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Lord of the Flies meets Never Let Me Go in this “moving and totally involving” (Stephen King) dystopian thriller from the internationally best-selling author of Behind Her Eyes Toby’s life was perfectly normal . . . until it was unraveled by something as simple as a blood test. Taken from his family, Toby now lives in the Death House; an out-of-time existence far from the modern world, where he, and the others who live there, are studied by Matron and her team of nurses. They’re looking for any sign of sickness. Any sign of their wards changing. Any sign that it’s time to take them to the sanatorium. No one returns from the sanatorium. Living in his memories of the past, Toby spends his days fighting his fear. But then a new arrival in the house shatters the fragile peace, and everything changes. Because everybody dies. It’s how you choose to live that counts.
Sister Fidelma returns in the thirty-second Celtic mystery by Peter Tremayne. Ireland. AD 672. The Feast of Beltaine is approaching and the seven senior princes of the kingdom of Muman are gathering at Cashel to discuss King Colgu's policies. Just days before the council meets, Brother Conchobhar, the keeper of the sacred sword, is found murdered. Sister Fidelma and her brother Colgú fear that the killer had been trying to steal the sword that symbolises the King's authority to rule. And as rumours begin to spread of an attempt to overthrow Colgú, news reaches Cashel that a plague ship has landed at a nearby port, bringing the deadly pestilence to its shores. Amid fear and panic, Fidelma, Eadulf and Enda must work together to catch a killer as the death toll starts to mount . . .
A would-be spinster. A dashing stranger. And a secret that will bind them forever... Joy Horton is comfortable and content in her job as village seamstress. She lives a simple life with her family and is determined never to marry, for fear of passing on her strange handicap to any offspring. When the brash and impulsive Arthur Marco steps into her little shop for a repair, he immediately brings color and chaos into Joy's ordered life. Their exchanges are spirited and flirtatious, but while Joy hasn't changed her mind about marriage, Arthur is certain she will bring him happiness. Arthur has already lived a life of sorrow. After all, he's already buried a wife under what some consider to be suspicious circumstances. But after so much misery, doesn't a man deserve to be happy? As Arthur's past comes to light, Joy realizes a union could spell disaster for them both. Are his intentions as simple as they seem? Or is Joy unwittingly playing a part in a more sinister plan? It seems Arthur will do anything to keep Joy away from his family's legacy of death. Anything but stay away from her. The House That Death Built is a thrilling fantasy-romance novel that will have readers turning pages at a breathless pace. SCROLL UP AND GRAB YOUR COPY TODAY!
When Lila Fowler meets a dashing young medical student, she thinks she's found Mr. Right. But he's only after her money--and he'll do anything to get his hands on it. He plays with Lila's head, convincing her she needs psychological help--but he's the one with a twisted mind. Now Lila's on the brink of destruction. Will she turn in her fur coat for a straightjacket?
Originally published in 1986. In The House of Death, Arnold Stein studies the ways in which English poets of the sixteenth and seventeenth centuries imagined their own ends and wrote of the deaths of those they loved or wished to honor. Drawing on a wide range of texts in both poetry and prose, Stein examines the representations, images, and figurative meanings of death from antiquity to the Renaissance. A major premise of the book is that commonplaces, conventions, and the established rules for thinking about death did not prevent writers from discovering the distinctive in it. Eloquent readings of Raleigh, Donne, Herbert, and others capture the poets approaching their own death or confronting the death of others. Marvell's lines on the execution of Charles are paired with his treatment of the dead body of Cromwell; Henry King and John Donne both write of their late wives; Ben Jonson mourns the death of a first son and a first daughter. For purposes of comparison, the governing perspective of the final chapter is modern.
The most pivotal and yet least understood event of Frank Lloyd Wright’s celebrated life involves the brutal murders in 1914 of seven adults and children dear to the architect and the destruction by fire of Taliesin, his landmark residence, near Spring Green, Wisconsin. Unaccountably, the details of that shocking crime have been largely ignored by Wright’s legion of biographers—a historical and cultural gap that is finally addressed in William Drennan’s exhaustively researched Death in a Prairie House: Frank Lloyd Wright and the Taliesin Murders. In response to the scandal generated by his open affair with the proto-feminist and free love advocate Mamah Borthwick Cheney, Wright had begun to build Taliesin as a refuge and "love cottage" for himself and his mistress (both married at the time to others). Conceived as the apotheosis of Wright’s prairie house style, the original Taliesin would stand in all its isolated glory for only a few months before the bloody slayings that rocked the nation and reduced the structure itself to a smoking hull. Supplying both a gripping mystery story and an authoritative portrait of the artist as a young man, Drennan wades through the myths surrounding Wright and the massacre, casting fresh light on the formulation of Wright’s architectural ideology and the cataclysmic effects that the Taliesin murders exerted on the fabled architect and on his subsequent designs. Best Books for General Audiences, selected by the American Association of School Librarians, and Outstanding Book, selected by the Public Library Association
The search for a valuable for a valuable scroll leads Feluda and his friends to a strange cast of characters, and perhaps the most chilling case Feluda has ever been faced with.
In this almost documentary account of his own experiences of penal servitude in Serbia, Dostoevsky describes the physical and mental suffering of the convicts, the squalor and the degradation, in relentless detail. The inticate procedure whereby the men strip for the bath without removing their ten-pound leg-fetters is an extraordinary tour de force, compared by Turgenev to passages from Dante's Inferno. Terror and resignation - the rampages of a pyschopath, the brief serence interlude of Christmas Day - are evoked by Dostoevsky, writing several years after his release, with a strikingly uncharacteristic detachment. For this reason, House of the Dead is certainly the least Dostoevskian of his works, yet, paradoxically, it ranks among his great masterpieces.
As Alexander the Great sits with his troops poised to attack, his guides are murdered. Can he uncover the spies in time? The House of Death is the first mystery in the magnificent Ancient Greece series featuring Alexander the Great and his physician Telamon, by master historian Paul Doherty. Perfect for fans of Gary Corby and Margaret Doody. 'Paul Doherty has created a vivid, credible picture of life in the Persian and Macedonian courts on the eve of Alexander's conquests' - The Times It is 334 BC and the young Alexander sits with his troops by the Hellespont, poised to attack the empire of the great King Darius III. To win the approval of the gods for his enterprise he makes many offerings, yet the smoke does not rise, the sacrificial animals are flawed. Worse, his guides are being brutally murdered, Persian spies are in the camp, and Alexander's generals have their own secrets. Into this turmoil comes Telamon, a physician and boyhood friend of Alexander. As the climax builds and Alexander throws off his nervous fears, winning a brilliant and bloody triumph over the Persians, Telamon must at last succeed in unmasking their enemies... What readers are saying about The House of Death: 'A book to fall in love with' 'Paul Doherty at his very best! Very well researched - a joy to read' 'Found myself totally engrossed in the book; I could not put it down till I got to the very last page'
A crime of passion brought to life by multi-million copy and SUNDAY TIMES bestselling author Ruth Rendell. Fans of PD James, Ann Cleeves and Donna Leon will love this dark and achingly absorbing thriller... 'Psychologically acute and extremely disturbing, Ruth Rendell's work is outstanding' -- The Times 'Ruth Rendell's books are not only whodunits but whydunits, uncovering the motive roots of murder' -- Mail on Sunday 'Do not read before bedtime as you will want to finish it and will go to bed far too late!' -- ***** Reader review 'An entertaining, fast paced read' -- ***** Reader review 'I just couldn't put it down'-- ***** Reader review 'I was totally enthralled by this from start to finish'-- ***** Reader review ******************************************************************************************* It was his third visit to the gloomy house on Orchard Drive. Each time, he parked in the same place. Each time, he carried a briefcase. And each time, Louise North greeted him at the door. Susan Townsend was the only resident with no interest in the affair going on next door, or in the neighbourhood gossip about it. Yet it was Susan who found the murdered bodies of the lovers, locked not in passion, but in death. And it was Susan whose own life would be imperilled by a monstrous crime far beyond the imaginings of the vilest gossiping tongues...