Download Free The Hunterian Lectures In Comparative Anatomy May And June 1837 Book in PDF and EPUB Free Download. You can read online The Hunterian Lectures In Comparative Anatomy May And June 1837 and write the review.

Sir Richard Owen (1804-1892), comparative anatomist, colleague and later antagonist of Darwin, and head of the British Museum of Natural History, was a major figure in Victorian science. Yet historians of science have found Owen a difficult subject, in part because he chose not to expound his views in a major theoretical work but rather presented them through annual lectures at the Royal College of Surgeons from 1837 to 1856. Nevertheless, Owen's views on the nature of life, the relations of form and function, the meaning of fossils, and the development of species gave his contemporaries such as Lyell, Grant, Huxley, Whewell, and Darwin a set of positions with which they could agree or disagree while developing their own views. Now, for the first time, modern readers how access to the opening series of Owen's Hunterian Lectures, in which he set out the larger framework of the theoretical reflections that occupied him during the next nineteen years. Presented to the public in the two months before Darwin began his first notebook on the species question, these lectures reveal the nature of the synthesis of French, German, and British biology taking place in metropolitan London in this crucial period in nineteenth-century life science. Phillip Reid Sloan has transcribed and edited the seven surviving lectures and has written an introduction and commentary situating the work in the context of Owen's life and the scientific and intellectual life of the time. Sloan pays particular attention to Owen's early relations to the German scientific and philosophical tradition, and in this respect contributes to an understanding of the relations between science and British Romanticism. In the lectures, Owen surveys the history of comparative anatomy up to his time and develops his views on the nature of life, species duration, physiological function, and the relation between embryology and classification. One can see the degree to which transcendental anatomy and the views of Von Baer, Johannes Müller, E. G. St.-Hilaire, and Cuvier were current in London in the late 1830s. -- from back cover.
This Companion commemorates the 150th anniversary of the publication of the Origin of Species and examines its main arguments. Drawing on the expertise of leading authorities in the field, it also provides the contexts - religious, social, political, literary, and philosophical - in which the Origin was written.
The intricate forms of living things bespeak design, and thus a creator: nearly 150 years after Darwin's theory of natural selection called this argument into question, we still speak of life in terms of design--the function of the eye, the purpose of the webbed foot, the design of the fins. Why is the "argument from design" so tenacious, and does Darwinism--itself still evolving after all these years--necessarily undo it? The definitive work on these contentious questions, Darwin and Design surveys the argument from design from its introduction by the Greeks, through the coming of Darwinism, down to the present day. In clear, non-technical language Michael Ruse, a well-known authority on the history and philosophy of Darwinism, offers a full and fair assessment of the status of the argument from design in light of both the advances of modern evolutionary biology and the thinking of today's philosophers--with special attention given to the supporters and critics of "intelligent design." The first comprehensive history and exposition of Western thought about design in the natural world, this important work suggests directions for our thinking as we move into the twenty-first century. A thoroughgoing guide to a perennially controversial issue, the book makes its own substantial contribution to the ongoing debate about the relationship between science and religion, and between evolution and its religious critics.
Several debates of the last years within the research field of contemporary realism – known under titles such as "New Realism," "Continental Realism," or "Speculative Materialism" – have shown that science is not systematically the ultimate measure of truth and reality. This does not mean that we should abandon the notions of truth or objectivity all together, as has been posited repeatedly within certain currents of twentieth century philosophy. However, within the research field of contemporary realism, the concept of objectivity itself has not been adequately refined. What is objective is supposed to be true outside a subject’s biases, interpretations and opinions, having truth conditions that are met by the way the world is. The volume combines articles of internationally outstanding authors who have published on either Idealism, Epistemic Relativism, or Realism and often locate themselves within one of these divergent schools of thought. As such, the volume focuses on these traditions with the aim of clarifying what the concept objectivity nowadays stands for within contemporary ontology and epistemology beyond the analytic-continental divide. With articles from: Jocelyn Benoist, Ray Brassier, G. Anthony Bruno, Dominik Finkelde, Markus Gabriel, Deborah Goldgaber, Iain Hamilton Grant, Graham Harman, Johannes Hübner, Andrea Kern, Anton F. Koch, Martin Kusch, Paul M. Livingston, Paul Redding, Sebastian Rödl, Dieter Sturma.
Arikha intertwines the histories of medicine, science, psychology, and philosophy in this 2,500-year journey that explores the origins of humours in ancient Greece to the present day.
The most prominent naturalist in Britain before Charles Darwin, Richard Owen made empirical discoveries and offered theoretical innovations that were crucial to the proof of evolution. Among his many lasting contributions to science was the first clear definition of the term homology—“the same organ in different animals under every variety of form and function.” He also graphically demonstrated that all vertebrate species were built on the same skeletal plan and devised the vertebrate archetype as a representation of the simplest common form of all vertebrates. Just as Darwin’s ideas continue to propel the modern study of adaptation, so too will Owen’s contributions fuel the new interest in homology, organic form, and evolutionary developmental biology. His theory of the archetype and his views on species origins were first offered to the general public in On the Nature of Limbs, published in 1849. It reemerges here in a facsimile edition with introductory essays by prominent historians, philosophers, and practitioners from the modern evo-devo community.
"All art should become science and all science art; poetry and philosophy should be made one." Friedrich Schlegel's words perfectly capture the project of the German Romantics, who believed that the aesthetic approaches of art and literature could reveal patterns and meaning in nature that couldn't be uncovered through rationalistic philosophy and science alone. In this wide-ranging work, Robert J. Richards shows how the Romantic conception of the world influenced (and was influenced by) both the lives of the people who held it and the development of nineteenth-century science. Integrating Romantic literature, science, and philosophy with an intimate knowledge of the individuals involved—from Goethe and the brothers Schlegel to Humboldt and Friedrich and Caroline Schelling—Richards demonstrates how their tempestuous lives shaped their ideas as profoundly as their intellectual and cultural heritage. He focuses especially on how Romantic concepts of the self, as well as aesthetic and moral considerations—all tempered by personal relationships—altered scientific representations of nature. Although historians have long considered Romanticism at best a minor tributary to scientific thought, Richards moves it to the center of the main currents of nineteenth-century biology, culminating in the conception of nature that underlies Darwin's evolutionary theory. Uniting the personal and poetic aspects of philosophy and science in a way that the German Romantics themselves would have honored, The Romantic Conception of Life alters how we look at Romanticism and nineteenth-century biology.