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This book is about one of the most important elements of the political narratives in the history of Hungary in past and present: the Holy Crown of Hungary. This object is one of the most widely used symbols of modern Hungarian nationalism in our times and has been in use for ages in political culture. Surprisingly less is known how the meaning of the crown has changed over the centuries and how this influenced the development of national identity in the early modern period. Starting point is that the "medieval doctrine of the holy crown" is a modern invention. Teszelszky's research concentrates on the relation between the change in the meaning of this crown and the construction of an early modern national identity between 1572 and 1665. Using a constructivist method of research the author shows how the Habsburg ruler and the Hungarian estates legitimised their political program through an image of the crown and the Hungarian political community. In a short period between the end of 1604 and 1613 during a rebellion in Hungary, a war with the Ottomans and a strive between Emperor Rudolf II and his brother Archduke Matthias, the medieval tradition of the holy crown was revived and redeveloped by Hungarian and foreign historiographers into an ideology which is still present today.
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
A Source Book for Mediæval History is a scholarly piece by Oliver J. Thatcher. It covers all major historical events and leaders from the Germania of Tacitus in the 1st century to the decrees of the Hanseatic League in the 13th century.
Fascination with royal pomp and circumstance is as old as kingship itself. The authors of Coronations examine royal ceremonies from the ninth to the sixteenth century, and find the very essence of the monarchical state in its public presentation of itself. This book is an enlightened response to the revived interest in political history, written from a perspective that cultural historians will also enjoy. The symbolic and ritual acts that served to represent and legitimate monarchical power in medieval and early modern Europe include not only royal and papal coronations but also festive entries, inaugural feasts, and rulers' funerals. Fifteen leading scholars from North America, Britain, France, Germany, Poland, and Denmark explore the forms and the underlying meanings of such events, as well as problems of relevant scholarship on these subjects. All the contributions demonstrate the importance of in-depth study of rulership for the understanding of premodern power structures. Emphasis is placed on interdisciplinary approaches, drawing on the findings of ethnography and anthropology, combined with rigorous critical evaluation of the written and iconic evidence. The editor's historiographical introduction surveys the past and present of this field of study and proposes some new lines of inquiry. "For 'reality' is not a one-dimensional matter: even if we can establish what actually transpired, we still need to ask how it was perceived by those present." This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1990.
"I know there has never been anything as absorbing for me as my unusual role in the unfolding, and always perplexing, modern history of the Holy Crown of Hungary." With these words, the narrator of this compelling fictional memoir launches into a strange and wondrous tale of devotion and superstition, political machination, and unshakable loyalty to a concept of kingship embodied in a mysterious, bejeweled crown. Stretching from World War Two to perestroika, from Europe to the United States and, finally, back to the Hungarian nation, this tale will appeal not only to Hungarian Americans but to all those who take an interest in the concept of royalty and its fortunes in the modern world.