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A stunning collection that traverses the borders of culture and time, from the 2011 winner of the PEN/Joyce Osterweil Award In House of Lords and Commons, the revelatory and vital new collection of poems from the winner of the 2013 Whiting Writers’ Award in poetry, Ishion Hutchinson returns to the difficult beauty of the Jamaican landscape with remarkable lyric precision. Here, the poet holds his world in full focus but at an astonishing angle: from the violence of the seventeenth-century English Civil War as refracted through a mythic sea wanderer, right down to the dark interior of love. These poems arrange the contemporary continuum of home and abroad into a wonderment of cracked narrative sequences and tumultuous personae. With ears tuned to the vernacular, the collection vividly binds us to what is terrifying about happiness, loss, and the lure of the sea. House of Lords and Commons testifies to the particular courage it takes to wade unsettled, uncertain, and unfettered in the wake of our shared human experience.
divdivIn the two decades prior to the Civil War, the Hutchinson Family Singers of New Hampshire became America’s most popular musical act. Out of a Baptist revival upbringing, John, Asa, Judson, and Abby Hutchinson transformed themselves in the 1840s into national icons, taking up the reform issues of their age and singing out especially for temperance and antislavery reform. This engaging book is the first to tell the full story of the Hutchinsons, how they contributed to the transformation of American culture, and how they originated the marketable American protest song. /DIVdivThrough concerts, writings, sheet music publications, and books of lyrics, the Hutchinson Family Singers established a new space for civic action, a place at the intersection of culture, reform, religion, and politics. The book documents the Hutchinsons’ impact on abolition and other reform projects and offers an original conception of the rising importance of popular culture in antebellum America./DIV/DIV
Winner, 2022 Miller Williams Poetry Prize J. Bailey Hutchinson’s Gut is the dazzling debut of a born storyteller. In Hutchinson’s poems, which explore the substance of personal history, family attains the mysterious stature of folklore, while the vast worlds of nature and of the imagination abound with extraordinary creatures that likewise elude full understanding. For the voracious consciousness at work here, inheritance—what it means to be from a particular place and a particular people, no matter how one might strain against that—lies at the very heart of things.
Poetry. By turns mystical and realist, Mary Gilliland's intensely musical poems consider global apocalypse--'our course set for the destitute sunset'--but also celebrate the generative power of creativity. With preternatural empathy, she enters fascinating sensibilities--Virginia Woolf, Nikola Tesla--and sings 'the troubled music' of history. Gilliland's sinewy, nuanced poems understand earth--and consciousness--as gardens that no walls or enchantments can protect. Her vision is profound, enduring.--Alice Fulton Mary Gilliland's THE RUINED WALLED CASTLE GARDEN casts a sidelong glance at the human comedy in various times and places. Here a 'stubbled saint' stumbles into our contemporary world; the rush of life stops with a milennial 'where-were-you party.' Marked by compression, surprise, originality of language, a confident and eloquent voice cuts to the essential.--Mary Crow Like the apothecarist Keats, Mary Gilliland's poetry wells up from the healing force of unheard melodies. Her tensile lyric and fluent narrative grasp the sweet otherness in life, which is 'Eve's radical helplessness' to endure and bear intimate witness to both change and permanence. THE RUINED WALLED CASTLE GARDEN is a radiant testimony--and a triumph--of an unerring ear I deeply cherish.--Ishion Hutchinson