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Recounts the events of what has been called the West's last famous manhunt--the tracking and killing of a Paiute-Chemeheuvi Indian, Willie Boy--drawing on previously untapped sources to detail the native side of the story.
"Tribal incest laws formed the basis of the murder and manhunt known as the Willie Boy Affair of 1909. Based on oral testimony by Nuwuvi elders, newspapers, and government documents, Trafzer has woven a remarkably readable and colorful narrative of The Last Western Manhunt." Larry Myers (Pomo)
This compelling interdisciplinary history of an Anishinaabe community at the White Earth Reservation in Minnesota offers a subtle and sophisticated look at changing social, economic, and political relations among the Anishinaabeg and reveals how cultural forces outside of the reservation profoundly affected their lives.
Presents a behind-the-scenes look at the Robertson family, documenting the teenage romance and marriage of Willie and Korie Robertson, their success as a multi-million dollar hunting equipment business, and their rise to stardom on reality television.
'He was like a vampire. We believe he killed over sixty people.' -- James J. Hunt, Assistant Special Agent , New York DEA 9 July 1990: the DEA makes the gruesome discovery of nine bodies, dismembered, stuffed into cheap suitcases and buried in a secluded bird sanctuary near Gravesend, Brooklyn. It was tommy Pitera's personal cemetery. When John Gotti put out a contract on informer Willie Boy Johnson, Pitera took it - he shot him fourteen times in broad daylight outside his home. Pitera not only murdered for the mob, he took pleasure in killing and did so at whim - the slightest insult could provoke him and he killed friends, associates, anyone who got in his way. A cold-blooded, homicidal maniac with a fascination for the macabre, he had an autopsy table in his basement and regularly dismembered his victims, expertly cutting them into six pieces: the arms, legs, torso and head. Convicted for six murders, he is believed to be responsible for over sixty. Philip Carlo, author of the bestseller the Iceman, reveals the horrendous crimes of drug kingpin and merciless mob killer thomas Pitera, and the New York DEA's three-year battle to bring him to justice.
There's so much more to the story. Todd and Sonja BurpoÆs almost-four-year-old son Colton made an unforgettable trip to heaven and back during the darkest, most-stressed-out days of their lives. Times were tough, money was scarce and the bills, frustrations, and fears were piled high. The story of ColtonÆs visit to heaven changed their livesùand the book they wrote about it, Heaven Is for Real, gave new hope to millions of readers. In Heaven Changes Everything, the Burpos share details about their experience and about Colton's visit to heaven that they weren't able to include in the original story or in the Sony Pictures release of the Heaven Is for Real movie. Practical and inspiring, the short essays shed light on living with a miracle and the afterlife, each ending with a relevant scripture. Listen in as Todd, and for the first time ever Sonja, from her perspective as a mom, show you how believing heaven is for real helps us survive hardships here on earth, including the death of a loved one or the loss of a child through tragedy, miscarriage, or even abortion. This newly revised edition offers bonus material including: New foreword Never-before-seen family photos Favorite scenes from the movie Q&A section Come see how heaven can indeed touch earth and change everything.
#1 NEW YORK TIMES BESTSELLER More than ONE MILLION copies sold A TODAY Show Read with Jenna Book Club Pick A New York Times Notable Book, and Chosen by Oprah Daily, Time, NPR, The Washington Post, Bill Gates and Barack Obama as a Best Book of the Year “Wise and wildly entertaining . . . permeated with light, wit, youth.” —The New York Times Book Review “A classic that we will read for years to come.” —Jenna Bush Hager, Read with Jenna book club “Fantastic. Set in 1954, Towles uses the story of two brothers to show that our personal journeys are never as linear or predictable as we might hope.” —Bill Gates “A real joyride . . . elegantly constructed and compulsively readable.” —NPR The bestselling author of A Gentleman in Moscow and Rules of Civility and master of absorbing, sophisticated fiction returns with a stylish and propulsive novel set in 1950s America In June, 1954, eighteen-year-old Emmett Watson is driven home to Nebraska by the warden of the juvenile work farm where he has just served fifteen months for involuntary manslaughter. His mother long gone, his father recently deceased, and the family farm foreclosed upon by the bank, Emmett's intention is to pick up his eight-year-old brother, Billy, and head to California where they can start their lives anew. But when the warden drives away, Emmett discovers that two friends from the work farm have hidden themselves in the trunk of the warden's car. Together, they have hatched an altogether different plan for Emmett's future, one that will take them all on a fateful journey in the opposite direction—to the City of New York. Spanning just ten days and told from multiple points of view, Towles's third novel will satisfy fans of his multi-layered literary styling while providing them an array of new and richly imagined settings, characters, and themes. “Once again, I was wowed by Towles’s writing—especially because The Lincoln Highway is so different from A Gentleman in Moscow in terms of setting, plot, and themes. Towles is not a one-trick pony. Like all the best storytellers, he has range. He takes inspiration from famous hero’s journeys, including The Iliad, The Odyssey, Hamlet, Huckleberry Finn, and Of Mice and Men. He seems to be saying that our personal journeys are never as linear or predictable as an interstate highway. But, he suggests, when something (or someone) tries to steer us off course, it is possible to take the wheel.” – Bill Gates
Winner of the Pulitzer Prize “A must-read, cannot-put-down history.” — Thomas Friedman, New York Times Arguably the most important American lawyer of the twentieth century, Thurgood Marshall was on the verge of bringing the landmark suit Brown v. Board of Education before the U.S. Supreme Court when he became embroiled in a case that threatened to change the course of the civil rights movement and cost him his life. In 1949, Florida's orange industry was booming, and citrus barons got rich on the backs of cheap Jim Crow labor with the help of Sheriff Willis V. McCall, who ruled Lake County with murderous resolve. When a white seventeen-year-old girl cried rape, McCall pursued four young black men who dared envision a future for themselves beyond the groves. The Ku Klux Klan joined the hunt, hell-bent on lynching the men who came to be known as "the Groveland Boys." Associates thought it was suicidal for Marshall to wade into the "Florida Terror," but the young lawyer would not shrink from the fight despite continuous death threats against him. Drawing on a wealth of never-before-published material, including the FBI's unredacted Groveland case files, as well as unprecedented access to the NAACP's Legal Defense Fund files, Gilbert King shines new light on this remarkable civil rights crusader.
Abraham Polonsky (1910–1999), screenwriter and filmmaker of the mid-twentieth-century Left, recognized his writerly mission to reveal the aspirations of his characters in a material society structured to undermine their hopes. In the process, he ennobled their struggle. His auspicious beginning in Hollywood reached a zenith with his Oscar-nominated screenplay for Robert Rossen's boxing noir film, Body and Soul (1947), and his inaugural film as writer and director, Force of Evil (1948), before he was blacklisted during the McCarthy witch hunt. Polonsky envisioned cinema as a modern artist. His aesthetic appreciation for each technical component of the screen aroused him to create voiceovers of urban cadences—poetic monologues spoken by the city's everyman, embodied by the actor who played his heroes best, John Garfield. His use of David Raksin's score in Force of Evil, against the backdrop of the grandeur of New York City's landscape and the conflict between the brothers Joe and Leo Morse, elevated film noir into classical family tragedy. Like Garfield, Polonsky faced persecution and an aborted career during the blacklist. But unlike Garfield, Polonsky survived to resume his career in Hollywood during the ferment of the late sixties. Then his vision of a changing society found allegorical expression in Tell Them Willie Boy Is Here, his impressive anti-Western showing the destruction of the Paiute rebel outsider, Willie Boy, and cementing Polonsky as a moral voice in cinema.