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Over the last sixty years scholars have increasingly become aware of links connecting early Greek poetry with the literatures of the ancient Near East. Martin West's new book far surpasses previous studies in comprehensiveness, demonstrating these links with massive and detailed documentation and showing they are much more fundamental and pervasive than has hitherto been acknowledged. - ;Ever since Neolithic times Greek lands lay open to cultural imports from western Asia: agriculture, metal-working, writing, religious institutions, artistic fashions, musical instruments, and much more. Over the last sixty years scholars have increasingly become aware of links connecting early Greek poetry with the literatures of Mesopotamia, Anatolia, Canaan, and Israel. Martin West's new book far surpasses previous studies in comprehensiveness, demonstrating these links with massive and detailed documentation and showing that they are much more fundamental and pervasive than has hitherto been acknowledged. His survey embraces Hesiod, the Homeric epics, the lyric poets, and Aeschylus, and concludes with an illuminating discussion of possible avenues of transmission between the orient and Greece. He believes that an age has dawned in which Hellenists will no more be able to ignore Near Eastern literature than Latinists can ignore Greek. -
Has appendices.
This volume is concerned with the origins, development and character of ritual in Islam. The focus is upon the rituals associated with the five 'pillars of Islam': the credal formula, prayer, alms, fasting and pilgrimage. Since the 19th century academic scholarship has sought to investigate Muslim rituals from the point of view of history, the study of religion, and the social sciences, and a set of the most important and influential contributions to this debate, some of them translated into English for the first time, is brought together here. Participation in the ritual life of Islam is for most Muslims the predominant expression of their adherence to the faith and of their religious identity. The Development of Islamic Ritual shows some of the ways in which this important aspect of Islam developed to maturity in the first centuries of Islamic history.
These two volumes elucidate the manner in which there emerged, on the North China plain, hierarchically structured, functionally specialized social institutions organized on a political and territorial basis during the second millennium b.c. They describe the way in which, during subsequent centuries, these institutes were diffused through much of the rest of North and Central China. Author Paul Wheatley equates the emergence of the ceremonial center, as evidenced in Shang China, with a functional and developmental stage in urban genesis, and substantiates his argument with comparative evidence from the Americas, Mesopotamia, Egypt, Southeast Asia, the Mediterranean, and the Yoruba territories. The Origins and Character of the Ancient Chinese City seeks in small measure to help redress the current imbalance between our knowledge of the contemporary, Western-style city on the one hand, and of the urbanism characteristic of the traditional world on the other. Those aspects of urban theory which have been derived predominantly from the investigation of Western urbanism, are tested against, rather than applied to ancient China. The Origins and Character of the Ancient Chinese City examines the cosmological symbolism of the Chinese city, constructed as a world unto itself. It suggests, with a wealth of argument and evidence, that this cosmo-magical role underpinned the functional unity of the city everywhere, until new bases for urban life began to develop in the Hellenistic world. Whereas the majority of previous investigations into the nature of the Chinese city have been undertaken from the standpoint of elites, The Origins and Character of the Ancient Chinese City has adopted a point of view closer to that of the social scientist than the geographer.
The mythic foundations of the world's greatest archaeological mystery.
What does jihad really mean? What is the Muslim conception of law? What is Islam's stance toward unbelievers? Probing literary and historical sources, Bernard Lewis traces the development of Islamic political language from the time of the Prophet to the present. His analysis of documents written in Arabic, Persian, and Turkish illuminates differences between Muslim political thinking and Western political theory, and clarifies the perception, discussion, and practices of politics in the Islamic world. "Lewis's own style, combining erudition with a simple elegance and subtle humor, continues to inspire. In an era of specialization and narrowing academic vision, he stands alone as one who deserves, without qualification, the title of historian of Islam."—Martin Kramer, Middle East Review "A superb effort at synthesis that presents all the relevant facts of Middle Eastern history in an eminently lucid form. . . . It is a book that should prove both rewarding and congenial to the Muslim reader."—S. Parvez Manzor, Muslim World Book Review "By bringing his thoughts together in this clear, concise and readable account, [Lewis] has placed in his debt scholars and all who seek to understand the Muslim world."—Ann K. S. Lambton, Bulletin of the School of Oriental and African Studies "[Lewis] constructs a fascinating account of the ways in which Muslims have conceived of the relations between ruler and ruled, rights and duties, legitimacy and illegitimacy, obedience and rebellion, justice and oppression. And he shows how changes in political attitudes and concepts can be traced through changes in the political vocabulary."—Shaul Bakhash, New York Review of Books
How is home-grown contemporary art viewed within the Middle East? And is it understood differently outside the region? What is liable to be lost when contemporary art from the Middle East is 'transferred' to international contexts - and how can it be reclaimed? This timely book tackles ongoing questions about how 'local' perspectives on contemporary art from the Middle East are defined and how these perspectives intersect with global art discourses. Inside, leading figures from the Middle Eastern art world, western art historians, art theorists and museum curators discuss the historical and cultural circumstances which have shaped contemporary art from the Middle East, reflecting on recent exhibitions and curatorial projects and revealing how artists have struggled with the label of 'Middle Eastern Artist'. Chapters reflect on the fundamental methodologies of art history and cultural studies - considering how relevant they are when studying contemporary art from the Middle East - and investigate the ways in which contemporary, so-called 'global', theories impact on the making of art in the region. Drawing on their unique expertise, the book's contributors offer completely new perspectives on the most recent cultural, intellectual and socio-political developments of contemporary art from the Middle East.