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'...a remarkable account of the Packer family...painstakingly researched...will enthral anyone with an interest in the media'. - Kate de Brito, The Daily Telegraph Australia's richest man, Kerry Packer, came to the helm of Australian Consolidated Press a quarter of a century ago; in recent years his son, James, has begun taking over the reins of the group. But despite the legendary reputation of Kerry Packer and his father Sir Frank, and the popular fascination with young James, the story of the creation of the family dynasty has never been told. This compelling book unravels, for the first time, Frank Packer's Machiavellian deals that resulted in the launch of the Australian Women's Weekly in 1933. From there it charts the production of the Daily and Sunday Telegraphs, the Nine network, the Bulletin and Cleo. The House of Packer moves seamlessly from the bohemia of the newsroom to the intrigue of the boardroom; from the rumbustious style of celebrated editors to the feudalism of Sir Frank; from the bitter condemnation of political enemies to at times bizarre territorial disputes with the Fairfax and Murdoch dynasties.
Jane Packer Flowers shows how to use fresh flowers to bring color, variety, and style to every corner of the home. An introduction covers all the basics, including choosing flowers, conditioning, and caring for them, as well as the key design principles when it comes to choosing vases and containers and getting the proportions of arrangements right. There are dramatic flowers for mantelpieces, massed vases on console tables, tiny posies on windowsills, architectural blooms showcased on coffee tables, luscious color on dressing tables and desks, and even cut flowers for outdoor entertaining, as well as gorgeous arrangements for guest bedrooms and bathrooms. Fresh flowers have a powerful ability to raise our spirits and bring color and a sense of vitality to every interior. In Jane Packer Flowers there are no formal bouquets or stiff displays, just pretty, simple, and achievable arrangements that you’ll yearn to recreate in your own home.
Introducing a brand-new middle-grade graphic novel series with attitude that's just right for fans of Babymouse and Real Friends, and for anyone who loves--or hates!--unicorns! Pacey's little sister, Mina, has always said her stuffed unicorn, Slasher, is real--but seriously? He's a stuffed toy! Then again, he does seem to be leading Mina outside her room and to . . . some kind of weird magical unicorn land? Pacey may not believe in unicorns, but she's not about to let her little sister be kidnapped, so she does the only thing she can: follows them to unicorn land (that she totally does NOT believe in). And for the record, it's NOTHING like the stories. First off, what's up with Slasher's attitude? It's not Pacey's fault he's trapped in a ridiculous stuffed body. And that Alpha Unicorn guy? NOT. Nice. Pacey will just be grabbing Mina and taking her home, thankyouverymuch . . . that is, if she can work with the grumpiest unicorn stuffy ever to outsmart the Evil Alpha Unicorn and find the way out--preferably without stepping on any poisonous killer flowers. (WHAT IS WITH THIS PLACE ANYWAY?!)
The acclaimed debut short story collection that introduced the world to an arresting and unforgettable new voice in fiction, from multi-award winning author ZZ Packer Her impressive range and talent are abundantly evident: Packer dazzles with her command of language, surprising and delighting us with unexpected turns and indelible images, as she takes us into the lives of characters on the periphery, unsure of where they belong. We meet a Brownie troop of black girls who are confronted with a troop of white girls; a young man who goes with his father to the Million Man March and must decide where his allegiance lies; an international group of drifters in Japan, who are starving, unable to find work; a girl in a Baltimore ghetto who has dreams of the larger world she has seen only on the screens in the television store nearby, where the Lithuanian shopkeeper holds out hope for attaining his own American Dream. With penetrating insight, ZZ Packer helps us see the world with a clearer vision. Fresh, versatile, and captivating, Drinking Coffee Elsewhere is a striking and unforgettable collection, sure to stand out among the contemporary canon of fiction.
*Finalist for the Pulitzer Prize for Biography* *Winner of the Los Angeles Times Prize for Biography* *Winner of the 2019 Hitchens Prize* "Portrays Holbrooke in all of his endearing and exasperating self-willed glory...Both a sweeping diplomatic history and a Shakespearean tragicomedy... If you could read one book to comprehend American's foreign policy and its quixotic forays into quicksands over the past 50 years, this would be it."--Walter Isaacson, The New York Times Book Review "By the end of the second page, maybe the third, you will be hooked...There never was a diplomat-activist quite like [Holbrooke], and there seldom has been a book quite like this -- sweeping and sentimental, beguiling and brutal, catty and critical, much like the man himself."--David M. Shribman, The Boston Globe Richard Holbrooke was brilliant, utterly self-absorbed, and possessed of almost inhuman energy and appetites. Admired and detested, he was the force behind the Dayton Accords that ended the Balkan wars, America's greatest diplomatic achievement in the post-Cold War era. His power lay in an utter belief in himself and his idea of a muscular, generous foreign policy. From his days as a young adviser in Vietnam to his last efforts to end the war in Afghanistan, Holbrooke embodied the postwar American impulse to take the lead on the global stage. But his sharp elbows and tireless self-promotion ensured that he never rose to the highest levels in government that he so desperately coveted. His story is thus the story of America during its era of supremacy: its strength, drive, and sense of possibility, as well as its penchant for overreach and heedless self-confidence. In Our Man, drawn from Holbrooke's diaries and papers, we are given a nonfiction narrative that is both intimate and epic in its revelatory portrait of this extraordinary and deeply flawed man and the elite spheres of society and government he inhabited.
A playfully inventive and invigorating debut collection of poetry from a finalist for the CBC Poetry Prize and The Walrus Poetry Prize. With settings ranging from the ancient sites and lavish museums of Europe to the inner-city neighbourhood in North Central Regina where the poet grew up, the poems in Cassidy McFadzean’s startling first collection embrace myth and metaphysics and explore the contradictory human impulses to create art and enact cruelty. A child burn victim is conscripted into a Grade Eight fire safety seminar; various road-killed animals make their cases for sainthood; and the fantastical visions in Hieronymus Bosch’s The Garden of Earthly Delights move off the canvas and onto the speaker’s splendid pair of leggings. Precociously wise, formally dexterous, and unrepentantly strange, the poems in Hacker Packer present a wholly memorable poetic debut.
Women of Will is a fierce and funny exploration of Shakespeare’s understanding of the feminine. Tina Packer, one of our foremost Shakespeare experts, shows that Shakespeare began, in his early comedies, by writing women as shrews to be tamed or as sweet little things with no independence of thought. The women of the history plays are much more interesting, beginning with Joan of Arc. Then, with the extraordinary Juliet, there is a dramatic shift: suddenly Shakespeare’s women have depth, motivation, and understanding of life more than equal to that of the men. As Shakespeare ceases to write women as predictable caricatures and starts writing them from the inside, his women become as dimensional, spirited, spiritual, active, and sexual as any of his male characters. Wondering if Shakespeare had fallen in love (Packer considers with whom, and what she may have been like), the author observes that from Juliet on, Shakespeare’s characters demonstrate that when women and men are equal in status and passion, they can—and do—change the world.
With humor, wisdom and tenderness, Ann Packer offers ten short stories about women and men--wives and husbands, sisters and brothers, daughters, sons, mothers, fathers, friends, and lovers--who discover that life's greatest surprises may be found in that which is most familiar. In the title story, on the anniversary of their father's suicide a young woman discovers that her brother may have found a "reason for living" in the love of a good woman. In "Nerves," a young man realizes that the wife he is separated from no longer loves him but that it is his own life he misses, not her. The narrator of "My Mother's Yellow Dress" is a gay man remembering his deceased mother and their vital and troubling intimacy. In "Babies"--which was included in the prestigious O. Henry anthology series --a single woman in her mid-thirties finds that everyone, including her best friend at work, is pregnant, and that their joy can only be observed, not shared. In these and six other stories, Ann Packer exhibits an unerring eye for the small ways in which people reveal themselves and for the moments in which lives may be transformed.