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The first illustrated monograph dedicated to the history of the House of Worth, the world’s pioneering haute couture label Arriving in Paris in 1845, at the age of twenty and with only a few francs in his pocket, Charles Frederick Worth would go on to build the most prominent, innovative, and successful fashion house of the century. He was inspired by a love of fine art, luxurious fabrics, and his vision of the female ideal, and was the first to set out to dictate new styles and silhouettes to his elite clientele— not the other way around. He hosted them in his rue de la Paix salons, which included groundbreaking sportswear and maternity departments as well as silk, velvet, and brocade rooms, and a special salon with closed shutters and gas lighting designed to allow clients to try on ball gowns in lighting conditions precisely matched to those of the event at which they would be worn. Organized chronologically and illustrated with striking ensembles, paintings, and documents sourced from both private family archives and the best fashion collections from museums around the world, The House of Worth is an inspiring tribute to the house that started it all.
Legendary British-born designer Charles Frederick Worth (1825-1895), with enormous talent for design and promotion, built his fashion house into an empire during the last quarter of the 19th century--the first busi­ness of its kind with global reach. His company, through his heirs, endured until 1952, when his great-grandson retired. Profusely illustrated, this astonishing book explores Worth’s success in the realm of haute couture after 1890. Hundreds of photographs selected from the V&A’s unique archive of more than 7,000 official house records capture the Worth style and offer valuable insights into the daily routine at Maison Worth in Paris. Images and text tell the intriguing story of these creations, providing historical context and describing Worth’s inter­national clientele of elegant women of wealth and power.
Published to accompany an exhibition at the Metropolitan Museum's Costume Institute, December 1995-March 1996. A lovely presentation of designs that exemplify the rise of haute couture--that is, fashion driven by the artistic expression of the designer rather than by the dictates of clients. The thoroughly captioned selections represent the history of haute couture from its beginings in mid-19th century Paris to the present-day creations of major designers. Tailoring and dressmaking techniques as well as the decoration produced by embroiderers, beaders, lace makers, feather workers, and other craftspeople are discussed in the explanatory text. No bibliography. Distributed by Abrams. Annotation copyright by Book News, Inc., Portland, OR
“Meticulously researched and beautifully illustrated . . . indispensable to anyone interested in the era.” —Tasha Alexander, New York Times–bestselling author of the Lady Emily series What did a Victorian lady wear for a walk in the park? How did she style her hair for an evening at the theater? And what products might she have used to soothe a sunburn or treat an unsightly blemish? USA Today-bestselling author Mimi Matthews answers these questions and more as she takes readers on a decade-by-decade journey through Victorian fashion and beauty history. Women’s clothing changed dramatically during the course of the Victorian era. Necklines rose, waistlines dropped, and Gothic severity gave way to flounces and frills. Sleeves ballooned up and skirts billowed out. The crinoline morphed into the bustle and steam-molded corsets cinched women’s waists ever tighter. As fashion evolved, so too did trends in ladies’ hair care and cosmetics. An era which began by prizing natural, barefaced beauty ended with women purchasing lip and cheek rouge, false hairpieces and pomades, and fashionable perfumes. Using research from nineteenth-century beauty books, fashion magazines, and lady’s journals, the author of the Parish Orphans of Devon series brings Victorian fashion into modern day focus—and offers a glimpse of the social issues that influenced women’s clothing and the outrage that was a frequent response to those bold females who used fashion and beauty to assert their individuality and independence. “An elegant resource that I will be reaching for again and again.”—Deanna Raybourn, New York Times-bestselling author of the Veronica Speedwell novels
Published in conjunction with an exhibition on view at the Metropolitan Museum of Art, New York, May 5-Aug. 15, 2010, and at the Brooklyn Museum, May 7-Aug. 1, 2010.
Crone's Book of Magical Words (previously published as The Crone's Book of Words) by Valerie Worth is the book you've been waiting for! In its pages are over 125 spells, incantations, and charms. If you can think of a purpose for a spell, it's probably in this book. Need a spell to summon a ghost? Or perhaps you want the opposite: a spell to free a house from being haunted. They're both in this book. Do you need something to help you lose weight or have longevity? You'll find them here. Or perhaps you want to pass through a locked door. It's all in this book. Even if you don't know a thing about magic, you can use this book. The spells are easy, poetic, and evocative. For example, to cure a wart the instructions are: "Stamp within a silver cup mullein and houseleek together. Stir them with a sparrow's feather. Let it draw the juices up; Twenty times upon one day, brush them over the excrescence; Under sunlight dry the essence--Soon the wart must shrink away." The range in this book is phenomenal. You'll find a simple fertility charm and a way to conjure with smoke. You'll read about how to bring rain and how to stop rain from falling. You'll learn how to tell fortunes with sand or with tea leaves. This is more than just a book about magic, it is a folklorist's bonanza. If you're ready to win another's love or to sweeten someone's disposition, if you want to turn hair long and golden or discover tree spirits, this is the book you must have. Whether you have been doing magic for a long time or are a beginner, this book is a must.
NATIONAL BESTSELLER • Senator John McCain tells the story of his great American journey, from the U.S. Navy to his electrifying campaign for the presidency in 2000, interwoven with heartfelt portraits of the mavericks who have inspired him through the years. After five and a half years as a prisoner of war in Vietnam, naval aviator John McCain returned home a changed man. Regaining his health and flight-eligibility status, he resumed his military career, commanding carrier pilots and serving as the navy’s liaison to what is sometimes ironically called the world’s most exclusive club, the United States Senate. Accompanying Senators John Tower and Henry “Scoop” Jackson on international trips, McCain began his political education in the company of two masters, leaders whose standards he would strive to maintain upon his election to the U.S. Congress. There, he learned valuable lessons in cooperation from a good-humored congressman from the other party, Morris Udall. In 1986, McCain was elected to the U.S. Senate, inheriting the seat of another role model, Barry Goldwater. During his time in public office, McCain has seen acts of principle and acts of craven self-interest. He describes both extremes in these pages, with his characteristic straight talk and humor. He writes honestly of the lowest point in his career, the Keating Five savings and loan debacle, as well as his triumphant moments—his return to Vietnam and his efforts to normalize relations between the U.S. and Vietnamese governments; his fight for campaign finance reform; and his galvanizing bid for the presidency in 2000. Writes McCain: “A rebel without a cause is just a punk. Whatever you’re called—rebel, unorthodox, nonconformist, radical—it’s all self-indulgence without a good cause to give your life meaning.” This is the story of McCain’s causes, the people who made him do it, and the meaning he found. Worth the Fighting For reminds us of what’s best in America, and in ourselves. Praise for Worth the Fighting For “When [John] McCain writes of people and patriotism, his pages shine with a devotion, a loving awe, that makes Worth the Fighting For worth the shelling out for. . . . McCain the man remains one of the most inspiring public figures of his generation.”—Jonathan Raunch, The Washington Post “[An] unpredictable, outspoken memoir . . . a testimonial to heroism from someone who has first-hand knowledge of what it takes.”—The New York Times
"Paul Poiret (1879-1944) led the fashion world in the first decade of the twentieth century and his autobiography tells the extraordinary story of his meteoric rise to fame. From his humble Parisian childhood to his debut as a couturier, to his experiences during the First World War, Poiret reveals all in this captivating tale, first published in 1931. An astute businessman, Poiret translated the spirit of Art Deco into revolutionary garments, and his memoir brings this astonishing period to life."--Publisher's description
A comprehensive history of high fashion in Paris from Madame Grès and Balenciaga to Yves Saint Laurent and Yohji Yamamoto, spanning all aspects from clothing and accessories to perfume. Ever since Charles Frederick Worth dressed the Empress Eugénie in the 1860s, launching a "golden century" for dressmaking, Parisian haute couture has been a source of endless admiration and fascination. Its emphasis on exquisite design and meticulous craftsmanship propelled it to the forefront of the fashion industry. The position and practices of haute couture may have evolved over time, but the work of many contemporary couturiers reveals a strong sense of continuity, from the creations of Jeanne Lanvin and Christian Dior, through to their modern counterparts in Jean-Paul Gaultier or Viktor & Rolf. This chronological study traces the history of the esteemed couture houses of Paris, examining the role of the designer and the extraordinary craftsmanship behind the finished creations, the place of haute couture in Parisian culture, and its influence in the wider fashion industry. Particular attention is paid to the relationship between haute couture and the client, as well as the dualities in modern haute couture—its sense of exclusivity and quasi-mythical aura countered by an ever-increasing reach into popular consciousness and attainability. This volume is richly illustrated with images of the most superb pieces created by exceptional designers. Various incarnations of Chanel’s timeless quilted handbag, Fath’s charmingly patterned silk scarves, and Poiret’s elegant perfume bottles demonstrate that haute couture encompasses far more than just clothing.