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"A dazzling debut novel about resilience, courage, home and family."--Rebecca Stead, Newbery Award-winning author of When You Reach Me SoHo, 1981. Twelve-year-old Olympia is an artist--and in her neighborhood, that's normal. Her dad and his business partner Apollo bring antique paintings back to life, while her mother makes intricate sculptures in a corner of their loft, leaving Ollie to roam the streets of New York with her best friends Richard and Alex, drawing everything that catches her eye. Then everything falls apart. Ollie's dad disappears in the middle of the night, leaving her only a cryptic note and instructions to destroy it. Her mom has gone to bed, and she's not getting up. Apollo is hiding something, Alex is acting strange, and Richard has questions about the mysterious stranger he saw outside. And someone keeps calling, looking for a missing piece of art. . . Olympia knows her dad is the key--but first, she has to find him, and time is running out.
Leo Marino is first born generation Italian American, WWII Navy Veteran, husband, father, grandfather and great grandfather. He began his business career as a factory worker with a high school education. Later in life he worked as a bakery salesman and at the age of 52 became the founder and President of AMI Bakery Distribution.
112 Greene Street was more than a physical space—it was a locus of energy and ideas that with a combination of genius and chance had a profound impact on the trajectory of contemporary art...its permeable walls became the center of an artistic community that challenged the traditional role of the artist, the gallery, the performer, the audience, and the work of art. — Jessamyn Fiore 112 Greene Street was one of New York’s first alternative, artist-run venues. Started in October 1970 by Jeffrey Lew, Gordon Matta-Clark, and Alan Saret, among others, the building became a focal point for a young generation of artists seeking a substitute for New York’s established gallery circuit, and provided the stage for a singular moment of artistic invention and freedom that was at its peak between 1970 and 1974. 112 Greene Street: The Early Years (1970–1974) is the culmination of an exhibition by the same name that was on view at David Zwirner in New York in 2011. This extensively researched and historically important book brings together a number of works that were exhibited at the seminal space (including works by Gordon Matta-Clark, Vito Acconci, Tina Girouard, Suzanne Harris, Jene Highstein, Larry Miller, Alan Saret, and Richard Serra); extensive interviews with many of the artists involved in the space; a fascinating timeline of all the activity at 112 Greene Street in the early years; and installation views of the 2011 exhibition. The interviews in the book have been prepared by the exhibition’s curator, Jessamyn Fiore, and Louise Sørensen, Head of Research at David Zwirner, has contributed an introductory text that illuminates the space’s significance and critical reception during the prime years of its operation, as well as commentary on individual works in the show.
NATIONAL BESTSELLER • A coming-of-age classic about a young girl growing up in Chicago • Acclaimed by critics, beloved by readers of all ages, taught in schools and universities alike, and translated around the world—from the winner of the 2019 PEN/Nabokov Award for Achievement in International Literature. “Cisneros draws on her rich [Latino] heritage...and seduces with precise, spare prose, creat[ing] unforgettable characters we want to lift off the page. She is not only a gifted writer, but an absolutely essential one.” —The New York Times Book Review The House on Mango Street is one of the most cherished novels of the last fifty years. Readers from all walks of life have fallen for the voice of Esperanza Cordero, growing up in Chicago and inventing for herself who and what she will become. “In English my name means hope,” she says. “In Spanish it means too many letters. It means sadness, it means waiting." Told in a series of vignettes—sometimes heartbreaking, sometimes joyous—Cisneros’s masterpiece is a classic story of childhood and self-discovery and one of the greatest neighborhood novels of all time. Like Sinclair Lewis’s Main Street or Toni Morrison’s Sula, it makes a world through people and their voices, and it does so in language that is poetic and direct. This gorgeous coming-of-age novel is a celebration of the power of telling one’s story and of being proud of where you're from.
Set in mid-19th century Ayrshire, in the fictitious town of Barbie the novel The House with the Green Shutters (1901) describes the struggles of a proud and taciturn carrier, John Gourlay, against the spiteful comments and petty machinations of the envious and idle villagers of Barbie (the "bodies"). The sudden return after fifteen years' absence of the ambitious merchant, James Wilson, son of a mole-catcher, leads to commercial competition against which Gourlay has trouble responding.
This ultimate renovation guide identifies hundreds of parts of a house to help home owners understand the elements of construction, decorative detail and convey ideas to suppliers, contractors, or designers. B & W illustrations throughout.
THE INSTANT NEW YORK TIMES BESTSELLER Named a most-anticipated summer book by USA Today, People, E! News, Cosmopolitan, PureWow, CNN.com, New York Post, CrimeReads, POPSUGAR, and more The bestselling author of Final Girls and Survive the Night is back with his “best plot twist yet.” (People, "Best Summer Books") Be careful what you watch for . . . Casey Fletcher, a recently widowed actress trying to escape a streak of bad press, has retreated to the peace and quiet of her family’s lake house in Vermont. Armed with a pair of binoculars and several bottles of bourbon, she passes the time watching Tom and Katherine Royce, the glamorous couple living in the house across the lake. They make for good viewing—a tech innovator, Tom is powerful; and a former model, Katherine is gorgeous. One day on the lake, Casey saves Katherine from drowning, and the two strike up a budding friendship. But the more they get to know each other—and the longer Casey watches—it becomes clear that Katherine and Tom’s marriage isn’t as perfect as it appears. When Katherine suddenly vanishes, Casey immediately suspects Tom of foul play. What she doesn’t realize is that there’s more to the story than meets the eye—and that shocking secrets can lurk beneath the most placid of surfaces. Packed with sharp characters, psychological suspense, and gasp-worthy plot twists, Riley Sager’s The House Across the Lake is the ultimate escapist read . . . no lake house required.
"Each of us has a true personal landscape, but some people never find it. I was lucky to find mine when I was a child, & never to lose it," says one author. Riveting, poignant, funny, the essays gathered here in Thoughts of Home all speak of the dreams, the memories - & the sometimes-painful realities - of the personal landscapes we call home. For some, home is defined be a passion for a place. On "The Trying-to-Leave-New-Orleans Blues" a young woman makes three vain attempts to "achieve escape velocity" from "the powerful force field" of New Orleans, where at lunchtime she will "walk down to the Napoleon House bar & cafe, one of the most wistfully beautiful interiors in America...The waiters are languid, understanding men in white button-down shirts with old-fashioned ribbed shirts shoeing through." For others home is the house where they grew up. In the mysterious "A Haunted Place" a daughter & son decide not to sell the family home after they hear the footsteps of their dead father on the stairs. In "The Time-Travel Game" a grown woman still returns to a Manhattan park bench in front of her childhood apartment when she needs to "reconfirm the past." & as "The Grandmother Who Could do Anything" makes clear, home is also about people we love. For this author it was a sturdy, down-to-earth woman who could both coolly chop the heads off live chickens & warmly open her arms to her granddaughter. "With Grandma holding me, my face against the bib of her apron, I felt invincible, as if nothing could ever hurt me." In "Mother's Gifts," an army brat who moved twelve times in her childhood honors her mother's ability to make a home no matter how dispiriting the circumstances. Her weapons were heirlooms, family rituals, & curtains. "By my mother's standards...we were not at home until every window was properly dressed. Even the wilder reaches of the natural world can become a home to those looking for a sense of quiet continuity. In "Almost Like Hibernation" a couple decides to live in a log cabin in the remote Yaak Valley in northwestern Montana, where the big excitement is watching otters play on the ice, or simply waiting for the mail. "We used to live in cities, where we felt clumsy, rushed, prone to mistakes...Now, finally, I think we have founds our level, somewhere way down near the bottom of things." The essays in Thought of Home provide vivid glimpses into other people's lives, but these stories - no matter how different from our own - always strikes a cord of recognition. Each somehow makes us appreciate our personal histories.
"John Robert Greene traces Betty Ford's problems and triumphs from her childhood through her husband's entire political career, including his controversial presidency, which thrust her into an unrelenting media spotlight. He then tells how she confronted her personal demons, and became a symbol of courage for women throughout the nation."--BOOK JACKET.
"A dazzling debut novel about resilience, courage, home and family."--Rebecca Stead, Newbery Award-winning author of When You Reach Me SoHo, 1981. Twelve-year-old Olympia is an artist--and in her neighborhood, that's normal. Her dad and his business partner Apollo bring antique paintings back to life, while her mother makes intricate sculptures in a corner of their loft, leaving Ollie to roam the streets of New York with her best friends Richard and Alex, drawing everything that catches her eye. Then everything falls apart. Ollie's dad disappears in the middle of the night, leaving her only a cryptic note and instructions to destroy it. Her mom has gone to bed, and she's not getting up. Apollo is hiding something, Alex is acting strange, and Richard has questions about the mysterious stranger he saw outside. And someone keeps calling, looking for a missing piece of art. . . . Olympia knows her dad is the key--but first, she has to find him, and time is running out. Lauded by critics in five starred reviews, All the Greys on Greene Street has been called "a remarkable debut" and "a triumph."