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The Power of Sympathy (1789) is a novel by American author William Hill Brown. Considered the first American novel, The Power of Sympathy is a work of sentimental fiction which explores the lessons of the Enlightenment on the virtues of rational thought. A story of forbidden romance, seduction, and incest, Brown’s novel is based on the real-life scandal of Perez Morton and Fanny Apthorp, a New England brother- and sister-in-law who struck up an affair that ended in suicide and infamy. Inspired by their tragedy, and hoping to write a novel which captured the need for rational education in the newly formed United States of America, Brown wrote and published The Power of Sympathy anonymously in Boston. The novel, narrated in a series of letters, is the story of Thomas Harrington. He falls for the local beauty Harriot Fawcet, initially hoping to make her his mistress. But when she rejects him, his friend Jack Worthy suggests that he attempt to court and then propose to her, which is the honorable and lawful choice. Thomas’ overly sentimental mind is persuaded by Jack’s unflinching reason, and so he decides to pursue Harriot once more. This time, he is successful, and the two eventually become engaged, but their happiness soon fades when Mrs. Eliza Holmes, a family friend of the Harringtons, reveals the true nature of Harriot’s identity. As the secrets of Mr. Harrington—Thomas’ father—are revealed, the couple are forced to choose between the morals and laws of society and the passionate love they share. The Power of Sympathy is a moving work of tragedy and romance with a pointed message about the need for education in the recently founded United States. Despite borrowing from the British and European traditions of sentimental fiction and the epistolary novel, Brown’s work is a distinctly American masterpiece worthy of our continued respect and attention. With a beautifully designed cover and professionally typeset manuscript, this edition of William Hill Brown’s The Power of Sympathy is a classic of American literature reimagined for modern readers.
Taking his cue from Philadelphia-born novelist Charles Brockden Brown's Annals of Europe and America, which contends that America is shaped most noticeably by the international struggle between Great Britain and France for control of the world trade market, Stephen Shapiro charts the advent, decline, and reinvigoration of the early American novel. That the American novel "sprang so unexpectedly into published existence during the 1790s" may be a symptom of the beginning of the end of Franco-British supremacy and a reflection of the power of a middle class riding the crest of a new world economic system. Shapiro's world-systems approach is a relatively new methodology for literary studies, but it brings two particularly useful features to the table. First, it refines the conceptual frameworks for analyzing cultural and social history, such as the rise in sentimentalism, in relation to a long-wave economic history of global commerce; second, it fosters a new model for a comparative American Studies across time. Rather than relying on contiguous time, a world-systems approach might compare the cultural production of one region to another at the same location within the recurring cycle in an economic reconfiguration. Shapiro offers a new way of thinking about the causes for the emergence of the American novel that suggests a fresh way of rethinking the overall paradigms shaping American Studies.
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The idea of "the great American novel" continues to thrive almost as vigorously as in its nineteenth-century heyday, defying 150 years of attempts to dismiss it as amateurish or obsolete. In this landmark book, the first in many years to take in the whole sweep of national fiction, Lawrence Buell reanimates this supposedly antiquated idea, demonstrating that its history is a key to the dynamics of national literature and national identity itself. The dream of the G.A.N., as Henry James nicknamed it, crystallized soon after the Civil War. In fresh, in-depth readings of selected contenders from the 1850s onward in conversation with hundreds of other novels, Buell delineates four "scripts" for G.A.N. candidates. One, illustrated by The Scarlet Letter, is the adaptation of the novel's story-line by later writers, often in ways that are contrary to the original author's own design. Other aspirants, including The Great Gatsby and Invisible Man, engage the American Dream of remarkable transformation from humble origins. A third script, seen in Uncle Tom's Cabin and Beloved, is the family saga that grapples with racial and other social divisions. Finally,mega-novels from Moby-Dick to Gravity's Rainbow feature assemblages of characters who dramatize in microcosm the promise and pitfalls of democracy. The canvas of the great American novel is in constant motion, reflecting revolutions in fictional fashion, the changing face of authorship, and the inseparability of high culture from popular. As Buell reveals, the elusive G.A.N. showcases the myth of the United States as a nation perpetually under construction.
Countering assumptions about early American print culture and challenging our scholarly fixation on the novel, Jared Gardner reimagines the early American magazine as a rich literary culture that operated as a model for nation-building by celebrating editorship over authorship and serving as a virtual salon in which citizens were invited to share their different perspectives. The Rise and Fall of Early American Magazine Culture reexamines early magazines and their reach to show how magazine culture was multivocal and presented a porous distinction between author and reader, as opposed to novel culture, which imposed a one-sided authorial voice and restricted the agency of the reader.
An authoritative and lively account of the development of the genre, by leading experts in the field.
"[...]convinced that Alknomook is the offspring of Tyler's genius. THOMAS J. MCKEE THE CONTRAST A COMEDY; IN FIVE ACTS: WRITTEN BY A CITIZEN OF THE UNITED STATES; Primus ego in patriam Aonio-deduxi vertice Musas. VIRGIL (Imitated)[...]".
In this major reconsideration of a regional consciousness, Richard Gray explores how generations of southerners have been engaged in "writing the South", in reinventing their place even as they describe it. "Humane and learned, informative and analytical, WRITING THE SOUTH is a most impressive addition to cultural inquiry".--THE LISTENER. 12 photos.