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In Pompeii's beautiful House of the Vettii, thirteen-year-old Ariana works as a kitchen slave. Unbeknownst to her, she is the daughter of her master, Claudius Vettius, a wealthy wine merchant. Ariana must deal with the smoldering jealousy of Claudius's wife, Julia, and the misplaced ardor of her half-brother, Marcus, a handsome teenage rebel. Not far from the House of the Vettii is the stately House of the Faun, notable for the bronze statue of a dancing faun, a mythical woodland creature, at the center of its spacious atrium. The master's son, Gaius, is almost fifteen, and hopes to follow in the footsteps of his father, an official in the city government. When Ariana is sent to the House of the Faun to serve as a maid, she and Gaius meet and fall in love. But they know that a slave girl and a government official's son have little chance of a future together. Numerous obstacles stand in their path, not the least of which is Marcus's jealousy. An absorbing and passionate tale, The House of the Faun tells a story of young love set against the intriguing backdrop of ancient Pompeii.
This 1986 book is an interpretative history of Greek art during the Hellenistic period.
Pompeii's tragedy is our windfall: an ancient city fully preserved, its urban design and domestic styles speaking across the ages. This richly illustrated book conducts us through the captured wonders of Pompeii, evoking at every turn the life of the city as it was 2,000 years ago. When Vesuvius erupted in 79 A.D. its lava preserved not only the Pompeii of that time but a palimpsest of the city's history, visible traces of the different societies of Pompeii's past. Paul Zanker, a noted authority on Roman art and architecture, disentangles these tantalizing traces to show us the urban images that marked Pompeii's development from country town to Roman imperial city. Exploring Pompeii's public buildings, its streets and gathering places, we witness the impact of religious changes, the renovation of theaters and expansion of athletic facilities, and the influence of elite families on the city's appearance. Through these stages, Zanker adeptly conjures a sense of the political and social meanings in urban planning and public architecture. The private houses of Pompeii prove equally eloquent, their layout, decor, and architectural detail speaking volumes about the life, taste, and desires of their owners. At home or in public, at work or at ease, these Pompeians and their world come alive in Zanker's masterly rendering. A provocative and original reading of material culture, his work is an incomparable introduction to urban life in antiquity.
"Thanks to this volume, the reader can visit the Roman houses of Pompeii, Herculaneum, Boscoreale, Oplontis, and Rome that display superb Roman frescoes on their walls ... An essay by Donatella Mazzoleni highlights the connections between Roman architecture and the programs of illusionistic wall paintings employed in these magnificent structures. Umberto Pappalardo examines the Roman domestic ideal and its realization in wall painting and through other elements of interior decoration. The two essays precede a sumptuously illustrated guide to twenty-eight of the most beautiful houses - among them, the Villa of the Mysteries, the House of the Vettii, and the House of the Faun in Pompeii; the House of Livia, the Villa Farnesina, and the Domus Aurea in Rome; the House of the Grand Portal in Herculaneum; and the Villa of Publius Fannius Synistor in Boscoreale."--BOOK JACKET.
The sudden destruction of Pompeii, Herculaneum and the surrounding Campanian countryside following the eruption of Vesuvius in AD 79 preserved the remarkable evidence that has made possible this reconstruction of the natural history of the local environment. Following the prototype of Pliny the Elder's Natural History, various aspects of the natural history of Pompeii are discussed and analyzed by a team of eminent scientists, many of whom have collaborated with Jashemski during her years of excavation of several gardens in the Vesuvian area. This volume brings together the work of geologists, soil specialists, paleobotanists, botanists, palaeontologists, biologists, chemists, dendrochronologists, ichthyologists, zoologists, ornithologists, mammalogists, herpetologists, entymologists, and archaeologists, affording a thorough picture of the landscape, flora, and fauna of the ancient sites. The detailed and rigorously scientific catalogues, which are copiously illustrated, provide a checklist of the flora and fauna upon which future generations of scholars can continue to build.
"Extensively documented with well-chosen, good quality photographs, Clarke's book effectively surveys these representative examples from the Late Republic to the Late Empire, illustrating the shift in the agendas of decoration as well as in the patterns of the lives played out behind closed doors within these highly charged domestic interiors."—Richard Brilliant, author of Visual Narratives: Storytelling in Etruscan & Roman Art "An enlightening and engaging walk through Roman cultural history. . . .This book will be essential to anyone interested in the classical past, in artistic ensembles, or in the experience of architecture."—Diane Favro, University of California, Los Angeles "Real experts in Roman painting are few. This book should be very welcome to Roman art historians and social historians wanting to present this material to their students."—Eleanor Winsor Leach, author of The Rhetoric of Space
Describes the eruption of Mt. Vesuvius that destroyed Pompeii in 79 A.D. and the rediscovery and subsequent excavation of this buried city.
This book provides a comprehensive account of mosaics in the ancient world from the early pebble mosaics of Greece to the pavements of Christian churches in the East. Separate chapters in Part I cover the principal regions of the Roman Empire in turn, in order to bring out the distinctive characteristics of their mosaic workshops. Questions of technique and production, of the role of mosaics in architecture, and of their social functions and implications are treated in Part II. The book discusses both well-known works and recent finds, and balances consideration of exceptional masterpieces against standard workshop production. Two main lines of approach are followed throughout: first, the role of mosaics as a significant art form, which over an unbroken span illuminates the evolution of pictorial style better than any comparable surviving medium; and secondly, their character as works of artisan production closely linked to their architectural context.
The Roman family is a key concept in the understanding of Roman society at all levels, from the aristocratic elite to slaves. The intertwined themes of status, sentiment, and space, with the use of many types of evidence, from the legal and literary to the iconographical and archaeological, enable the contributors to this book to set out new insights into the family life of the people of Roman Italy.
Archaeologists, anthropologists, and classicists discuss how urbanization first emerged in strikingly different sociopolitical contexts in North America, Europe, and the Near East. The pursuit for universally applicable definitions of the terms “urban” and “city” has frequently distracted scholars from scrutinizing processes of how ancient nucleated settlements evolved and developed. Based on the premise that similar social dynamics to a great extent governed nucleation trajectories throughout human history, Coming Together focuses on both prehistoric aggregated and early urban settlements. Drawing from a variety of theoretical and methodological approaches, archaeologists, anthropologists, and classicists discuss how nucleation unfolded in strikingly different sociopolitical contexts in North America, Europe, and the Near East. The major themes of the volume are nucleation’s origins, pathways to sustainability, and the transformative role of these sites in sociopolitical and cultural change.