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This memoir of girlhood among California’s hippie communities is an “offbeat tale of preadolescence [written] with remarkable honesty and respect” (Publishers Weekly). Born in San Francisco just before the Summer of Love, Clane Hayward grew up on hippie communes throughout the west. Her poignantly funny, sometimes melancholy, and always riveting memoir recounts her extraordinary life up until her thirteenth birthday. School was a particularly happy event—it meant a hot lunch and clothes that matched! But Clane’s mother warned her that schools are just zoos run by the government. From a world of complex relationships, uncertain rules, and constant surprises, Clane forged a childhood. She did it sometimes with, sometimes without, her bong-puffing, Buddha-quoting, macrobiotic mother and her wild-haired, redneck father. Hypocrisy of Disco is an honest, direct, and truly unforgettable tale, and a tribute to the resilience of youth.
Early in the decade that taste forgot, Fat Franny Duncan is on top of the world. He is the undoubted King of the Ayrshire Mobile Disco scene, controlling and ruling the competition with an iron fist. From birthdays to barn dances, Franny is the man to call. He even played 'My Boy Lollipop' at a funeral and got away with it. But the future is uncertain. A new partnership is coming and is threatening to destroy the big man's Empire ... Bobby Cassidy and Joey Miller have been best mates since Primary School. Joey is an idealist; Bobby just want to get laid and to avoid following his brother Gary to the Falklands. A partnership in their new mobile disco venture seems like the best way for Bobby to do both at the same time ... With compensation from an accident at work, Bobby's dad Harry invests in the fledgling business. His marriage to Ethel is coming apart at the seams and the disco has given him something to focus on. Tragic news from the other side of the world brings all three strands together in a way that no one could have predicted. The Last Days Of Disco is a eulogy to the beauty and power of the 45rpm vinyl record and the small but significant part it played in a small town Ayrshire community in 1982.
This Handbook asks how competition affects the presentation and experience of dance.
This collection of contemporary postcolonial plays demonstrates the extraordinary vitality of a body of work that is currently influencing the shape of contemporary world theatre. This anthology encompasses both internationally admired 'classics' and previously unpublished texts, all dealing with imperialism and its aftermath. It includes work from Canada, the Carribean, South and West Africa, Southeast Asia, India, New Zealand and Australia. A general introduction outlines major themes in postcolonial plays. Introductions to individual plays include information on authors as well as overviews of cultural contexts, major ideas and performance history. Dramaturgical techniques in the plays draw on Western theatre as well as local performance traditions and include agit-prop dialogue, musical routines, storytelling, ritual incantation, epic narration, dance, multimedia presentation and puppetry. The plays dramatize diverse issues, such as: *globalization * political corruption * race and class relations *slavery *gender and sexuality *media representation *nationalism