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In the aftermath of the September 1862 Battle of Antietam, President Abraham Lincoln issued the most significant presidential decree in American history, the Emancipation Proclamation, which would forever free all slaves in territory not under Union control. Nevertheless, his chief military commander in the field, Major General George B. McClellan, was outraged. Within days, two former Union officers nefariously crossed the lines into rebeldom, an initiative resulting in an elaborate subterfuge to scam Lincoln into withdrawing the Proclamation in return for nebulous promises of peace. This book tells the story, obscured in a veil of secrecy for 150 years, of the cloak and dagger chess match between Union detectives and Southern operatives in the months before emancipation become effective. Despite an ominous warning by author Herman Melville five years before, the scheme to perpetuate slavery almost succeeded, for it was engineered by a man the National Police Gazette once declared the "King of the Confidence Men."
The bibliographic holdings of family histories at the Library of Congress. Entries are arranged alphabetically of the works of those involved in Genealogy and also items available through the Library of Congress.
A world list of books in the English language.
Variant spellings include Francisco/Franciscus.
Reverence for J. S. Bach's music and its towering presence in our cultural memory have long affected how people hear his works. In his own time, however, Bach stood as just another figure among a number of composers, many of them more popular with the music-loving public. Eschewing the great composer style of music history, Andrew Talle takes us on a journey that looks at how ordinary people made music in Bach's Germany. Talle focuses in particular on the culture of keyboard playing as lived in public and private. As he ranges through a wealth of documents, instruments, diaries, account ledgers, and works of art, Talle brings a fascinating cast of characters to life. These individuals--amateur and professional performers, patrons, instrument builders, and listeners--inhabited a lost world, and Talle's deft expertise teases out the diverse roles music played in their lives and in their relationships with one another. At the same time, his nuanced re-creation of keyboard playing's social milieu illuminates the era's reception of Bach's immortal works.