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They were as much in favor with James the First as they had been with the mighty princess whose mantle fitted Scotch James as well as royal robes fit a sign-post. He played the fool with them as he did with all his favorites, but put money in their purses for it, and their estates grew. Poor stubborn Charles the First found the Egremonts loyal to him in his endeavors to rule the English people as they did not wish to be ruled; and, although they suffered somewhat at the hands of Cromwell, the second Charles found them to his heart’s liking, and repaid them twice over. There were many Egremonts then, younger sons of younger sons, and they held together strongly in certain things, and differed angrily and loudly upon others. They were not a race of milksops, but sinewy men and women, red-blooded like their Elizabethan ancestor. Their motto was, “Fear God, and take your own part.” Some of them feared God, but all of them took their own part with firmness and determination. Although they held firmly to their religion, they frequently took liberties with the Decalogue; but having received great benefits from their sovereigns, repaid it with a handsome loyalty...FROMTHE BOOKS
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2014 marks the hundredth anniversary of the outbreak of what many believed would be the war to end all wars. And while the First World War devastated Europe, it inspired profound poetry - words in which the atmosphere and landscape of battle are evoked perhaps more vividly than anywhere else. The poets - many of whom were killed - show not only the war's tragedy but the hopes and disappointments of a generation of men. In Some Desperate Glory, historian and biographer Max Egremont gives us a transfiguring look at the life and work of this assemblage of poets. Wilfred Owen with his flaring genius; the intense, compassionate Siegfried Sassoon; the composer Ivor Gurney; Robert Graves who would later spurn his war poems; the nature- loving Edward Thomas; the glamorous Fabian Socialist Rupert Brooke; and the shell-shocked Robert Nichols all fought in the war, and their poetry is a bold act of creativity in the face of unprecedented destruction. Some Desperate Glory includes a chronological anthology of their poems, with linking commentary, telling the story of the war through their art. This unique volume unites the poetry and the history of the war, so often treated separately, granting readers the pride, strife, and sorrow of the individual soldier's experience coupled with a panoramic view of the war's toll on an entire nation.
Until the end of World War II, East Prussia was the German empire's farthest eastern redoubt, a thriving and beautiful land on the southeastern coast of the Baltic Sea. Now it lives only in history and in myth. Since 1945, the territory has been divided between Poland and Russia, stretching from the border between Russia and Lithuania in the east and south, and through Poland in the west. In Forgotten Land, Max Egremont offers a vivid account of this region and its people through the stories of individuals who were intimately involved in and transformed by its tumultuous history, as well as accounts of his own travels and interviews he conducted along the way. Forgotten Land is a story of historical identity and character, told through intimate portraits of people and places. It is a unique examination of the layers of history, of the changing perceptions and myths of homeland, of virtue and of wickedness, and of how a place can still overwhelm those who left it years before.
Max Egremont, author of Some Desperate Glory, tells stories from the "Glass Wall" between Europe and Asia. Few countries have suffered more from the convulsions and bloodshed of twentieth-century Europe than those in the eastern Baltic region. Caught between the giants of Germany and Russia, on a route across which armies surged or retreated, small nations like Latvia and Estonia were for centuries the subjects of conquests and domination as foreign colonizers claimed control of the territory and its inhabitants, along with their religion, government, and culture. The Glass Wall features an extraordinary cast of characters—contemporary and historical, foreign and indigenous—who have lived and fought in the Baltic, western Europe’s easternmost stronghold. Too often the destiny of this region has seemed to be to serve as the front line in other people’s wars. By telling the stories of warriors and victims, of philosophers and barons, of poets and artists, of rebels and emperors, and of others who lived through years of turmoil and violence, Max Egremont sets forth a brilliant account of a long-overlooked region, on a frontier whose limits may still be in doubt.
Great Houses of London tells the stories of some of the grandest and most fascinating houses in this historic city, from their famous owners and occupants to their renovations and the many riches held within each.
The life of Siegfried Sassoon has been recorded and interpreted in literature and film for over half a century. He is one of the great figures of the First World War, and Memoirs of a Fox-Hunting Man and Memoirs of an Infantry Officer are still widely read, as are his poems, which did much to shape our present ideas about the Great War. Sassoon was a genuine hero, a brave young officer who also became the war's most famous opponent, risking imprisonment and even a death sentence by throwing his Military Cross into the Mersey. He was friend to Robert Graves, mentor to Wilfred Owen and much admired by Churchill. But Sassoon was more than the embodiment of a romantic ideal; he was in many senses the perfect product of a vanished age. And many questions about his character, unique experience and motivations have remained unanswered until now. Siegfried Sassoon’s life has been recorded and interpreted in literature and film for over half a century. But this poet, First World War hero, friend to Robert Graves and mentor to Wilfred Owen, was more than the embodiment of a romantic ideal. Passionately involved with the aristocratic aesthete Stephen Tennant, married abruptly to the beautiful Hester Gatty, estranged, isolated, and a late Catholic convert, his private story has never before been told in such depth. Egremont discovers a man born in a vanished age, unhappy with his homosexuality and the modernist revolution that appeared to threaten the survival of his work, and engaged in an enduring personal battle between idealism and the world in which he moved. Shortlisted for the 2005 James Tait Black Memorial Prize for Autobiography
**Washington Post Best Books of 2013** The celebrated TRANSYLVANIAN TRILOGY by Count Miklós Bánffy is a stunning historical epic set in the lost world of the Hungarian aristocracy just before World War I. Written in the 1930s and first discovered by the English-speaking world after the fall of communism in Hungary, Bánffy’s novels were translated in the late 1990s to critical acclaim and appear here for the first time in hardcover. They Were Found Wanting and They Were Divided, the second and third novels in the trilogy, continue the story of the two aristocratic cousins introduced in They Were Counted as they navigate a dissolute society teetering on the brink of catastrophe. Count Balint Abády, a liberal politician who defends his homeland’s downtrodden Romanian peasants, loses his beautiful lover, Adrienne, who is married to a sinister and dangerously insane man, while his cousin László loses himself in reckless and self-destructive addictions. Meanwhile, no one seems to notice the gathering clouds that are threatening the Austro-Hungarian Empire and that will soon lead to the brutal dismemberment of their country. Set amid magnificent scenery of wild forests, snowcapped mountains, and ancient castles, THE TRANSYLVANIAN TRILOGY combines a Proustian nostalgia for a lost world, insight into a collapsing empire reminiscent of the work of Joseph Roth, and the drama and epic sweep of Tolstoy.