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This “amusing and elegantly written” romp takes readers on a wild ride through the life of Robert Parkin Peters (The New York Times Book Review)—a liar, bigamist, and fraudulent priest who tricked some of the brightest minds of his generation. One day in November 1958, the celebrated historian Hugh Trevor–Roper received a curious letter. It was an appeal for help, written on behalf of a student at Magdalen College, with the unlikely claim that he was being persecuted by the Bishop of Oxford. Curiosity piqued, Trevor–Roper agreed to a meeting. It was to be his first encounter with Robert Parkin Peters: plagiarist, bigamist, fraudulent priest, and imposter extraordinaire. The Professor and the Parson is a witty and charming portrait of eccentricity, extraordinary narcissism, and a life as wild and unlikely as any in fiction. Motivated not by money but by a desire for prestige, Peters lied, stole, and cheated his way to academic positions and religious posts from Cambridge to New York. Frequently deported, and even more frequently discovered, he left a trail of destruction including seven marriages (three of which were bigamous) and an investigation by the FBI. "I was captivated from start to finish by this utterly mad, and wholly delightful story of chicanery and fantasy, and which involves a man who relentlessly duped our most cherished institutions of godly pursuit and higher learning. Plus I learned how to defrock a priest, always good to have on hand in these troubling times." —Simon Winchester, author of The Perfectionists
"Fans of Karen M. McManus and Katie Alender will devour this darkly funny, fast-paced mystery."--SLJ A hilarious Agatha Christie-inspired YA thriller-comedy about three best friends who sneak into an influencers-only festival event (gone wrong), only to discover a killer is in their midst--and they have to uncover the truth and solve the mystery before it's too late. Perfect for fans of One of Us Is Lying and Truly Devious. Plum Winter has always come in second to her sister, the unbelievably cool, famous influencer Peach Winter. And when Peach is invited to an all-expenses-paid trip to a luxurious art-and-music festival for influencers on a private island in the Caribbean, Plum decides it's finally her time to shine. So she intercepts the invite--and asks her two best friends, Sofia and Marlowe, to come along to the fest with her. It'll be a spring break they'll never forget. But when Plum and her friends get to the island, it's not anything like it seemed in the invite. The island is run-down, creepy, and there doesn't even seem to be a festival--it's just seven other quasi-celebrities and influencers, and none of the glitz and glamour she expected. Then people start to die... Plum and her friends soon realize that someone has lured each of them to the "festival" to kill them. Someone has a vendetta against every person on the island--and no one is supposed to leave alive. So, together, Plum, Sofia, and Marlowe will do whatever it takes to unravel the mystery of the killer, and fight to save themselves and as many influencers as they can, before it's too late. Praise for You're So Dead: “You're So Dead is the hilarious, swoony, Surprisingly Stabby book of my dreams! Ash Parsons delivers a sharp send-up of influencer culture wrapped in a clever whodunnit that also has a lot of heart. While I never want to go to "Pyre Festival," I'd hang out with Plum, Marlowe, and Sofia any day.”—Rachel Hawkins, New York Times Bestselling author of The Wife Upstairs “Parsons (Girls Save the World in This One) gently satirizes online culture and the ill-fated Fyre Festival in this frothy homage to Agatha Christie’s And Then There Were None. The cheeky mystery is both clever and satisfying.” --Publishers Weekly "Parsons effectively mixes social media commentary and thrilling murder mystery with a dash of ridiculous humor . . . A #trendy and #entertaining whodunit." --Kirkus Reviews "[A]riveting thriller-comedy...writing in short, energetic bursts with a witty voice, Parsons keeps the twists coming, her motley crew’s energy running frantic as the body count rises and they try to discover the killer in their midst." --Booklist
"A ravenous read." --Kirkus Reviews Shaun of the Dead meets Clueless in this hilarious YA horror comedy set at a local zombie convention--featuring a teenage girl gang that has to save the world from a horde of actual zombies. Perfect for fans of Geekerella, Undead Girl Gang, and Anna and the Apocalypse. Mega-fan June Blue's whole life has been leading up to this moment: ZombieCon!The Ultimate in Undead Entertainment has finally come to her hometown. She and her two best friends--gorgeous, brilliant Imani and super-sweet, outrageously silly Siggy--plan on hitting all the panels and photo ops, and meeting the heartthrob lead of their favorite zombie apocalypse show, Human Wasteland. It's going to be the best time of their lives--and one of their last adventures before they all split up for college. And when they arrive, everything seems perfect. June's definitely not going to let anything get in the way of the flawless con experience--even though she's endlessly anxious about the SATs and college admissions, and she can't seem to avoid her ex-best friend Blair, whose VIP badge lets her walk straight to the front of every single line. No matter what, June is determined to make the best of her dream day at ZombieCon! But something's not quite right at the con--there are strange people in hazmat suits running around, enthusiastic cosplayers taking their shambling a little too far, and someone actually biting a cast member. Then, at a panel gone wrong, June and her friends discover the truth: the zombie apocalypse is here. Now June, Imani, and Siggy must do whatever it takes to survive a horde of actual flesh-eating zombies-- and save the world. A hilarious and heartfelt horror comedy, that is an ode to zombies, friendship, and girl power. Praise for Girls Save the World in This One: "Readers looking for all of the good, the bad, and the ugly of the zombie apocalypse will be absolutely thrilled to read this book . . . . Hand this book to anyone who likes zombie apocalyptic horror." --Booklist "This fun coming-of-age story tackles popular topics such as cons and zombies with an inclusive cast of characters, and highlights the power of friendship and strong women. VERDICT: For those who love zombies and action-packed books, as well as reluctant readers."--School Library Journal "An excellent read for any teen who loves thrills, action, and stories of survival." --Publishers Weekly
Reprint of the original, first published in 1859. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
The humor of the Old South—tales, almanac entries, turf reports, historical sketches, gentlemen's essays on outdoor sports, profiles of local characters—flourished between 1830 and 1860. The genre's popularity and influence can be traced in the works of major southern writers such as William Faulkner, Erskine Caldwell, Eudora Welty, Flannery O'Connor, and Harry Crews, as well as in contemporary popular culture focusing on the rural South. This collection of essays includes some of the past twenty five years' best writing on the subject, as well as ten new works bringing fresh insights and original approaches to the subject. A number of the essays focus on well known humorists such as Augustus Baldwin Longstreet, Johnson Jones Hooper, William Tappan Thompson, and George Washington Harris, all of whom have long been recognized as key figures in Southwestern humor. Other chapters examine the origins of this early humor, in particular selected poems of William Henry Timrod and Washington Irving's "The Legend of Sleepy Hollow," which anticipate the subject matter, character types, structural elements, and motifs that would become part of the Southwestern tradition. Renditions of "Sleepy Hollow" were later echoed in sketches by William Tappan Thompson, Joseph Beckman Cobb, Orlando Benedict Mayer, Francis James Robinson, and William Gilmore Simms. Several essays also explore antebellum southern humor in the context of race and gender. This literary legacy left an indelible mark on the works of later writers such as Mark Twain and William Faulkner, whose works in a comic vein reflect affinities and connections to the rich lode of materials initially popularized by the Southwestern humorists.