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Southeast Asia has a long history with Buddhism that continues to the present day. Centuries ago, Buddhism spread to various areas of Southeast Asia, where some of the greatest Buddhist images and monuments were produced over 1,000 years ago. These include the majestic Borobudur in Central Java and Angkor Thom in Cambodia. Images of the Bodhisattva Avalokitesvara in bronze were also produced in large numbers at this time.0This book deals with images of Avalokitesvara that are unique to specific countries of Southeast Asia: Indonesia, Thailand, Vietnam and Cambodia. It introduces a wider audience to the beauty and originality of Southeast Asian art. The text focuses on specific forms of Avalokitesvara images found in the different regions of Southeast Asia, illustrating the local developments of Buddhist art. This includes an exploration of both iconography and style, but will also highlight the continuous desire of the artists to portray the compassion for which Avalokitesvara is known. Even in today?s modern world, the idea of compassion becomes ever more vital and the Bodhisattva remains popular among all Buddhists. This book would be a source of knowledge, but perhaps most importantly, fantastical and beautiful images that in themselves are a comfort as they radiate the quality of Avalokitesvara: compassion.
The latest historical and anthropological archaeology, epigraphy, and art history on Southeast Asia, these articles offer new understandings of classical Hindu and Buddhist cultures of Southeast Asia and their relationship to the regionÍs medieval cultures. The articles are presented under four headings: Art, religion and politics (Buddhist monuments in Java and Cambodia); Southeast Asian transformations (cultural exchange with South Asia); Technology (workmanship in art and material culture); and Southeast Asia between past and present.
Presents works of art selected from the South and Southeast Asian and Islamic collection of The Metropolitan Museum of Art, lessons plans, and classroom activities.
Interpreting Southeast Asia's Past: Monument, Image and Text features 31 papers read at the 10th International Conference of the European Association of Southeast Asian Archaeologists, held in London in September 2004. The volume covers monumental arts, sculpture and painting, epigraphy and heritage management across mainland Southeast Asia and as far south as Indonesia. New research on monumental arts includes chapters on the Bayon of Angkor and the great brick temple sites of Champa. There is an article discussing the purpose of making and erecting sacred sculptures in the ancient world and accounts of research on the sacred art of Burma, Thailand and southern China (including the first study of the few surviving Saiva images in Burma), of a spectacular find of bronze Mahayana Buddhas, and of the sculpted bronzes of the Dian culture. New research on craft goods and crafting techniques deals with ancient Khmer materials, including recently discovered ceramic kiln sites, the sandstone sources of major Khmer sculptures, and the rare remaining traces of paint, plaster and stucco on stone and brick buildings. More widely distributed goods also receive attention, including Southeast Asian glass beads, and there are contributions on Southeast Asian heritage and conservation, including research on Angkor as a living World Heritage site and discussion of a UNESCO project on the stone jars of the Plain of Jars in Laos that combines recording, safeguarding, bomb clearance, and eco-tourism development.
A fresh and exciting exploration of Southeast Asian history from the 5th to 9th century, seen through the lens of the region's sculpture
This wide-ranging collection of essays examines the arts of Southeast Asia in context. Contributors study the creation, use, and local significance of works of art, illuminating the many complex links between an object's aesthetic qualities and its origins in a community.