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The House, the World, and the Theatre departs from three ideologically resonant spatial metaphors to explore key aspects of nineteenth-century literature and culture. At the centre of the discussion is the way authors fashioned themselves to cater to ever-expanding audiences and to the new conditions of publishing. The prefaces of Hawthorne, Dickens, and James illustrate the conflicts underlying the new forms of self-definition in the nineteenth century and mediate the perception of authorship as a category that blurs the boundaries between social life and performance. This book combines genre criticism, new historicism, literary history, and contemporary perspectives in readings that show the imaginative quality of prefatory writing and the enduring relevance of canonical authors in the twenty-first century.
Since the death of her mother, Hannah's family life has been somewhat chaotic. Her father is absorbed by running their dilapidated farm, and the four children are increasingly left to their own devices. These include "farming" each room of the house, looking after an enormous pet sheep called Jasper, and writing and directing plays in a disused hen house. But when the farm is threatened with demolition, Hannah determines to save it and realise her dreams at the same time... Shortlisted for the Waterstones Prize, this is a brilliant story of eccentric family life where the children's imaginations run as free as the farmyard animals. From the award-winning author of Evie's Ghost, Anna at War, The Farm Beneath the Water and the Jasmine Green series for younger readers, this is perfect for fans of Iva Ibbotson and Philippa Pearce.
August Wilson's radical and provocative call to arms.
Edited by Ian Herbert, President of the International Association of Theatre Critics, Secretary of the Drama Section of the Critics' Circle in London, and editor of Theatre Record, the chronicle of the British stage, and Nicole Leclercq, Archives et Musée de la Littérature, Brussels, the World of Theatre is a lavishly illustrated biennial publication providing on-the-spot and authoritative surveys of current theatrical activity from across the globe. The content of the book is as varied as the theatrical situations it describes, from magisterial round-ups by leading critics in Europe to desperate and pitiful reports from the battlefield in war-torn countries. With expanded coverage, this new edition encompasses the three seasons from 1999 to 2002 and contains articles from over seventy countries. The contributors include leading commentators such as Jim O'Quinn, editor of American Theatre, and England's Peter Hepple, the longest serving London theatre critic and a former editor of The Stage. The World of Theatre will be welcomed by theatre scholars as an ongoing revision of another Routledge reference work, the World Encyclopedia of Contemporary Theatre and is essential reading for anyone seeking up-to-date information on the developments in the leading theatre nations as well as those countries whose theatre is little known outside their boundaries.
Actors and Performers Yearbook is an established and respected directory that enables actors to find work in stage, screen and radio. It is the only directory to provide detailed information for each listing and specific advice on how to approach companies and individuals, saving hours of further research. From agents and casting directors to producing theatres, showreel companies and photographers, Actors and Performers Yearbook editorially selects only the most relevant and reputable contacts for the actor. Actors and Performers Yearbook features articles and commentaries, providing valuable insight into the profession: auditions, interviews and securing work alongside a casting calendar and advice on contracts and finance. This is an incredibly useful professional tool in an industry where contacts and networking are key to career survival. The listings detailed in this edition have been thoroughly updated alongside fresh advice from industry experts.
Felicia Londre explores the world of theater as diverse as the Entertainments of the Stuart court and Arthur Miller directing Chinese actors at the Beijing People's Art Theater in "Death of a Salesman." Londre examines: Restoration comedies; the Comedie Francais; Italian "opera seria"; plays of the "Surm und Grand" movement; Russian, French, and Spanish Romantic dramas; American minstrel shows; Brecht and dialectical theater; Dighilev; Dada; Expressionism, Theater of the Absurd productions, and other forms of experimental theater of the late-20th century.>
Who's Who in Contemporary World Theatre is a lively and accessible biographical guide to the key figures in contemporary drama. All who enjoy the theatre will find their pleasure enhanced and their knowledge extended by this fascinating work of reference. Its distinctive blend of information, analysis and anecdote makes for entertaining and enlightening reading. Hugely influential innovators, household names, and a whole host of less familiar, international figures - all have their lives and careers illuminated by the clear and succinct entries. All professions associated with the theatre are represented here - actors and directors, playwrights and designers. By virtue of the broad range of its coverage, Who's Who in Contemporary World Theatre offers a unique insight into the rich diversity of international drama today.
Embrace your inner cowboy and discover the heart of the Lone Star State with Moon Austin, San Antonio & the Hill Country. Inside you'll find: Flexible itineraries, from a long weekend in Austin to a road trip through Hill Country Strategic advice for music lovers, history buffs, families, and more Unique and authentic experiences: Two-step at a local honky-tonk, or explore the folk and contemporary art scenes. Catch a live show in one of Austin's countless famed venues, or a UT Longhorn game in a jam-packed stadium. Hike or bike around the many trails, lakes, and streams of Hill Country, or spot roaming bison and antelope on your way to a local winery. Explore the rich Latino heritage of San Antonio and visit the historic Alamo Expert tips from Austin local Justin Marler Honest advice on where to stay, where to eat (including the best BBQ joints!), and how get around by car or public transportation Full-color photos and detailed maps throughout Detailed and thorough information, including background on culture and history, geography, and regional vernacular Experience the best of Texas with Moon Austin, San Antonio & the Hill Country. Looking to explore more of the Lone Star State? Try Moon Dallas & Fort Worth or Moon Texas.
The future of theatre history studies requires consideration of theatre as a global phenomenon. The Challenge of World Theatre History offers the first full-scale argument for abandoning an obsolete and parochial Eurocentric approach to theatre history in favor of a more global perspective. This book exposes the fallacies that reinforce the conventional approach and defends the global perspective against possible objections. It moves beyond the conventional nation-based geography of theatre in favor of a regional geography and develops a new way to demarcate the periods of theatre history. Finally, the book outlines a history that recognizes the often-connected developments in theatre across Eurasia and around the world. It makes the case that world theatre history is necessary not only for itself, but for the powerful comparative and contextual insights it offers to all theatre scholars and students, whatever their special areas of interest.