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An outstanding poem and a consummate example of employing the dream vision technique. It is one of the longest works of Chaucer. The poet unfolds ten stories of virtuous women in nine sections. It is one of the first mock-heroic works in English Literature. Inspirational!...
Spanning Chaucer's working life, these four poems build on the medieval convention of 'love visions' - poems inspired by dreams, woven into rich allegories about the rituals and emotions of courtly love. In The Book of the Duchess, the most traditional of the four, the dreamer meets a widower who has loved and lost the perfect lady, and The House of Fame describes a dream journey in which the poet meets with classical divinities. Witty, lively and playful, The Parliament of Birds details an encounter with the birds of the world in the Garden of Nature as they seek to meet their mates, while The Legend of Good Women sees Chaucer being censured by the God of Love, and seeking to make amends, for writing poems that depict unfaithful women. Together, the four create a marvellously witty, lively and humane self-portrait of the poet.
Dream literature is regarded as one of the most important genres in medieval literature and is widely studied. This text provides a succinct and clear introduction to the five central poems that comprise Chaucer's Dream Poetry, and shows his role as a leading adapter of European Literary tradition into English Literature. The poems discussed are The Book of the Duchess, The Legend of Good Women, The Legend of Dido, The Parliament of Fowls and The House of Fame. Each have an introduction setting the poem within the context of Dream Poetry and Chaucer's own work. Appendices of proper names, pronunciation and criticism are also given. This volume is unique is presenting the poems together in an editorial and critical framework. The quality of annotation is unrivalled and will make this text a major addition to the literature suitable for those interested in the genre, literary, or more general history of the period.
It is 1370, right in the middle of the Anglo-French conflict, the Hundred Years War. In danger of losing the Aquitaine territory, England sends Geoffrey Chaucer, protege of the king's son, to France. As a poet on a diplomatic mission, Chaucer must persuade one of the most important noblemen of the region to remain loyal to England's king. But Henri, Comte de Guyac, whose wife Chaucer had previously fallen in love with when he was held prisoner by Henri, is not exactly neutral in his feelings for Chaucer. Wondering how he will feel when he sees Rosamund, the Comte's wife, Chaucer reaches de Guyac's castle and is greeted by turmoil. His mission is further complicated when Henri is killed during a boar hunt. Chaucer soon realizes the Comte's death is no hunting accident and that he must solve the murder before returning home. Enemies and suspects abound, from a troupe of travelling players to factions within the castle itself. Chaucer finds himself in the midst of a brightly colorful puzzle that turns him into a fugitive in a foreign country, unsure who his friends and enemies really are."
The Cambridge Companion to Chaucer is an extensively revised version of the first edition, which has become a classic in the field. This new volume responds to the success of the first edition and to recent debates in Chaucer Studies. Important material has been updated, and new contributions have been commissioned to take into account recent trends in literary theory as well as in studies of Chaucer's works. New chapters cover the literary inheritance traceable in his works to French and Italian sources, his style, as well as new approaches to his work. Other topics covered include the social and literary scene in England in Chaucer's time, and comedy, pathos and romance in the Canterbury Tales. The volume now offers a useful chronology, and the bibliography has been entirely updated to provide an indispensable guide for today's student of Chaucer.
"Delany's book is the most convincing argument yet for the importance of the Legend both on its own terms and in terms of Chaucer's career and literary climate. She convincingly demolishes the sense of the work on the part of its detractors and defenders as naive or obvious. Instead, she rediscovers a surprisingly unrecognized Chaucerian ironic mode, which in light of feminist theory complicates Chaucer's place vis-a-vis the representation of women. It will be the most widely cited study of the Legend of Good Women for some time to come."--John M. Ganim, author of Chaucerian Theatricality "After this book, it will never be possible to 'trivialize' the Legend or to underestimate its importance in the canon of Chaucer's works again. This beautifully written book is more than just another book on Chaucer: this is a book on Chaucer that we really need."--R. A. Shoaf, editor of Chaucer's Troilus and Criseyde
A re-editing of F.N. Robinson's second edition of The works of Geoffrey Chaucer published in 1957 by the team of experts at the Riverside Institute who have greatly expanded the introductory material, explanatory notes, textual notes, bibliography and glossary. The result of many years' study. The Riverside Chaucer is the most authentic and exciting edition available of Chaucer's complete works.