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Lace, like silver or porcelain, can be classified by type and its date and place of origin often can be identified. But in the absence of marks giving maker or date, lace must be judged on its technical features and style. This new edition gathers fascinating and useful information in an easy to read and well-organised text covering needlepoint laces, embroideries, lace knitting and tatting, and bobbin laces made in Europe from the 16th century forward, including 19th century revivals. Each type is described and illustrated with hundreds of photographs and line drawings to show the technical characteristics and particular regard to the way one lace compares with another. A glossary, notes on cleaning, care, and conservation, and a price guide make this an essential reference for lace makers, designers, and lace collectors alike.
What is that lace? How old is it? Has it been made by hand or machine? What would it have been used for? These are the types of questions that this practical guide sets out to answer. Lavishly illustrated, it shows you how to identify the sort of lace that you might find hiding away in drawers and cupboards, or buy at a vintage textile fair. It deals predominantly with the hand-made and machine laces of the nineteenth and twentieth centuries. Topics covered include an introductory survey of the different types of lace, their history and construction; guidelines for a systematic approach to lace identification and advice on cleaning and storage; chapters on the different types of lace: bobbin lace, needle lace, craft laces such as crochet and tatting, machine lace and lace based on tapes and nets. There are exercises on distinguishing similar pieces of lace made using different techniques and there are illustrations of how lace has been used and of some of the tools used in the making. Written by experienced lacemakers Gilian Dye and Jean Leader, it presents items from their own collections to illuminate and inspire others who wish to know more about this fascinating textile. Lace Identification is a complete guide to the beauty of this stitch craft, and will richly reward all those who study the treasures they may own.
Handy reference of more than 400 lace-related terms (Florentine knots, lappets, spangles, reticella, honiton, Tuscan filet, etc.) plus discussions of the origin, nomenclature, dating, and development of more controversial lace forms. Over 250 illustrations depict such lovely creations as Queen Victoria's wedding veil and the bridal tulle worn by Diana, Princess of Wales.
Definitive, profusely illustrated history traces development of lace from earliest times to late 19th century. Laces of Italy, Greece, England, France, Flanders, Spain, Scotland, Ireland, many other lands. Scholarly, erudite treatment of reticella, point de France, Valenciennes, Chantilly, point d'Espagne, host of other varieties. Landmark of 19th-century scholarship revised and enlarged in 1901. 266 illustrations.
325 exquisite lace samples depict human and mythical figures, filigree designs of hearts and flowers, and other motifs. Royalty-free designs from elegant borders, edgings, collars, doilies, and more.
Bedfordshire lace became popular in the fashions of the second half of the nineteenth century because of the beauty of its bold-open designs, often with elegant floral motifs, and it continues to fascinate and captivate lacemakers today. This practical book is dedicated to the novice and experienced lacemaker wishing to learn these techniques so as to realize this elegance for themselves. Information is given about the equipment needed for bobbin lacemaking, how to make a pricking (the pattern on which the lace is made), and how to wind thread on the bobbins. Instruction explains how to work cloth stitch and half stitch, plaits, windmill crossings, picots and leaf-shaped tallies, and how to finish a piece of lace. There is a series of twenty-six patterns, some traditional and others designed more recently. These are supported by instructions, photographs and diagrams. The patterns include small motifs, edgings - some with corners for handkerchiefs - butterflies and, finally, three exquisite collars.
The title of this book embodies the authors attitude toward the collection that she presents, using vivid photographs to guide the reader through centuries of lacemaking and embroidery. The author has traveled throughout Europe carefully researching the origin and history of the pieces presented. Information is separated into eight chapters: Lace Trim, Bridal Hankies, Fashion, Society Embroidery, Appenzell-work, Bed Linens, Table Linens, and Miscellaneous Lace and/or Embroidered Pieces. Each chapter includes an overview, detailed descriptions, and photographs, including details that are excellent references for identifying various styles of lace and embroidery. The price range associated with each will help the reader understand the effect age, condition, and workmanship have on value. This book will appeal to beginners and experienced collectors alike.
The aim of machine laces from the very beginning was to copy those made by hand, and so invade the immensely profitable market that hand laces had monopolized for so long. In time the imitations became so scrupulously exact as to present a kind of virtual reality of the real form.
Information on Old lace and linens, including crochet, that includes tablecloths, centerpieces, doilies, collars, bedspreads, pillowcases, and much more, with illustrations.