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FROM THE FATHER OF MODERN FANTASY THAT INSPIRED TOLKIEN AND LEWIS. Warriors, dwarves, gods, epic battles, magic armor, and a ring. If this all sounds a familiar, it's for good reason. In The House of the Wolfings, the first of the author's many great fantastic romances, William Morris weaves the traditional with the supernatural, and establishes a precursor to the modern epic fantasy genre. Based on a translation of an old Norse saga, Morris reconstructs a portrait of the lives of the Germanic Gothic Tribes galvanized into action againts the attacks of imperial Rome. Thiodolf, the leader of the Wolfings, is one of two men chosen as War-Dukes to lead the tribes against their enemies. Thiodolf may be supported by his lover the Wood-Sun and their daughter the Hall-Sun (both of whom are related to the gods), but he also possesses a dwarf-made mail-shirt that, unbeknownst to him, bears a curse.
In this comprehensive study, Williamson traces the literary history of the fantasy genre from the eighteenth century to its coalescence following the success of Tolkien's work in the 1960s. While some studies have engaged with related material, there has been no extended study specifically exploring the roots of this now beloved genre.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ A Tale Of The House Of The Wolfings: And All The Kindreds Of The Mark, Written In Prose And In Verse 2 William Morris Longmans, Green, and co., 1896
Fantasy novels are products of popular culture. They owe their popularity also to the visualization of medievalist artifacts on book covers and designs, illustrations, maps, and marketing: Castles on towering cliffs, cathedral-like architecture, armored heroes and enchanting fairies, fierce dragons and mages follow mythical archetypes and develop pictorial aesthetics of fantasy, completed by gothic fonts, maps and page layout that refer to medieval manuscripts and chronicles. The contributors to this volume explore the patterns and paradigms of a specific medievalist iconography and book design of fantasy which can be traced from the 19th century to the present.
The house of the wolfings From William Morris
J. R. R. Tolkien is arguably the most influential fantasy writer of all time--his world building and epic mythology have changed Western audiences' imaginations and the entire fantasy genre. This book is the first wide-ranging Christian Platonic reading on Tolkien's fiction. This analysis, written for scholars and general Tolkien enthusiasts alike, discusses how his fiction is constructed on levels of language, myth and textuality that have a background in the Greek philosopher Plato's texts and early Christian philosophy influenced by Plato. It discusses the concepts of ideal and real, creation and existence, and fall and struggle as central elements of Tolkien's fiction, focusing on The Hobbit, The Lord of the Rings, The Silmarillion and The History of Middle-earth. Reading Tolkien's fiction as a depiction of ideal and real, from the vision of creation to the process of realization, illuminates a part of Tolkien's aesthetics and mythology that previous studies have overlooked.
J. R. R. Tolkien's The Lord of the Rings was influenced by this tale of a romance that unites two long-ago peoples and of the battle to defend their freedom against invading Huns.