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It is 1950 and Amato must travel to an isolated village in the mountains of southern Italy, untouched by a world at war yet poisoned by secrets, superstition and deceit. In the small town where all is known, a blind eye is turned to shameful truths. The young doctor Amato tries to unravel the mystery of what happened to a sixteen year old girl with psychic healing powers and discovers his own.
Claude Monet is considered one of the most influential artists of all time. He is a founder of the French Impressionist art movement, and today his paintings sell for millions of dollars. While Monet was alive, however, his work was often criticized and he struggled financially. With over one hundred black-and-white illustrations, this book unveils a true portrait of the artist!
An anthology of reminiscences, interviews, memoirs, and essays by a wide-ranging group of people--journalists, musicians, impresarios, or chance acquaintances--who met the reclusive and secretive composer at various moments during his long life. Each entry has a relevant place within the chronology of Verdi's life, and every reference to an unfamiliar event or name in the text is explained in the copious footnotes.
A true story of vendetta and intrigue, triumph and tragedy, exile and repatriation, this book recounts the interwoven microhistories of Count Girolamo Della Torre, a feudal lord with a castle and other properties in the Friuli, and Giulia Bembo, grand-niece of Cardinal Pietro Bembo and daughter of Gian Matteo Bembo, a powerful Venetian senator with a distinguished career in service to the Venetian Republic. Their marriage in the mid-sixteenth century might be regarded as emblematic of the Venetian experience, with the metropole at the center of a fragmented empire: a Terraferma nobleman and the daughter of a Venetian senator, who raised their family in far off Crete in the stato da mar, in Venice itself, and in the Friuli and the Veneto in the stato da terra. The fortunes and misfortunes of the nine surviving Della Torre children and their descendants, tracked through the end of the Republic in 1797, are likewise emblematic of a change in feudal culture from clan solidarity to individualism and intrafamily strife, and ultimately, redemption. Despite the efforts by both the Della Torre and the Bembo families to preserve the patrimony through a succession of male heirs, the last survivor in the paternal bloodline of each was a daughter. This epic tale highlights the role of women in creating family networks and opens a precious window into a contentious period in which Venetian republican values clash with the deeply rooted feudal traditions of honor and blood feuds of the mainland.