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This book explores the meanings of images, with particular reference to the images of God found in the Bible, and surveys the various images found. It critically reviews theories of images, as distinguished from symbols, and argues that images are more forceful representations of the deity than are symbols.
This book discusses the privileging and prohibition of religious images over two and a half millennia in the West.
"Closer, mortal. You are here, finally, to feed the Aching God..." The days of adventure are passed for Auric Manteo. Retired to the countryside and isolated with his scars and riches, he no longer delves into forbidden ruins seeking dark wisdom and treasure. But just as old nightmares begin plaguing his sleep, he receives an urgent summons back to that old life. To save his only daughter, he must return to the place of his greatest trauma: the haunted Barrowlands. Along with a group of inexperienced companions and an old soldier, he must confront the dangers of the ancient and wicked Djao civilization. He has survived fell beasts, insidious traps, and deadly hazards before. But how can he contend with the malice of a bloodthirsty living god? First volume in the planned epic fantasy trilogy Iconoclasts, Aching God is the debut novel by RPG adventure designer Mike Shel. This volume also includes an advanced preview of Iconoclasts - Book II: Sin Eater.
Pentcheva demonstrates that a fundamental shift in the Byzantine cult from relics to icons, took place during the late tenth century. Centered upon fundamental questions of art, religion, and politics, Icons and Power makes a vital contribution to the entire field of medieval studies.
In Orthodox theology both the icon and the name of God transmit divine energies, theophanies, or revelations that imprint God's image within us. In Icons and the Name of God renowned Orthodox theologian Sergius Bulgakov explains the theology behind the Orthodox veneration of icons and the glorification of the name of God. In the process Bulgakov covers two major controversies -- the iconoclastic controversy (sixth to eighth centuries) and the "Name of God" controversy (early twentieth century) -- and explains his belief that an icon stops being merely a religious painting and becomes sacred when it is named. This translation of two essays "The Icon and Its Veneration" and "The Name of God" -- available in English for the first time -- makes Bulgakov's rich thinking on these key theological concepts available to a wider audience than ever before.
Reproduction of the original: Brann The Iconoclast by William Cowper Brann
Luisa Aurora Viviana Rodal, after graduating in Letters and Philosophy (UBA), realized during ten years different academic labors at various universities. During the years 1982 and 1983 she pursued postgraduate studies and researches at the Department of Religion, Syracuse University, New York, USA. Independently, she continued her studies in the fields of Religion and Ethics. This essay, meditated during a long period of time, includes themes that concern her: iconoclasm as the limit of the image and symbol and time as possibility of freedom and creation. She dedicates herself also to Art, especially to play violin.