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The inspiring story of the woman at the center of the historic discrimination case that inspired the Lilly Ledbetter Fair Pay Restoration Act, her fight for equal rights in the workplace, and how her determination became a victory for the nation Lilly Ledbetter always knew that she was destined for something more than what she was born into: a house with no running water or electricity in the small town of Possum Trot, Alabama. In 1979, when Lilly applied for her dream job at the Goodyear tire factory, she got the job. She was one of the first women hired at the management level. Nineteen years after her first day at Goodyear, Lilly received an anonymous note revealing that she was making thousands less per year than the men in her position. When she filed a sex-discrimination case against Goodyear, Lilly won--and then heartbreakingly lost on appeal. Over the next eight years, her case made it all the way to the Supreme Court, where she lost again. But Lilly continuted to fight, becoming the namesake of President Barack Obama's first official piece of legislation. Both a deeply inspiring memoir and a powerful call to arms, Grace and Grit is the story of a true American icon.
In this monumental volume, one of the most important architects of our time gives us his own life story, and reveals the development of his work in several hundred magnifcent photographs, plans and drawings. When the publisher told Edward Durell Stone that The New York Times called him "one of the most controversial architects in America today," he replied, "I'd rather be universal than controversial." Readers of this book will discover that he is both. The fascinating story of Edward Durell Stone's career spans over sixty years of American life, and he tells it with unforgettable warmth and wit. Beginning with an idyllic childhood in an atmosphere of serenity and affluence, he describes the town of his youth, the "hot bed of tranquility in the Ozarks, and then takes us in rapid scenes to Boston, New York, Washington and Europe. It is on a morning in New York that the visual miracle occurs: We see precisely how the seeds of architecture take root in his imagination, and we witness the flowering of the talent that has created an incredible variety of romantically beautiful structures-houses, churches, hotels, universities, buildings of every description celebrated throughout the world. The story of Edward Stone's career parallels the story of modern architecture. In the early Thirties he designs the famed Mandel and Goodyear houses and the Museum of Modern Art among others. In the Forties, he produces an enormous number of exquisite residences, varying from small houses to large estates - and moves with an incomparable surge of creativity into the Fifties to design some of the most widely discussed buildings in the world: the United States Embassy in India (hailed for its lyrical beauty by Frank Lloyd Wright), the Brussels World's Fair Pavilion, the El Panama hotel (virtually without corridors and doors-a design which has since been imitated in resort hotels allover the world), the Graf House in Dallas, the Yardley building in New Jersey and the Stuart building in Pasadena, the Stanford Medical Center, etc., etc. Now, in the Sixties, the most important creations of Edward Stone's inventive genius are under way around the globe- a series of apartment buildings and hotels in New York, Philadelphia, Palm Beach, Pittsburgh, etc., the Huntington Hartford Gallery of Modern Art in New York, a new campus for Beirut, a mosque and a new atomic institute for Pakistan, the National Cultural Center for Washington, a revolutionary skyscraper for New York, a great number of others- among them the largest project of his fantastically productive career, a complex of buildings to form an entirely new campus for ten thousand students at State University of New York in Albany. Mr. Stone's personal life is intertwined as one with his creative career and so we discover many revealing passages of friendship and family life: delightful sketches of his parents, his formidably relaxed uncles, his imaginative architect brother; there are wonderful recollections of Frank Lloyd Wright; and, above all, the moving account of his meeting with the fascinating girl, Maria, who was to become his wife and the inspiring force in his life- a life which may be said to be in itself an American work of art. -- from dust jacket.
The popular New Yorker writer combines the style of Mary Roach with the on-the-ground food savvy of Anthony Bourdain. Dana Goodyear’s narrative debut is a highly entertaining, revelatory look into the raucous, strange, fascinatingly complex world of contemporary American food culture. At once an uproarious behind-the-scenes adventure and a serious attempt to understand the implications of an emergent new cuisine, it introduces a cast of compelling and unexpected characters—from Los Angeles Times critic Jonathan Gold, to a high-end Las Vegas purveyor of rare and exotic ingredients, to the traffickers and promoters of raw milk and other forbidden products, to the hottest chefs who rely on them—all of whom, along with today’s diners, are changing the face of American eating. Ultimately, Goodyear looks at what we eat, and tells us who we are. As she places all of this within a vivid historical and cultural framework, she shows how these gathering culinary trends may eventually shape the way all Americans dine. What emerges is a picture of America at a moment of transition, designing the future as it reimagines the past.
For twenty-five years, Julie Goodyear became part of everyone's family when she played Bet Lynch, the loveable brassy barmaid of the Rovers Return in 'Coronation Street'. Now, at sixty-four (the age her mother was when she died), Julie feels the time is right to tell her amazing life story. After Julie's father walked out soon after her birth, Julie was brought up by her mother Alice and stepfather. Her upbringing in Manchester was impoverished but Julie coped largely through the love for her spiritualist grandmother, who Julie would accompany when she was called upon by the local community to lay out the dead. At just thirteen, Julie had to deal with her beloved grandmother's death when she was found in a canal. Julie fell pregnant at sixteen, bringing shame and embarrassment, before marrying Ray Sutcliffe. The marriage only lasted three years. In 1966 Julie made a six-week appearance in Coronation Street as Bet Lynch from Elliston's Raincoat Factory, a role which made her Britain's best-loved barmaid and a cultural institution. In 1979, during a routine check up, Julie discovered she had cervical cancer and had two operations. At the time she was given a year to live. Various liaisons during the ensuing decade included Julie's first foray into a same sex relationship with her housekeeper. In 1987 Julie left Coronation Street for a while to nurse her mother Alice who was dying of terminal cancer. Julie finally quit the series on 2 October 1995 after walking away with a lifetime Achievement Award at the first National Television Awards. In 1996 she was awarded an MBE. Julie's much anticipated autobiography reveals, for the first time and with incredible candour, the truth, sadness and spirit behind this larger than life woman.