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Religious figures of remembrance served to consolidate dynastic rule and later nation-state legitimacy and community. The study illuminates the interweaving of (Eastern) Roman, medieval Serbian and Bulgarian, as well as Ottoman and Western European national discourses culminating in the sacralization of the nation.
Describes the topography, history, society, economy, and governmental structure of Serbia and Montenegro.
In The Balkan Wars 1912-1913, Richard Hall examines the origins, the enactment and the resolution of the Balkan Wars, during which the Ottoman Empire fought a Balkan coalition of Bulgaria, Greece, Montenegro and Serbia. The Balkan Wars of 1912 - 1913 opened an era of conflict in Europe at the beginning of the 20th century, which lasted until 1918, and which established a basis for problems which tormented Europe until the end of the century. Based on archival as well as published diplomatic and military sources, this book provides the first comprehensive perspective on the diplomatic and military aspects of the Balkan Wars. It demonstrates that, because of the diplomatic problems raised and the military strategies and tactics pursued to resolve those problems, The Balkan Wars of 1912-1913 were the first phase of the greater and wider conflict of the First World War.
An icon (from the Greek word "eikon," "image") is a wooden panel painting of a holy person or scene from Orthodox Christianity, the religion of the Byzantine Empire that is practiced today mainly in Greece and Russia. It was believed that these works acted as intermediaries between worshipers and the holy personages they depicted. Their pictorial language is stylized and primarily symbolic, rather than literal and narrative. Indeed, every attitude, pose, and color depicted in an icon has a precise meaning, and their painters--usually monks--followed prescribed models from iconographic manuals. The goal of this book is to catalogue the vast heritage of images according to iconographic type and subject, from the most ancient at the Monastery of Saint Catherine in the Sinai to those from Greece, Constantinople, and Russia. Chapters focus on the role of icons in the Orthodox liturgy and on common iconic subjects, including the fathers and saints of the Eastern Church and the life of Jesus and his followers. As with other volumes in the Guide to Imagery series, this book includes a wealth of color illustrations in which details are called out for discussion.