLLOW. In the United States over the last ten years, twenty-three million couples have married. The Idi-Odyssey is the story of my random journey through .000003% of those weddings. The story begins with an unplanned ordination in Lake Tahoe by Yukon Dave, a white-water rafting guide/minister. A myriad of ridiculous weddings situations and relationships followed, ultimately leading to the Year of the Wedding during which my younger brother Russ married the same woman three times in the same year. Not to be completely outdone by the marital gymnastics, I secretly married my girlfriend to keep her in the country a week after Russ' first wedding; and despite my father's counseling, Don't feel any pressure to get married just because your younger brother did. Along the way, there's also the Nantucket whale penis, the great gift wars of 1999, the Idiotarod, the weddings I officiated and much, much more.
This book summarizes and briefly analyzes over 400 films about the Vietnam War.
Join the crew of the U.S.S Enterprise in all-new adventures as they near the end of their five-year mission, featuring the characters from the Original Series! The crew of the Enterprise left Earth four years ago. They've traveled to strange new worlds, defeated impossible foes, and made universe-changing decisions. But now, with the end in sight, they'll have to face their biggest challenge yet. Step aboard the Enterprise with Kirk, Spock, Bones, Uhura, Sulu, Scotty, and Chekov as they begin the end of their original five-year mission and boldly go into an uncertain future in this new continuing Star Trek series! Collects issues #1–6.
This volume of essays addresses some of the most significant issues of contemporary international law. It particularly focuses on questions relating to international humanitarian law, the law of the sea, human rights, the use of force, international environmental law, and the settlement of international disputes. Recent developments in some other issues of international law such as State immunity and State responsibility are also dealt with. The Work contains a number of articles in French and is offered as a tribute to the prominent Iranian Professor of International Law, Djamchid Momtaz, on the occasion of his 75th birthday.
In recent decades, the evidence for an oral epic tradition in ancient Greece has grown enormously along with our ever-increasing awareness of worldwide oral traditions. John Foley here examines the artistic implications that oral tradition holds for the understanding of the Iliad and Odyssey in order to establish a context for their original performance and modern-day reception. In Homer's Traditional Art, Foley addresses three crucially interlocking areas that lead us to a fuller appreciation of the Homeric poems. He first explores the reality of Homer as their actual author, examining historical and comparative evidence to propose that &"Homer&" is a legendary and anthropomorphic figure rather than a real-life author. He next presents the poetic tradition as a specialized and highly resonant language bristling with idiomatic implication. Finally, he looks at Homer's overall artistic achievement, showing that it is best evaluated via a poetics aimed specifically at works that emerge from oral tradition. Along the way, Foley offers new perspectives on such topics as characterization and personal interaction in the epics, the nature of Penelope's heroism, the implications of feasting and lament, and the problematic ending of the Odyssey. His comparative references to the South Slavic oral epic open up new vistas on Homer's language, narrative patterning, and identity. Homer's Traditional Art represents a disentangling of the interwoven strands of orality, textuality, and verbal art. It shows how we can learn to appreciate how Homer's art succeeds not in spite of the oral tradition in which it was composed but rather through its unique agency.
Focusing on the necrophilic dimension of Pound's poetry and the inflections of materiality enabled by the modernist image, Tiffany finds a continuum between Decadent practice and the avant-garde, between the image's prehistory and its political afterlife, between the "corpse language" of Victorian poetry and a conception of the "radioactive" image
This monograph examines the roles and functions of Swahili in war/conflict situations, and the impact of wars on the destiny of the language. Covering a period of over a century, the monograph explores this sociolinguistic theme in the context of six wars/conflicts: the Maji Maji resistance against German rule, the two World Wars, the anti-colonial resistance to British colonialism, the wars of the Great Lakes region, the cold wars, and the ongoing war against terrorism. In geographical focus, some of the war situations explored here are “local,” others are “transnational,” and others still rather “global” in scope and ramifications. In the final analysis, the monograph provides important snapshots of the conflict-based history of the Swahili language, demonstrating once again that language is a malleable tool that can be appropriated and galvanized to serve the interests of either party in a conflict and sometimes as a means of creating hegemonic and anti-hegemonic meanings.