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A series of six publications to be released over three years, each of which focuses on different aspects of Friedlander's images of people, featuring photographs chosen and sequenced by the artist from his archive.
From the stage to the factory: humanist portraiture of America's workers In the capstone volume of his epic series The Human Clay, Lee Friedlander (born 1934) has created an ode to people who work. Drawn from his incomparable archive are photographs of individuals laboring on the street and on stage, as well as in the field, in factories and in fluorescent-lit offices. Performers, salespeople and athletes alike are observed both in action and at rest by Friedlander's uncanny eye. Opera singers are caught mid-aria, models primp backstage, mechanics tinker and telemarketers hustle. Spanning six decades, this humanizing compilation features over 250 photographs, many appearing here for the first time in print.
A series of six publications to be released over three years, each of which focuses on different aspects of Friedlander's images of people, featuring photographs chosen and sequenced by the artist from his archive.
More than a third of the houses in the world are made of clay. Clay vessels were instrumental in the invention of cooking, wine and beer making, and international trade. Our toilets are made of clay. The first spark plugs were thrown on the potter’s wheel. Clay has played a vital role in the health and beauty fields. Indeed, this humble material was key to many advances in civilization, including the development of agriculture and the invention of baking, architecture, religion, and even the space program. In Clay, Suzanne Staubach takes a lively look at the startling history of the mud beneath our feet. Told with verve and erudition, this story will ensure you won’t see the world around you in quite the same way after reading the book.
This volume offers a celebration of 50 contemporary artists from around the world who have chosen to create the human form in clay. The text includes a detailed account of each artist's work, along with biographical details and descriptions of working methods.
Clay is a man of few human talents. As a wolf, he hunts well and can fight off a grizzly twice his size, but has no aspirations. The idea of a Mate isn’t something he has ever seriously entertained. Dreamed about, maybe, but he knows the chances are nearly non-existent. Then he meets Gabby, a human girl. She hates him at first sight, yet he can’t let her go. Who he was is no longer important. Now, who he needs to become to win her over is the only thing that matters.
“[Chaim] Potok writes powerfully about the suffering of innocent people caught in the cross-fire of a war they cannot begin to understand. . . . Humanity and compassion for his characters leap from every page.”—San Francisco Chronicle As the Chinese and the army of the North sweep south during the Korean War, an old peasant farmer and his wife flee their village across the bleak, bombed-out landscape. They soon come upon a boy in a ditch who is wounded and unconscious. Stirred by possessiveness and caring the woman refuses to leave the boy behind. The man thinks she is crazy to nurse this boy, to risk their lives for some dying stranger. Angry and bewildered, he waits for the boy to die. And when the boy does not die, the old man begins to believe that the boy possesss a magic upon which all their lives depend. . . .
First comprehensive consideration of the role, function, social context and significance of pots shaped to mimic the human body or parts thereof among prehistoric communities
Step-by-step techniques for modeling the portrait in clay, firing meethods and mold making.